51 research outputs found

    Il cammino interiore nel ciclo Palimpsesty di Vasyl' Stus

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    The Author translates and discusses some poems from Vasyl’ Stus’s collection Palimpsesty. The work of this major Ukrainian poet, who died in a Soviet prison in 1985, is almost unknown in Italy, while his fame in other countries is linked mainly to his dissident activity, which has been the cause of his somewhat narrow reception as a fi ghter-poet. Stus’s literary achievements are rooted in the wide tradition of European poetry and thought. The Author presents those poems, in which the lyrical subject focuses on himself and on the exploration of his inner world, condensing it in spatial and geometrical forms. The peculiar imagery of this poetic world, which is reduced to a small number of obsessively recurring motifs, is also examined. The Author hopes to arouse curiosity and interest in this little studied chapter of the Ukrainian-Slavic-European poetic history of the Twentieth century

    The Lyrical Subject as a Poet in the Works of M. Cvetaeva, B. Pasternak, and R.M. Rilke

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    The author discusses the image of the poet in Marina Cvetaeva’s, Boris Pasternak’s and Rainer Maria Rilke’s production. A shared feature of their poetry is the clear identification of the lyrical subject with a poet. Though critical studies on the three poets have clarified many aspects of their human and literary encounter, a comparative approach to their lyrical subjects is still missing. The analysis shows a high degree of similarity between Pasternak’s and Rilke’s subjects, while Cvetaeva’s seems to be rather distinct from them. This study is divided into two main parts. The first focuses on the lyrical subject’s relation to reality, while the second delves into the very ontological nature of the subject, analysing the possibility of his/her comparticipation to mankind or his/her inborn difference from it

    Individual, yet collective voices: polyphonic poetic memories in contemporary Ukrainian literature

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    Questo articolo analizza la memoria polifonica nelle opere recenti di Serhij Žadan e Marianna Kijanovs'ka, due importanti scrittori ucraini contemporanei. Prima di concentrarsi su Žadan e Kijanovs'ka, vengono analizzati alcuni testi poetici di altri scrittori contemporanei in cui la memoria è tematizzata al crocevia di individualità e collettività. Nelle sue ultime raccolte, Žadan tende a modellare il suo universo poetico attorno a un soggetto lirico intento a raccogliere voci e memorie con l'obiettivo di preservarle dall'oblio. La raccolta del 2017 di Kijanovs'ka, Babyn Iar: Holosamy, è costituita da frammenti di memoria espressi dalle varie voci che costituiscono il suo soggetto collettivo, le vittime della tragedia di Babyn Jar del 1941. Nonostante la differenza tra questi due modelli di polifonia poetica, il primo veicolato attraverso la mediazione di un soggetto lirico e il secondo espresso direttamente dalle singole voci, questo articolo cerca di mostrare come la poesia recente di Žadan e Kijanovs'ka riesca a coniugare con successo la singolarità della memoria individuale con l'esperienza collettiva. La memoria poetica polifonica può oltretutto essere letta come una strategia per superare l'opposizione tra l'approccio “populista” e quello “modernista” alla letteratura che ha segnato l'autopercezione della letteratura ucraina fin dai primi anni del Novecento.This article analyzes polyphonic memory in recent works by Serhii Zhadan and Marianna Kiianovs'ka, two leading contemporary Ukrainian writers. Before focusing on Zhadan and Kiianovs'ka, the author analyzes some excerpts from poems by other contemporary writers in which memory is thematized at the crossroads of individual and collective remembering. In his latest collections, Zhadan has shown a tendency to shape his poetic world around a lyrical subject keen to collect human voices and memories with the aim of preserving them from oblivion. Kiianovs'ka’s 2017 collection Babyn Iar: Holosamy consists of memory fragments expressed by the various voices that constitute its collective subject, the victims of the 1941 Babyn Iar tragedy. In spite of the difference between these two models of poetic polyphony, the former conveyed through the mediation of a lyrical subject and the latter directly expressed by individual voices, the author here argues that Zhadan’s and Kiianovs'ka’s recent poetry successfully links the singularity of individual memory to the collective experience. He also argues that polyphonic poetic memory can be read as a strategy to overcome the opposition between the “populist” and “modernist” approaches to literature that has marked the self-perception of Ukrainian literature since the early twentieth century

