1,720,957 research outputs found
ANALISIS NILAI-NILAI KEMANUSIAAN DALAM FILM DEAR NATHAN KARYA ERISCA FEBRIANI
Full text linkThis study examines human values ​​in the film Dear Nathan by Erisca Febriani. The purpose of this study is to describe in depth the human values ​​contained in the Dear Nathan film by Erica Febriani. The method used in this research is qualitative method. The formulation of the problem how are the human values ​​contained in the film Dear Nathan Erisca by Febriani Erisca Febriani?. The data source is the film Dear Nathan Erisca by Febriani Erisca Febriani. Data collection techniques are watching techniques, listening techniques and note-taking techniques. Data analysis techniques include three components, namely: (1) data reduction (2) data presentation, (3) drawing conclusions. In conclusion, the Dear Nathan film by Erisca Febriani, there are 5 human values, namely: (1) the value of truth (2) the value of peace (3) the value of love or compassion (4) the value of right behavior or virtue, and (5) the value of non-violenc
Dear Nathan
No full textBerawal dari keterlambatan mengikuti upacara pertama di sekolah baru, Salma Alvira bertemu dengan seorang cowok yang membantunya menyelusup lewat gerbang samping. Selidik punta selidik, cowok itu ternyata bernama Nathan; murid nakal yang sering jadi bahan gosip anak satu sekolah. Beberapa rangkaian kejadian pun terjadi, yang justru mengantarkan Salma menjadi kian lebih dekat dengan Nathan. Dua kepribadian yang saling bertolak belakang, seperti langit dan bumi; yang tidak bisa bersatu tapi saling melengkapi. Buku novel ini berkisah tentang seorang gadis bernama Salma dan seorang pria bernama Nathan. Buku novel ini terdiri dari 31 bab yang memiliki alur cerita dan tema setiap babnya berbeda-beda. Penulis sukses membuat seorang tokoh yang bisa membuat pembaca terbuai. Bagaimana sang tokoh ini bertingkah, bersikap, kenakalannya, dan paling utama cara dia bisa bersama Salma, semuanya sungguh menarik. Pengarang bisa membuat suasana ceritanya menjadi penuh dengan semangat yang membuat pembacanya penasaran cerita di bab selanjutnya. Dear Natahan merupakan jenis buku fiksi dikarenakan karakter yang ada merupakan karakter buatan.528 hal : 20,5 x 14 c
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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