122,067 research outputs found

    Music, media and mysticism : the pop-proheticism of Bob Marley and Nusrat Fateh Ali Khan

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    Includes abstract.Includes bibliographical references (leaves 213-222).This dissertation examines the recent emergence of popular recording artists who explicitly invoke the prophetic voices of their religious traditions in their music. In doing so, they situate their music within a pre-existing prophetic lineage. These musicians selfconsciously view their music as vehicle to spread a divine message, and they recognize that their lyrical voice can either become or echo a prophetic voice

    A Multi-Language Comparison of Influences on Author Verification using Character N-Grams

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    We create a new multi-language corpus for author verification based on Wikipedia talkpages, and evaluate the influence that differences in topic and time have on character n-gram author profiles. Topic alignment between two texts is found to increase author verification precision, and an authors writing style is found to change over time, but not more significantly after 3 years than after 1 year.Information ArchitectureWISElectrical Engineering, Mathematics and Computer Scienc

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    From the river to the sea? : honour, identity and politics in historical and contemporary Palestinian rejectionism

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    The present thesis seeks to understand and explain the rhetoric and behaviour of the rejectionist 'current' within the Palestinian national movement. It proceeds from the view that extant scholarship, primarily from within the fields of terrorism and security studies, has profoundly misunderstood rejectionist speech and behaviour by ignoring the explanatory capacity of Emic - the research subject's perception - as well as the influence of the sociocultural milieu within which rejectionism exists. The thesis proceeds to set up a 'socioculturally sensitive' analytical framework drawn from social identity theory, a heuristic, non-reductionist model for understanding group interaction and conflict. Emphasizing cultural norms and cues identified by anthropologists as salient in the eastern Mediterranean, the thesis suggests that the social value of honour, patron-client dynamics and a firmly entrenched group orientation must be significant elements of a model for understanding rejectionist behaviour. The main analytical narrative suggests that for reasons derived from ideology, patron-client relations and group dynamics, what has distinguished the rejectionists from the mainstream have been a qualitatively different set of preconditions for, and objectives of diplomatic negotiations. To the main rejectionist factions the goal of liberating Palestine has always been inextricably intertwined with the goal of restoring national honour; one without the other has been impossible and to claim otherwise would mean a depletion of factional and personal honour. To the rejectionists, there has never been any question of deviating from the fundamental goals - national recognition, repatriation, self-determination and independent statehood, not even for tactical reasons. This 'higher standard' likely derives from their structurally and politically subordinate position within the national movement, and the need to creatively enhance their own social status and appeal

    The vanishing author in computer-generated works: a critical analysis of recent Australian case law

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    Abstract The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals

    Diffusive author(s), cohesive author: Analysis of S/N (1994)

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    This study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
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