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FICÇÃO DISTÓPICA, ESPERANÇA UTÓPICA: UMA ENTREVISTA COM RAFFAELLA BACCOLINI E TOM MOYLAN
Get PDFAn interview translated into Portuguese by Thayrone Ibsen (revised by Felipe Benicio) with Tom Moylan and Raffaella Baccolini about current trends in dystopian literature today
San Felipe Benicio
No full textEl santo aparece de pie. Viste un hábito negro y una esclavina negra. Aparece representado como un hombre de mediana edad de barba y cabellos ensortijados de color negro. No tiene brazos (aunque los tuvo en orígen). Tiene una expresión melancólica y la boca entreabierta
San Felipe Benicio
No full textIglesia de San Juan Bautista.Iglesia Parroquial de San Juan BautistaFondo de Recuperación Next Generation E
San Felipe Benicio
No full textSegunda nave de la epístola. Retablo Virgen de los Dolores. Primer cuerpo. Calle primera.Iglesia Parroquial de Santa María la BlancaFondo de Recuperación Next Generation E
Real decreto en que se resuelven cinco dudas propuestas al Gobierno por los Vs. párrocos individuos de la Junta Diocesana Don Antonio de Villanueva y Castro, Don Buenaventura Padilla y Cabeza, Don Manuel Esquivel, Don Francisco Yanez de las Cazas y Don Antonio de Vargas
Get PDFResumen: Se trata de la comunicación enviada por Felipe Benicio Navarro al Presidente y vocales de la Junta Diocesana de Tenerife relativa a distribución de rentasTexto fechado en Madrid a 24 de octubre de 1822Verso de la h. en bl
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Don Francisco Pio de Saboya, Moura, Corte Real, y Monca ...capitán general del Exército y Principado de Cathaluña, Aunque con edicto general, que de nuestra orden, en fecha de doze de marzo de mil setecientos diez y seis, se publicó, se ordenó y mandó, que como la ciega malicia en la turbaciones, que empezaron el año de mil seteciento y cinco, dio a la imprenta un sin número de papeles sediciosos ...
No full textData manuscrita a la part inferior del cartell, que podria ser la data de la lectura pública de l'edicte a PalamósEdicte del capità general de Catalunya, prohibint la tinença d'un llibre sobre la vida de Sant Felipe Benicio i d'altres llibres i papers que contenen clàusules contraries a la obediència al Re
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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