3,485 research outputs found
Dahn, Felix an Herman Grimm (2 Briefe)
No full textDAHN, FELIX AN HERMAN GRIMM (2 BRIEFE)
Dahn, Felix an Herman Grimm (2 Briefe) (Br851)
Brief 851 (Br851)
Brief 852 (Br852
Felix Æstheticus. Pour Herman Parret
No full texteditorial reviewed« Le corps vagabond du felix æstheticus existe à partir de ce conglomérat de l’œil, de l’oreille, du palais et de la main, lieux d’implantation de la délicatesse des sens, et ainsi fond et source de l’expérience de la beauté et du bonheur de vivre », écrit Herman Parret dans la Délicatesse des sens.
Ce rapport foncièrement esthétique à l’existence et à l’art caractérise en premier lieu Herman Parret lui-même, dans son quotidien et son travail. Mais cet éthos d’intellectuel peut aussi servir de fil rouge pour ses derniers livres et articles. Le felix æstheticus intéresse Herman Parret dans la mesure où il est cet être sensible qui expérimente le monde de manière haptique. Il est aussi l’artiste qui travaille la matière de ses mains dont Valéry fait l’éloge. Il est encore ce spectateur de l’art qui se sent touché, ébranlé par l’expérience esthétique ressentie. L’expérience du felix æstheticus rassemble enfin, dans leur variété, les études du présent volume édité en l’honneur d’Herman Parret
Felix Budelmann, The Language of Sophocles. Communality, Communication and Involvement.
No full textVan Looy Herman. Felix Budelmann, The Language of Sophocles. Communality, Communication and Involvement.. In: L'antiquité classique, Tome 70, 2001. pp. 233-234
Interview with Carl Jefferson / interviewed by Felix Grant, 1981
No full textCarl Jefferson discusses his career with interviewer and radio host Felix Grant. Excerpts by Concord Records' artists are featured on excerpts from recordings selected by Grant.Made available in DSpace on 2012-10-09T17:35:12Z (GMT). No. of bitstreams: 2
jefferson_carl.rm: 31017041 bytes, checksum: 677ca38cf850dfcab07d521d20a07633 (MD5)
manifest.xml: 3409 bytes, checksum: a63fdbb9aff7f535b948ab4240d3700a (MD5)Swingin' away / B. Tate (08:41-10:13) -- The woodchopper's ball / W. Herman, J. Bishop (13:56-15:01) -- Confirmation / C. Parker (19:35-20:42) -- Happy lypso / M. Alexander (25:30-26:53) -- Song for Mary Beth / T. Nash (32:08-34:03)Carl Jefferson interviewed by Felix Grant on WMAL. Recorded 1981. Reproduction of radio interview produced at Washington, D.C. Station WMAL for broadcast on The Album Sound. Forms part of the Felix Grant Collection at the Felix E. Grant Jazz Archives. Original format: 1 sound tape reel (41 min.) : analog, 7 1/2 ips., full track mono; 7 in
Author Talk: Daniel Herman Discusses His Novel, The Feudist
No full textPoster for an event where CWU History professor Daniel Herman discusses his historical novel The Feudisthttps://digitalcommons.cwu.edu/libraryevents/1223/thumbnail.jp
Felix Aestheticus. Pour Herman Parret
No full textThis is a liber amicorum on the philosophical aesthetics of Herman Parret. It discusses all the facettes of his section of his oeuvre, with a special focus on his aesthetics of touch.Institut Universitaire de Franc
Les Noces ; Mass ; Pater noster...[etc.] / Stravinsky, comp. ; The Netherlands Chamber choir ; Felix de Nobel, dir.
No full textTitre uniforme : Stravinsky, Igor (1882-1971). Compositeur. [Svadebka. W 37] (français)Titre uniforme : Stravinsky, Igor (1882-1971). Compositeur. [Messe. W 87]Titre uniforme : Stravinsky, Igor (1882-1971). Compositeur. [Otče naš. W 55]Titre uniforme : Stravinsky, Igor (1882-1971). Compositeur. [Bogorodice devo. W 65]Comprend : Les Noces / Stravinsky, comp. ; Corrie Bijster, S ; Cora Canne Meyer, MS ; Ernst Häfliger, T ; Herman Schey, B ; The Netherlands Chamber choir ; Felix de Nobel, dir. ; Mass / Stravinsky, comp. ; The Netherlands Chamber choir ; Felix de Nobel, dir. ; Pater noster / Stravinsky, comp. ; The Netherlands Chamber choir ; Felix de Nobel, dir. ; Ave Maria / Stravinsky, comp. ; The Netherlands Chamber choir ; Felix de Nobel, dir.Enregistrement : (Pays-Bas) : Holland festival, 00-00-1954BnF-Partenariats, Collection sonore - BelieveContient une table des matière
Título: Conjugium mechanico-physicum artis & naturae paranympha phonosophia concinnatum
No full textCopia digital : Google booksSign.: [ ]\p4\s, a-c\p4\s, d\p1\s, [(estrella)]\p4\s, 3[(estrella)]\p2\s, A-Z\p4\s, 2A-2H\p4\sAntepPort. con grab. calcTexto con apostillas marginalesFrisos xil. con anagrama de los Jesuítas e inic. grabFront. calc. alegórico: "Felix Cheurier del., G. and Wolfgang S."Retrato calc. en v. de a\b1\s: "Franz Herman del., G. and Wolfgang sculp." del emperador Leopoldo ILa h. de grab. calc. pleg. en P\b1-2\s, estudio de los sonidos desde el monte San EustaquioLas il. son calc. y xi
Felix Aestheticus. Pour Herman Parret
No full textThis is a liber amicorum on the philosophical aesthetics of Herman Parret. It discusses all the facettes of his section of his oeuvre, with a special focus on his aesthetics of touch.Institut Universitaire de Franc
“The Pondering Repose of If”: Herman Melville’s Literary Exegesis
No full textThis study examines how Herman Melville’s oeuvre interacts with Old Testament (OT) wisdom literature (the Books of Job, Proverbs, and Ecclesiastes). Using recent historical findings on the rise of religious skepticism and the erosion of Biblical authority in both Europe and the United States, I read Melville as an author steeped in the theological controversies of the eighteenth-century. Specifically, I am interested in teasing out the surprising disavowals of overt religious skepticism in Melville’s writing. By tracing the so-called Solomonic wisdom tradition throughout Melville’s oeuvre, I argue that Melville had developed an epistemology of contemplation towards that body of Biblical texts. Scholarship has traditionally painted Melville as a subversive if not downright skeptical religious thinker. Most studies have produced authorial readings, using texts as forensic evidence to make assertions about the author’s psychology. Incidentally, such assessments have confirmed the narrative of Herman Melville as a grand failed author of the nineteenth century, while ignoring the ambivalent attitudes toward Biblical authority, textual history, and skepticism that emerge in Melville’s writing. The present study intervenes by re-addressing several procedural questions about Melville’s literary dealings with the Bible: How does Melville deal with the distinct topics of religion, theology, religious skepticism, and doubt? How does he think through the relationship between science and religion as well as that of personal religion and theology? I claim that Melville’s work can be read as a continuous contemplation of Biblical wisdom. His writing, I argue, deals productively rather than a destructive with the Bible, its textual history, and authority. Melville’s thinking on theological and religious subjects was not merely subversive but constructive. In mounting this argument, I contradict current scholarship that reads Melville as trying to invent a new American Bible. In contrast, I show how Melville’s philosophical forays, even when critical, are dependent on the ethics, language, and thinking of the OT.Doctor of Philosophy (PhD)Englis
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