5,885 research outputs found
Encuentros con Elena Poniatowska
No full textThe author analyzes testimonial literature from the perspective of female literature through his meeting with Elena Poniatowska. An analysis of reality vs. Fiction in Elena, Jesusa and Tinisima.El autor analiza, desde su encuentro con Elena Poniatowska, la vertiente de la literatura testimonial como literatura de mujeres. Un análisis interior de la relación entre realidad y ficción, entre Elena, Jesusa o Tinísima
The Aesthetics of the Invisible in Hans-Georg Gadamer
No full textIn this essay I intend to explore a highly interesting aesthetic perspective of Gadamerian philosophy: the human being’s relationship with Beauty and the latter’s capacity to bring us into contact with the infinite, with the Good. Therefore, we must examine to what degree self-displaying, aesthetically exhibiting the supersensible, aids a consideration of the peculiar position adopted by Hans-Georg Gadamer toward metaphysics. Besides, Gadamer himself claimed that the most suitable theoretical arena for reflecting on metaphysics is precisely the relationship between the Good and the Beautiful. All the same, in exposing the cardinal points of the relationship between Good and Beautiful the intention is not to touch on the theme of the political horizon of art, as it emerges from the reflections on “Plato and the Poets.” This is because the true interest here lies in reflecting on the theoretical structure of the relationship between Being–Good–Beauty in order understand the eventual redeeming potential with regard to the nihilism Gadamer skillfully retraced in ideas that run from Nietzsche to Weber, on the one hand, and the mystical drifts of the poetic thinking of Heidegger, on the other. The reformulation of the concept of Being, capable of escaping nihilist or mystical siren song, is generated in Gadamer thanks to a sensitivity toward Renaissance humanism, according to which the finiteness of the human being, his/her caducity, is also the site of his/ her fullness. This is a highly delicate question, which often divides critics. On the one hand, the strong call of humanism to the relationship in the circularity between the human being and the divine appears to have left its traces in Gadamerian reflections. In affirming this, I refer to Gadamer’s relationship with a humanist philosopher who drew his constant interest: Nicholas of Cusa. I will return to his philosophy in the development of my argumentations as it constitutes a precious source of inspiration precisely to Gadamer’s reflection on the concept of Being and the relationship between Good and Beauty. On the other hand, in reflecting on the relationship between infinite and finite, Gadamer seeks an authentic autonomy from any religious appurtenance. Evidence of this twofold necessity is offered by his interpretation of Rilkean poetry. (GW 9)
Museographie. Musei in Europa negli anni tra le due guerre. La conferenza di Madrid del 1934. Un dibattito internazionale
No full textLa Conferenza Internazionale Muséographie, architecture et aménagement de musées d’art, organizzata a Madrid nell’ottobre del 1934, ha rappresentato un momento cruciale per le riflessioni sull’ordinamento e sull’allestimento dei musei in Europa e negli Stati Uniti, dibattito già al centrodei lavori dell’appena fondato Office International des Musées che ne fu il promotore. Così come le pagine della rivista «Mouseion», bollettino dell’istituzione la cui pubblicazione era stata avviata nel 1927, gli atti della conferenza rappresentano un repertorio degli argomenti della più aggiornata scienza dei musei e una sorta di decalogo/palinsesto per gli ordinamenti più recenti realizzati da una parte e dall’altra dell’oceano. Per la prima volta si ponevano a confronto musei e allestimenti “specializzati”, relativi a diversi ambiti della conoscenza, dalla storia dell’arte,all’archeologia, all’antropologia. In maniera sistematica venivano affrontati temi relativi all’illuminazione
artificiale degli ambienti, alla valutazione delle reazioni e dei tempi di visita del pubblico, e si sottolineava la necessità della creazione di laboratori scientifici, di restauro e di biblioteche all’interno dei contesti museali. Il volume affronta i temi puntuali e legati al contesto del convegno madrileno con un approccio che ne accentuia la circolarità disciplinare generando una nuova visione, corale
e interdisciplinare, che aggiunge molteplici punti di vista ad un tema ancora in cerca di assestamenti
complessivi
Introduzione
No full textintroduzione del volume MUSEOGRAPHIE. MUSEI IN EUROPA NEGLI ANNI TRA LE DUE GUERRE
LA CONFERENZA DI MADRID DEL 1934. UN DIBATTITO INTERNAZIONAL
Bio-bibliografía de y sobre Elena Poniatowska Amor
No full textThe objective of this article is to collect and present: I. the chronology of the life and work of Elena Poniatowska; II. the complete works (as principal and secondary author), and III. the bibliography on the author (books, chapters, and articles).El objetivo de este artículo es reunir y presentar: I. los datos cronológicos fundamentales de la vida y la obra de Elena Poniatowska; II. El compendio de sus obras (como autora principal y como secundaria); y III. la bibliografía sobre la escritora (libros, capítulos de libros y artículos)
El Tlacuache Núm. 698 (2015). 698 Año 13 (2015) noviembre. El Tlacuache
No full textLa mujer vista por cronistas en tiempos novohispanos por Laura Elena Hinojosa. - El Códice Mauricio de la Arena forma parte de Los códices de Tlaquiltenango por Laura Elena Hinojosa
Encounters with Elena Poniatowska
No full textEl autor analiza, desde su encuentro con Elena Poniatowska, la vertiente de la literatura testimonial como literatura de mujeres. Un análisis interior de la relación entre realidad y ficción, entre Elena, Jesusa o Tinísima.The author analyzes testimonial literature from the perspective of female literature through his meeting with Elena Poniatowska. An analysis of reality vs. Fiction in Elena, Jesusa and Tinisima
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