    Righetti_et_al_Supplementary_materials - Outcomes Related to Antiplatelet Therapy in a High-Risk ST-Segment Elevation Myocardial Infarction Population: A Retrospective Real-World Analysis of an Italian ECMO Center

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    Righetti_et_al_Supplementary_materials for Outcomes Related to Antiplatelet Therapy in a High-Risk ST-Segment Elevation Myocardial Infarction Population: A Retrospective Real-World Analysis of an Italian ECMO Center by Stefano Righetti, Elisabetta Montemerlo, Federica Soffici, Davide Sala, Alessandro Bozzano, Andrea Mauro, Elena Maggioni, Leonello Avalli, Paola Camisasca, Virgilio Colombo, Felice Achilli, Maddalena Lettino and Ivan Calchera in Journal of Cardiovascular Pharmacology and Therapeutics</p

    The body of the poet, the body of the nation: corporeality in recent revolution poetry from Belarus

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    In questo articolo si analizza la rappresentazione del corpo nella poesia bielorussa legata alle proteste del 2020. L'importanza e la frequenza del tema della corporalità, che si può individuare anche nei testi letterari legati a rivoluzioni del passato come quella francese, quella russa e quelle ucraine della contemporaneità, sono legate alla rappresentazione di una nuova identità bielorussa scaturita dalle proteste contro gli ultimi brogli elettorali di Aljaksandr Lukašenka. Sulla base di testi poetici di Julia Cimafiejeva, Taccjana Svetašova, Alhierd Bacharevič, Dmitrij Strocev, Dmitrij Rubin e Kryscina Banduryna si propone una lettura delle diverse modalità con cui i poeti bielorussi hanno rappresentato la Belarus', la creazione di una sua nuova identità e la lotta politica attraverso immagini legate alla sfera della corporalità, dal decadimento fisico all'opposizione di mascolinità e femminilità, dalla violenza alla gravidanza. La scrittura sulla corporalità è anche legata alla riflessione metaletteraria sui limiti e le possibilità della poesia in una fase di cambiamento storico e nel contesto di una rivitalizzazione della poesia e della sua disseminazione nell'era digitale.This article analyzes representations of the body in Belarusian poetry linked to the 2020 protests. The author argues that the remarkable poetic productivity regarding corporeality, comparable to literary texts inspired by other upheavals, such as the French, Russian, and the most recent Ukrainian revolutions, is directed towards the depiction of a new Belarusian identity shaped by the 2020 revolt against Aliaksandr Lukashenka’s latest electoral fraud. On the basis of poetic texts by Iulia Tsimafeeva, Tatstsiana Svetashova, Al′herd Bakharevich, Artur Kamaroŭski, Dmitrii Strotsev, Dmitrii Rubin, and Krystsina Banduryna, the author proposes a reading of the different ways in which living Belarusian poets have represented Belarus, its rethinking of its own identity, and its political struggle through images pertaining to corporeality, including decay, the juxtaposition of masculinity and femininity, violence, and pregnancy. He also argues that in contemporary Belarusian poetry the thematization of the body is related to an important, ongoing, metaliterary reflection on the limits and possibilities of poetry writing in times of change, in the context of revitalized poetry dissemination in the digital age

    Mitogenomes from Two Uncommon Haplogroups Mark Late Glacial/Postglacial Expansions from the Near East and Neolithic Dispersals within Europe

