1,721,378 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
《好久不見》的技術製作管理
No full text本論文為一完整的舞台技術資料執行研究報告，主要依據舞台技術施工管理的作業為主軸，在參與創作社劇團於國家劇院演出《好久不見》一劇製作中，完成技術指導的工作期間，完整記錄所有製作過程的文書資料，並做成實務分析、論述與檢討。《好》劇製作期間共分為以下三個階段：一、前施工期：製作背景及舞台設計分析。二、施工規劃：技術設計及製作管理。三、製作、演出及其它。
本製作的主要挑戰有二：其一，此劇的幕後工作，為國立台灣戲曲專科學校，劇場藝術科專科部同學負責，其中一年級同學負責舞台佈景的製作，由二件級同學負責演出執行。因此，在面對舞台設計圖稿時，必需思考實際的製作施工中，如何讓學生在實務練習中勝任工作，並達到教育訓練的意義；其二為挑戰無影換景的實現，因劇情需要，為導演希望在演出中看不見換景的工作人員，因此必需利用六塊運動平台來做換景。為了配合演出的需求，必須研發一套精密的多軸運動控制系統及電動捲揚機等裝置，來完成《好》劇的演出。
以本製作作為研究所學位之畢業製作，並完成本文，可以了解劇埸技術指導，在一個製作中所扮演的角色，和舞台技術設計及製作規劃在戲劇演出製作中的運用。《好久不見》的技術製作管理 1
摘要 1
目錄 2
圖目錄 5
表目錄 6
第一章 製作背景 7
第二章 技術資料分析 11
2.1 舞台設計技術分析 11
2.2劇場技術資料與演出需求分析 18
第三章 技術設計 21
3. 1 電動捲揚機 22
3.1.1技術參數探討 25
3.1.2演出運用探討 27
3.2軌道平台 28
3.2.1導引片和軌道的設計 28
3.2.2地板轉向滑輪的設計 29
3.2.3製作設計 31
3.3 運動平台 33
3.4 控制器 34
3.4 控制器 35
3.4.1多軸運動控制系統 35
3.4.2 MPC-3024原理說明 36
3.4.3 MPC-3024系統說明 39
第四章 施工管理 44
4.1 單項佈景施工規劃 45
4.1.1製作人力規劃 47
4.1.2製作時間規劃 48
4.1.3材料的選用 48
4.1.4 經費估算 49
4.2施工圖繪製 49
4.3施工進度規劃 50
第五章 製作管理 54
5.1 施工監督 54
5.2施工記錄 55
5.3 進度與預算管理 57
第六章 進劇場 59
6.1準備工作 59
6.1.1 對演出空間的再確認 59
6.1.2製定「裝台日程表」 60
6.1.3技術協調會 65
6.2裝台、演出 67
6.2.1 軌道平台 68
6.2.2 捲揚機和運動平台 70
6.3拆台復原 85
第七章 製作檢討 86
第八章 參考文獻 89
第九章 附錄 91
附錄一 製作行程及演出排練時間表 91
附錄二 舞台技術資料 96
附錄三 設計圖及模型照片 106
附錄四 單項佈景施工說明 113
附錄五 施工圖 135
附錄六 施工日誌 15
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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