1,720,965 research outputs found
Slices and Snapshots
No full textANDREW CARNIE SLICES & SNAPSHOTS Andrew Carnie’s slide-dissolve installations tell stories that reflect upon our understanding of the workings of the human body. In a darkened space layered images appear and disappear on suspended screens, the developing display absorbing the viewer into an expanded sense of space and time through the slowly unfolding narratives that evolve before them. Slices & Snapshots is a collection of slide-dissolve works, the core elements of which are pairs of projectors set at opposite ends of a space, each casting sequences of images onto the layers of semi-translucent screens suspended between them. Narratives are created over time through images that surface onto the screens and then dissolve into slides projected from the other side. The sequential nature of Carnie’s work is rooted in his joint fascination with the historically pioneering work of photographer Eadweard Muybridge and in contemporary chronophotography - the use of photographic sequencing in modern scientific analysis. Contemporary science uses chronophotography to develop an understanding of the different biological functions of the body. Photographs, for example, are taken over time using fluorescent proteins, then combined into sequences, creating quick-time movies that act as tools for viewing the developing human form: the cells of the brain moving into their working position or muscle cells viewed ‘swimming’ to prescribed destinations. An understanding of the controls that influence these movements is reached by altering chemical concentrations and observing the diverse results. Modern scientific imaging is effecting how we perceive ourselves and developing new notions of ‘self’ through techniques like MRI and CT scanning, X-rays and Ultrasound. Taking these scientific techniques as a source, I attempt to provide a wider resonance, my work existing in the mediating world of the mind - somewhere between raw scientific data and our condition as human beings. Andrew Carnie 2004 2004 marks the centenary of the death of Eadweard Muybridge. Through his investigations into physical movement, Muybridge is considered one of the earliest scientific photographers as well as a pioneer of modern cinema. With this exhibition Carnie pays homage to the photographer, his life, his times and the compelling imagery he created. A RESEARCH PROJECT FROM THE FACULTY OF ART, DESIGN & MUSIC, KINGSTON UNIVERSITY Artist Biography: Andrew Carnie (b.1957) studied chemistry and painting at Warren Wilson College, North Carolina (USA) then zoology and psychology at Durham University (UK) before completing a Degree in Fine Art at Goldsmiths College and a Masters in Painting at the Royal College of Art, London. Since graduating Andrew has combined his studio based practice with ventures such as the Carnie Chapel Gallery (1986-88) and the Tram Depot Gallery (1994-96), working on various collaborative arts projects, as a consultant for Greater London Arts and a teacher at Winchester School of Art (UK). Recent projects include: Head On (2002) Science Museum/Wellcome Foundation, London - working with neuro-scientists at the Medical Research Centre for Developmental Neurology, Kings College London; Alight at Royal Victoria Dock (2002) - a 50m long multi-media video work, as part of the group No Limits; Embark (2002) Millais Gallery, Southampton - a solo-show of large paintings and travel-works; Disperse (2002) - a work, produced for the School of Hygiene and Tropical Medicine London, looking at how the body might be physically dispersed at the point of death and rendered back into atomic particles; Complex Brain: Spreading Arbor (2003) - a joint project looking at the migration of neurones in the human brain, with neurologists Dr Richard Wingate (Kings College London) and Nick Didovsky (Rocafella University New York) and funded by the Wellcome Trust. His work is represented in collections in England, Germany, and the USA. Eye: Through The Mirror Darkly is a video projection work. The images are projected onto a voile screen in the form of a truncated cone, the smaller part of the cone fixed to the wall the larger circumference floating, perpendicular to the floor, away from the wall and into the gallery. The images consist of a series of stills all based around medical-imaging techniques used in medical science. The work is part of a project I am involved in looking at the ways concept of self have changed through images and ideas spawned by science
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Server enforced program safety for web application engineering
No full textHenry Detmold, Katrina E. Falkner, David S. Munro, Travis Olds, Ronald Morrison, and Stuart Norcros
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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