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    The current human mitochondrial (mtDNA) phylogeny does not equally represent all human populations but is biased in favour of representatives originally from north and central Europe. This especially affects the phylogeny of some uncommon West Eurasian haplogroups, including I and W, whose southern European and Near Eastern components are very poorly represented, suggesting that extensive hidden phylogenetic substructure remains to be uncovered. This study expanded and re-analysed the available datasets of I and W complete mtDNA genomes, reaching a comprehensive 419 mitogenomes, and searched for precise correlations between the ages and geographical distributions of their numerous newly identified subclades with events of human dispersal which contributed to the genetic formation of modern Europeans. Our results showed that haplogroups I (within N1a1b) and W originated in the Near East during the Last Glacial Maximum or pre-warming period (the period of gradual warming between the end of the LGM, ~19 ky ago, and the beginning of the first main warming phase, ~15 ky ago) and, like the much more common haplogroups J and T, may have been involved in Late Glacial expansions starting from the Near East. Thus our data contribute to a better definition of the Late and postglacial re-peopling of Europe, providing further evidence for the scenario that major population expansions started after the Last Glacial Maximum but before Neolithic times, but also evidencing traces of diffusion events in several I and W subclades dating to the European Neolithic and restricted to Europe

    Granulocyte colony-stimulating factor for stem cell mobilisation in acute myocardial infarction: a randomised controlled trial

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    Background To determine whether granulocyte colony-stimulating factor (G-CSF) improves clinical outcomes after large ST-elevation myocardial infarction (STEMI) when administered early in patients with left ventricular (LV) dysfunction after successful percutaneous coronary intervention (PCI). Methods STEM-AMI OUTCOME was designed as a prospective, multicentre, nationwide, randomised, open-label, phase III trial (ClinicalTrials.gov ID: NCT01969890) to demonstrate the efficacy and safety of early G-CSF administration in reducing 2-year cardiac mortality and morbidity in patients with STEMI with LV ejection fraction ≤45% after PCI. The primary outcome was a composite of all-cause death, recurrence of myocardial infarction and hospitalisation for heart failure. Due to low recruitment and event rates, the study was discontinued and did not achieve adequate statistical power to verify the hypothesis. Results Patients were randomly allocated to G-CSF (n=260) or standard of care (SOC; n=261). No difference was found in the composite primary outcome between study groups (HR 1.20; 95% CI 0.63 to 2.28). The 2-year mortality was 2.31% in the G-CSF and 2.68% in the control group (HR 0.88; 95% CI 0.29 to 2.60). Adverse events did not differ between the G-CSF (n=65) and SOC groups (n=58; OR 1.17; 95% CI 0.78 to 1.75). In post hoc analyses on the intervention group, we observed a trend towards fewer composite primary outcomes in patients with low bone marrow (BM) cell mobilisation (n=108) versus those with high mobilisation (n=152, with peak leucocyte count &gt;50×109/L; HR 2.86; 95% CI 0.96 to 8.56). Primary outcomes were lower in patients with severe LV systolic dysfunction at discharge treated with G-CSF than in controls (interaction β±SE, −0.08±0.04; p=0.034). Conclusions Although inconclusive, this is the largest trial in the field of cell-based cardiac repair after STEMI providing evidence of the tolerability and long-term safety of G-CSF treatment. The results prompt further studies to understand which patient can benefit most from BM cell mobilisation

    Author Correction: Uncovering the sources of DNA found on the Turin Shroud

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    An amendment to this paper has been published and can be accessed via a link at the top of the paper

    Towards a Postcolonial Ethics: Rewriting Ukraine in the "Enemy's Language"

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    In this chapter the author explores post-Maidan cultural developments in Ukraine, focusing on the current reshaping of the contested language issue in the intellectual debate through the lens of the postcolonial paradigm. The author examines the outcomes of the Maidan revolution and the war in Donbas as an influence on the concept of the Ukrainian cultural and social space by analyzing the main narratives of the so-called “Ukraine crisis” played and enacted by Russian-speaking cultural actors, in light of the emerging “postcolonial ethics” stemming from their role in public debates
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