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    La cura delle idee, la cura delle parole. Ripensare la diversità

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    Alienati mentali, matti, deficienti, cretini, idioti, ebeti, imbecilli. Diagnosi mediche di un tempo, offese di oggi. Spesso sentiamo dire che il linguaggio è neutro e che non contano i termini che utilizziamo, ma solo le intenzioni che muovono il nostro parlare. Eppure, la nostra cultura seppur secolarizzata ha dato fondamentale rilevanza, nella storia, alla “Parola” del “Libro” e al “Logos” greco. Dio nella Genesi chiama all’esistenza attraverso la parola e anche i nostri processi odierni di identificazione e riconoscimento dell’ altro si attuano tramite categorie, etichette, slogan e hashtag. Omero nella “sua” Odissea ci dimostra come il nostro chiamare l’altro, lo faccia anche esistere, in parte lo “crei”: nominare qualcuno come “nessuno”, infatti, porta alla sparizione del soggetto stesso. Parlare seriamente di diversità è un compito complesso, ma da affrontare necessariamente. I movimenti storici dell’ anti-psichiatria e della psichiatria democratica fecero del dialogo tra discipline diverse il cuore della propria metodologia d’approccio alle complessità pratiche e concettuali del periodo. Una grande intuizione dell’epoca, forse da riscoprire, fu quella di attingere all’approccio fenomenologico per mettere tra parentesi il pensiero forte, costituito da paradigmi rigidi di categorizzazione con cui si esprimeva la medicina ed in particolar modo la psichiatria tradizionale. Incontrare davvero il diverso, incontrare l’Altro, significa invece sforzarsi a non inglobarlo in forme predefinite. Se in passato la stigmatizzazione avveniva rinchiudendo e usando violenza fisica, oggi in un mondo apparentemente sdoganato da tali pratiche resta fortemente presente, anche in forme inconsce, il marchio concettuale verso la “devianza” mentale e corporale. Seppur il “diverso” nella riflessione attuale possa appartenere a varie categorie dell’ umano, ciò che chiamiamo “disabilità” ricopre ancora un ruolo centrale all’interno di tale ambito, poiché spesso caratterizzata da un’”esteriorità disturbante” in grado di scuoterci. Che sia una anomalia corporea o un atteggiamento “non comune” a porsi davanti a noi, il nostro organismo attiva una risposta quasi istintuale che generalmente oscilla tra due sentimenti opposti, eppure vicini, come la pietà e la paura. Questa reazione quasi immediata dinanzi all’ esteriorità altrui è il primo incontro con un altro che ancora non si pone davvero come soggetto (e quindi come Altro), ma rimane ancorato al ruolo di oggetto del mio stupore. Come è possibile, all’interno di questa complessità, costruire una relazione autentica? Bisognosi di orientarci all’interno di una domanda di senso che non facilmente trova risposta, la proposta che condivido con voi è quella di partire proprio dalla cura delle parole. Curare il linguaggio significa prendersi cura di quelle idee che ci inseriscono in un contesto di significato, in un mondo sensato. Immersi nella comunicazione iperbolica, veniamo “bombardati” da termini che non siamo più in grado di controllare davvero. È necessario dunque soffermare la nostra attenzione sulle parole, poiché in esse risiede il nostro potere di “dire il mondo”, di affermarlo, di renderlo presente. Alda Merini racconta con la poesia, con il potere delle parole ricercate, la sua esperienza manicomiale. Nel fare questo, ricorda con affetto la figura di Basaglia come “l’eterno soccorritore”. Un soccorso il suo che fece cambiare la prospettiva, il modo di parlare della e sulla salute mentale, fino a far comprendere quella “cosa più inaudita” che tanti “malati, malati non lo erano mai stati”. Curare le parole, dunque, per educare che prima di ogni cosa c’è la persona, il suo nome, la sua storia. Proprio come Alda, donna innamorata e speranzosa di un futuro diverso

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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