1,721,069 research outputs found

    Myrcia garuvana (Myrtaceae) a new species from Santa Catarina, Brazil

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    Vieira, Fábio C.S., Sobral, Marcos, Mazine, Fiorella F., Longen, Fábio (2022): Myrcia garuvana (Myrtaceae) a new species from Santa Catarina, Brazil. Phytotaxa 560 (2): 254-258, DOI: 10.11646/phytotaxa.560.2.9, URL: http://dx.doi.org/10.11646/phytotaxa.560.2.

    New combinations and new names in Myrcia (Myrtaceae) for Flora of São Paulo state, Brazil

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    Mazine, Fiorella F., Santos, Matheus Fortes, Lucas, Eve (2014): New combinations and new names in Myrcia (Myrtaceae) for Flora of São Paulo state, Brazil. Phytotaxa 173 (1): 97-100, DOI: 10.11646/phytotaxa.173.1.12, URL: http://dx.doi.org/10.11646/phytotaxa.173.1.1

    FIGURE 3 in A new species of Eugenia sect. Eugenia (Myrtaceae) from Atlantic Forest in São Paulo, Brazil

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    FIGURE 3. Geographic distribution of Eugenia aeterna in S"o Paulo state, Brazil.Published as part of Mazine, Fiorella F., Valdemarin, Karinne Sampaio, Giaretta, Augusto & Sobral, Marcos, 2023, A new species of Eugenia sect. Eugenia (Myrtaceae) from Atlantic Forest in São Paulo, Brazil, pp. 233-238 in Phytotaxa 585 (3) on page 237, DOI: 10.11646/phytotaxa.585.3.5, http://zenodo.org/record/769079

    FIGURE 2 in Myrcia garuvana (Myrtaceae) a new species from Santa Catarina, Brazil

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    FIGURE 2. Myrcia garuvana. Branch with fruits (from Vieira 959, at HUFSJ; scale: 10 mm).Published as part of Vieira, Fábio C.S., Sobral, Marcos, Mazine, Fiorella F. & Longen, Fábio, 2022, Myrcia garuvana (Myrtaceae) a new species from Santa Catarina, Brazil, pp. 254-258 in Phytotaxa 560 (2) on page 256, DOI: 10.11646/phytotaxa.560.2.9, http://zenodo.org/record/704073

    FIGURE 1 in A new species of Eugenia sect. Eugenia (Myrtaceae) from Atlantic Forest in São Paulo, Brazil

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    FIGURE 1. Holotype of Eugenia aeterna Mazine & Valdemarin (Cordeiro 2331, SP).Published as part of Mazine, Fiorella F., Valdemarin, Karinne Sampaio, Giaretta, Augusto & Sobral, Marcos, 2023, A new species of Eugenia sect. Eugenia (Myrtaceae) from Atlantic Forest in São Paulo, Brazil, pp. 233-238 in Phytotaxa 585 (3) on page 235, DOI: 10.11646/phytotaxa.585.3.5, http://zenodo.org/record/769079

    Eugenia reperta (Myrtaceae), a new species from Minas Gerais, Brazil

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    Sobral, Marcos, Mazine, Fiorella F., Valdemarin, Karinne S., Melo, Eugênio A.D. (2022): Eugenia reperta (Myrtaceae), a new species from Minas Gerais, Brazil. Phytotaxa 556 (3): 297-300, DOI: 10.11646/phytotaxa.556.3.7, URL: http://dx.doi.org/10.11646/phytotaxa.556.3.

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Eugenia (Myrtaceae) from Mexico: checklist, distribution, and conservation assessments

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    Uc Gala, Victor C., Valdemarin, Karinne Sampaio, Lucas, Eve, Negrão, Raquel, Mazine, Fiorella F. (2023): Eugenia (Myrtaceae) from Mexico: checklist, distribution, and conservation assessments. Phytotaxa 583 (2): 99-140, DOI: 10.11646/phytotaxa.583.2.1, URL: http://dx.doi.org/10.11646/phytotaxa.583.2.

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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