1,721,028 research outputs found
COVID-19 and Co-production in Health and Social Care Vol 2:Volume 2: Co-production Methods and Working Together at a Distance
Full text linkEPDF and EPUB available Open Access under CC-BY-NC-ND licence. Groups most severely affected by COVID-19 have tended to be those marginalised before the pandemic and are now being largely ignored in developing responses to it. This two-volume set of Rapid Responses explores the urgent need to put co-production and participatory approaches at the heart of responses to the pandemic and demonstrates how policymakers, health and social care practitioners, patients, service users, carers and public contributors can make this happen. The second volume focuses on methods and means of co-producing during a pandemic. It explores a variety of case studies from across the global North and South and addresses the practical considerations of co-producing knowledge both now - at a distance - and in the future when the pandemic is over
Bridging Gaps: How we’ve managed digital exclusion during Covid-19 to improve access to healthcare for women who have experienced trauma
No full textIn this chapter we share our experiences about a project that aims to improve access to primary care services within GP (general practitioner) practices for women who have experienced trauma and have complex needs – The Bridging Gaps project. This chapter is written by some of the women in the group in their own words. It is a combination of our different experiences and thoughts about the project
Bridging Gaps: How we’ve managed digital exclusion during Covid-19 to improve access to healthcare for women who have experienced trauma
No full textIn this chapter we share our experiences about a project that aims to improve access to primary care services within GP (general practitioner) practices for women who have experienced trauma and have complex needs – The Bridging Gaps project. This chapter is written by some of the women in the group in their own words. It is a combination of our different experiences and thoughts about the project
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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