1,721,008 research outputs found
F. Berlingieri, Stallie e controstallie, t. 1, Problemi generali-Le stallie
No full textF. Berlingieri, Stallie e controstallie, t. 1, Problemi generali-Le stallie. In: Revue internationale de droit comparé. Vol. 22 N°2, Avril-juin 1970. pp. 408-409
F. Berlingieri, Stallie e controstallie, t. 1, Problemi generali-Le stallie
No full textF. Berlingieri, Stallie e controstallie, t. 1, Problemi generali-Le stallie. In: Revue internationale de droit comparé. Vol. 22 N°2, Avril-juin 1970. pp. 408-409
Process, Uncertainty, Immanency. Emerging aesthetics in contemporary environmental urban design practices
No full textDesign Processes for Transition claims for a critical perspective on the profound transformation of urban spaces and tissues under the pressure of the contemporary environmental crisis. The book is an experimental output of the joint research activity between the PhD Program Architectural, Urban and Interior Design (AUID) and the research program Territorial Fragilities (TF) at Politecnico di Milano.
Starting from the reconsideration of the current, and sometimes abused lexicon of design approaches vis-a-vis the inducted transitions, it develops as a collection of textual and visual micro-narratives, building a questioning platform between experts, designer, young and experienced researchers in the design fields
Design for Urban Transitions. Exploring current lexicon and contemporary transdisciplinary agencies
No full text
La nuova convenzione Uncitral sul trasporto internazionale di merci "Wholly or partly by sea" (Regole di Rotterdam)
No full textTrattasi di un commento predisposto dai tre delegati italiani del Working Group on Trasport Law dell'Uncitral che nel corso di tredici sessioni tenutesi a Vienna ed a New York dal 2002 al 2008 ha redatto il progetto di Convenzione sul trasporto internazionale di merci "Wholly or partly by sea" che il 3 luglio 2008 l'Assemblea dell'UNCITRAL ha deliberato di sottoporre all'Assemblea generale delle nazioni unite per la sua adozione
Design Processes for Transitions
No full textDesign Processes for Transition claims for a critical perspective on the profound transformation of urban spaces and tissues under the pressure of the contemporary environmental crisis. The book is an experimental output of the joint research activity between the PhD Program Architectural, Urban and Interior Design (AUID) and the research program Territorial Fragilities (TF) at Politecnico di Milano.
Starting from the reconsideration of the current, and sometimes abused lexicon of design approaches vis-a-vis the inducted transitions, it develops as a collection of textual and visual micro-narratives, building a questioning platform between experts, designer, young and experienced researchers in the design fields
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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