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    Notas preliminares sobre a presença de Heinrich Von Kleist nas obras de Gilles Deleuze

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     Este trabalho são notas introdutórias sobre a presença de Heinrich von Kleist nas obras do filósofo francês Gilles Deleuze. Nele destacou-se apenas a presença manifesta deixando para outro momento a presença latente. Na produção de sua filosofia é visível a influência do romancista alemão, pois Deleuze não poupa elogios à Kleist, colocando-o como um dos maiores escritores do século XIX. O Kleist de Deleuze é um autor incuravelmente menor, pois não aceitava as severas lições de Goethe, é também um pensador nômade, intempestivo, rizomático, uma louca máquina de guerra. Para ele, a marca inovadora e revolucionária de Kleist foi transformar a força dos afetos em arma de guerra, gaguejando na própria língua, usando toda a sua intensidade, tornando-se um estrangeiro em sua própria língua.Palavras-Chave: Deleuze. Kleist. Romantismo. Filosofia. Arte.Preliminary notes about Heinrich Von Kleist ‘s presence in Gilles Deluze’s works ABSRACT:This work is introductory notes about Heinrich von Kleist's presence in Gilles Deleuze's philosophy. In it stood out only the manifest presence leaving for another moment the latent presence. In the production of his philosophy is visible the influence of the German novelist, because Deleuze does not spare praise for Kleist, placing him as one of the greatest writers of the nineteenth century. Deleuze's Kleist is an incurably minor author, as he did not accept Goethe's severe lessons, he is also a nomadic, untimely thinker, rhizomatic, a crazy war machine. For him, Kleist's innovative and revolutionary brand was to turn the strength of affections into a weapon of war, stuttering in his own language, using all his intensity, becoming a foreigner in his own language.Keywords: Deleuze. Kleist. Romanticism. Philosophy. Art.[1] Artigo submetido para avaliação em 29/10/2019 e aprovado em 04/11/2019

    DELEUZE: LITERATURA, VIDA E SAÚDE

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    Deleuze: literatura, vida e saúde é um ensaio que busca pensar a articulação entre a filosofia deleuziana e a literatura. A pretensão é mostrar que esta aproximação acontece na perspectiva filosófica e perpassa boa parte das obras do pensador. Além disso, a hipótese desenvolvida é que, este movimento de aproximação, entre a filosofia deleuziana e a literatura, entra em ressonância direta com o objetivo central de sua filosofia que é o exercício do pensamento. A proposta de Deleuze é pensar com a literatura, diferente de pensar sobre a literatura, seu objetivo principal é elucidar o que seja pensar a partir da literatura e, ao mesmo tempo, mostrar uma nova imagem do pensamento. Neste sentido, na trilha do autor, é preciso considerar a filosofia, a arte e a ciência como modos diferentes de pensamento, que entram em relações de ressonância mútua e em relações de troca. Para isso, apresento a definição de filosofia de Deleuze, e sua compreensão de literatura como um esforço especial de criação, pois a arte de escrever é a arte de inventar, criar e produzir possibilidade de vida. A arte de escrever é uma tentativa de libertar a vida daquilo que a aprisiona, é a possibilidade de construir saídas das prisões existenciais, é também um liberar novas potências de agir, pois, para Deleuze, a criação artística e literária é o ato de tornar visível o invisível, tornar pensável o impensável. Para ele a criação literária não é um comunicar, mas é principalmente resistir, e quando ela produz linhas de fuga das situações de opressão ou nos imuniza de qualquer tipo de pensamento fascista, ela é uma saúde

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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