1,720,972 research outputs found
René Rémond, Notre Siècle, « Histoire de France », sous la direction de Jean Favier, t. 6
No full textCointet Jean-Paul. René Rémond, Notre Siècle, « Histoire de France », sous la direction de Jean Favier, t. 6. In: Revue d’histoire moderne et contemporaine, tome 37 N°1, Janvier-mars 1990. pp. 171-176
René Rémond, Notre Siècle, « Histoire de France », sous la direction de Jean Favier, t. 6
No full textCointet Jean-Paul. René Rémond, Notre Siècle, « Histoire de France », sous la direction de Jean Favier, t. 6. In: Revue d’histoire moderne et contemporaine, tome 37 N°1, Janvier-mars 1990. pp. 171-176
"Un luogo così sublime com’è la cappella pontificia". Pratiche musicali e cerimoniale romano nell’età moderna
No full textThe survival of a cappella polyphony in the Papal Chapel during the modern and contemporary age has generally been seen as a sign of the conservatism of this institution, or as a form of display of an archaic style, a symbol of antiquity and tradition. The essay aims to demonstrate how the preservation of the a cappella style was inherent in the Pontifical ceremonial; it had to appear ancient and immutable to those who attended the Papal liturgies. In the style of the Papal chapel, the concept of a "schola musicale romana" was elaborated, i.e. a scholastic guardian of a stylus antiquus, supported by tradition and not circumscribable from a geographical point of view, but of a universal character. However, the stile di cappella was not only a compositional approach, but also a performance style that made it possible to adapt the timing and dynamics of the chant to the needs of the Papal liturgy. The singers were also required to practice unwritten polyphonic practices, such as counterpoint on a cantus firmus or falsobordone. In the same way as the Papal ceremonial, the musical practice of the chapel therefore seemed immutable in its practices and in its repertoire
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Les fonds des Archives nationales: Les Archives Nationales. Etat Général des Fonds, publié sous la direction de Jean Favier. T. I, L'Ancien Régime, sous la direction d'Etienne Taillemite ; T. 2, 1789-1940, sous la direction de Rémi Mathieu
No full textde Boüard Michel. Les fonds des Archives nationales: Les Archives Nationales. Etat Général des Fonds, publié sous la direction de Jean Favier. T. I, L'Ancien Régime, sous la direction d'Etienne Taillemite ; T. 2, 1789-1940, sous la direction de Rémi Mathieu. In: Annales de Normandie, 30ᵉ année, n°1, 1980. pp. 79-80
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Tavola rotonda. Incroci tra storia culturale e storia della musica a livello europeo. Metodi e problematiche per il XVII e il XVIII secolo
No full textDispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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