1,721,002 research outputs found
TA B L E 1 Fossil data used for calibration in First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification
No full textTA B L E 1 Fossil data used for calibrationPublished as part of Chamorro, Maria Lourdes, de Medeiros, Bruno A. S. & Farrell, Brian D., 2021, First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification, pp. 1-15 in Ecology and Evolution 11 on page 5, DOI: 10.1002/ece3.7131, http://zenodo.org/record/453463
Figure 1 in A PRELIMINARY SURVEY OF THE NON-BITING MIDGES (DIPTERA: CHIRONOMIDAE) OF THE DOMINICAN REPUBLIC Abstract
No full textFigure 1. Map of the island of Hispaniola showing col-col- lecting localities in Dominican Republic (shown in light grey shading). Sampling sites are denoted as black dots. Some sites overlap due to their proximity and scale of map. See table 1 for more details on sampling localities.Published as part of Silva, Fabio Laurindo da, Wiedenbrug, Sofia & Farrell, Brian D., 2015, A PRELIMINARY SURVEY OF THE NON-BITING MIDGES (DIPTERA: CHIRONOMIDAE) OF THE DOMINICAN REPUBLIC Abstract, pp. 12-19 in CHIRONOMUS Journal of Chironomidae Research 28 on page 13, DOI: 10.5324/cjcr.v0i28.1925, http://zenodo.org/record/799085
F I G U R E 2 in First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification
No full textF I G U R E 2 Summary of calibrated trees, with MCC topology obtained by the FBD model. Asterisks show nodes constrained to be monophyletic, with yellow asterisks further indicating nodes used as calibration in the node-dating analysis. Error bars: blue = Fossilized birth-death (FBD) model, red = Node datingPublished as part of Chamorro, Maria Lourdes, de Medeiros, Bruno A. S. & Farrell, Brian D., 2021, First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification, pp. 1-15 in Ecology and Evolution 11 on page 7, DOI: 10.1002/ece3.7131, http://zenodo.org/record/453463
F I G U R E 3 in First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification
No full textF I G U R E 3 Detail of Metanepisternum and Metepimeron. Arrows show sulcus separating the metanepisternum and metepimeron. (a) Cosmopolites sordidus; (b) Prodioctes; (c) Scyphophorus acupunctatus; (d) Tapinostethus; (e) Cercidocerus; (f) Eucalandra; (g) Dynamis; (h) Macrocheirus; (i) Tetratopos; (j) AphiocephalusPublished as part of Chamorro, Maria Lourdes, de Medeiros, Bruno A. S. & Farrell, Brian D., 2021, First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification, pp. 1-15 in Ecology and Evolution 11 on page 9, DOI: 10.1002/ece3.7131, http://zenodo.org/record/453463
First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification
No full textChamorro, Maria Lourdes, de Medeiros, Bruno A. S., Farrell, Brian D. (2021): First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification. Ecology and Evolution 11: 1-15, DOI: 10.1002/ece3.7131, URL: http://dx.doi.org/10.1002/ece3.713
F I G U R E 1 in First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification
No full textF I G U R E 1 Bayesian topology with posterior probabilities (denoted by open red circle) of Dryophthorinae of the combined 18S and 28S aligned using primary and secondary structure. The analysis includes a broad sampling of 64 taxa, 2 platypodine outgroup taxa and 62 ingroup taxa representing all 5 tribes dryophthorine tribes and all but 1 subtribe Ommatolampina and a putative African lineage. Lateral views of Dryophthorinae genera (From left to right and top to bottom: Mahakamia (long fore legs); Rhabdoscelus; Acantharhinus; Cactophagus: Tapinostethus; Dynamis; Poteriophorus; Rhinostomus; Prodioctes; Sipalinus; Yuccaborus; Orthognathus; Stromboscerini; Nephius; Mesocordylus; Tryphetus; Dryophthorus; Cyrtotrachelus (long fore legs); Polytus; Sitophilus; Diocalandra; Cryptoderma; Metamasius (=Paramasius); Scyphophorus; Metamasius; MyocalandraPublished as part of Chamorro, Maria Lourdes, de Medeiros, Bruno A. S. & Farrell, Brian D., 2021, First phylogenetic analysis of Dryophthorinae (Coleoptera, Curculionidae) based on structural alignment of ribosomal DNA reveals Cenozoic diversification, pp. 1-15 in Ecology and Evolution 11 on page 6, DOI: 10.1002/ece3.7131, http://zenodo.org/record/453463
Digitisation as a tool to promote transparency between collections: the case of the Baltic amber from the Königsberg collection at the Museum of Comparative Zoology
No full textA total of 383 Baltic amber samples, including 43 type specimens, held at the Museum of Comparative Zoology (MCZ), Harvard University, for near a century were found to belong to the classic amber collection from the Albertus-Universität of Königsberg. This discovery was greatly facilitated by the public availability online of digital images produced during a four-year project that digitised the over 30,000 samples from the MCZ’s fossil insect collection. The amber samples were hand carried and reincorporated to the portion of the original Königsberg collection that was saved from World War II, held at the Geowissenschaftliches Museum from the Geowissenschaftliches Zentrum of the Georg-August-Universität, Göttingen. This study showcases the importance of sharing collection data through public digitised records, and highlights the understanding of digitisation not only as a tool of education, public engagement, and research, but also of rediscovery, tracking, repatriation, and ultimately safeguard of the movable palaeontological heritage on a global scale
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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