325,994 research outputs found
[Letter from Elizabeth Upshur Teackle to Ann Upshur Eyre - April 4, 1825]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre. The last page(s) of the letter are missing
[Letter from Elizabeth Upshur Teackle to Ann Upshur Eyre - April 21, 1825]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre. The last page(s) of the letter are missing
[Letter from Elizabeth Upshur Teackle to Ann Upshur Eyre - August 16]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Eyre. The beginning page(s) of the letter are missing
[Letter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre. The beginning page(s) of the letter are missing and the pages are severely torn
[Letter from Ann Upshur Eyre to her sister, Elizabeth Upshur Teackle, September 22, 1806]
No full textLetter from Ann Upshur Eyre to her sister, Elizabeth Upshur Teackle, written from Eyre Hall, discussing a party of the Taylors coming from Norfolk, along with Robert Barraud Taylor, a Mr. Tilghman, Mr. Morris, and Mr. Jones. Also mentioned are Grace Duncombe Taylor, Retta Teackle of Easton, and John Eyre. The last page(s) of the letter are missing
[Letter from Elizabeth Upshur Teackle to Ann Upshur Eyre - July 3, 1819]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre. She writes about her journey back home from Kegotank and the current drastic drought in Princess Anne. The last page(s) of the letter are missing
ELEMENTS OF AUTOBIOGRAPHY IN Ch. BRONTË`S NOVEL “JANE EYRE”
Get PDFStable interest of readers in the autobiographies of famous people encourages authors to find different ways of presence / absence of the author-narrator in the text, to balance the relationship between biographical truth and fiction in contradictory living conditions, etc., which gives rise to metagenres in literature. The study of the origins of autobiographical writing and the clarification of the actual genre specificity of works of an autobiographical nature, obviously, should be sought in the array of classical literature.
Works that are debatable in defining the genre need special attention.
Domestic and foreign researchers have repeatedly drawn attention to the distinction between the specifics of genres containing autobiographical data: a novel / the story is an autobiography, memoirs, a confessional novel, an autofiction, essays, diaries, etc., but the autobiography of Charlotte Brontë`s novel “Jane
Eyre”, originally called “Jane Eyre. Autobiography”, needs clarification. Therefore, the aim of the article is to
clarify the genre specifics and elements of biographical writing in Charlotte Brontë`s novel “Jane Eyre”.
Defining the genre of Charlotte Brontë`s novel “Jane Eyre” is problematic, as it is difficult to call it autobiographical, given that the author herself defined the genre of the work in the original title and, accordingly, was guided not so much by literary criteria as by her own understanding. All this determined the formulation of the purpose of the article to find out the genre specifics and elements of biographical writing
in Charlotte Brontë`s novel “Jane Eyre”.
The paper widely presents the positions of various scholars on the genre features of autobiographical
writing, analyzed their coincidences in the novel “Jane Eyre”. Attention is emphasized to the fact that we
have a number of indisputable facts-memories about the author’s childhood in a piece of writing, but they
are most likely a method of rethinking and self-knowledge of the writer, although there are moments of
authorial openness in the main character.
It turns out that it is impossible to determine definitively that the novel “Jane Eyre” is an autobiography.
However, this term is important for establishing theories about the biographical content of Ch. Brontë in
her novel. Newer genres, such as autofiction, have helped to define the process by which real aspects are
represented by fictional facts.
Given the various theories of research on the genre features of autobiography in a piece of writing,
including the relationship between author, character and narrator, the pact between reader and author
allows us to consider certain passages of “Jane Eyre” as a first-person narrative by Ch. Bront
A voz do tradutor desafiando os 'poderes' do contexto de cultura: uma análise sistêmico-funcional da primeira tradução brasileira (1926, 2.ª ed.) de Jane Eyre (1847), de Charlotte Brontë
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Este trabalho examina a primeira tradução para o português brasileiro do romance Jane Eyre (1847), de Charlotte Brontë, intitulada Joanna Eyre (1926, 2ª edição), cujo tradutor não é informado, objetivando investigar: o perfil ideacional da protagonista, com base nas categorias do Sistema de Transitividade e do Sistema de Coesão (cf. Halliday e Matthiessen, 2004; Halliday e Hasan, 1985) da Linguística Sistêmico-Funcional (LSF); a presença discursiva do tradutor em seu paratexto 'Prefácio' e, mais sucintamente, nos capítulos que compõem o recorte deste estudo, com base nas categorias de 'voz do tradutor' (cf. Hermans, 1996); e as omissões do tradutor, com base nos conceitos de patronato (cf. Lefevere, 1992) e (auto-) censura (cf. Coracini, 2008). A base metodológica é informada pelos Estudos da Tradução com base em Corpus (ETC) (cf. Baker, 1995; Olohan, 2004; e Fernandes, 2004), aporte para o desenho, construção, processamento e análise do corpus que será anotado, manualmente, com as convenções do Código de Rotulação Sistêmico-Funcional (CROSF) e, posteriormente, processado no Corpus Paralelo de Textos Literários (COPA-TEL) e no software Notepad++. Os resultados apontam que a presença discursiva do tradutor se manifesta, sobretudo, em seu paratexto 'Prefácio' motivada possivelmente pela sua agenda política, e altera o perfil ideacional da protagonista, construindo, na retextualização, uma personagem mais transgressora. No entanto, devido às particularidades do Contexto de Cultura em que seu texto foi produzido, o tradutor teve de suprimir, tipicamente, comportamentos que poderiam ser considerados inapropriados pelo patronato católico.Abstract : This study examines the first translation into Brazilian Portuguese of the novel Jane Eyre (1847), by Charlotte Brontë, entitled Joanna Eyre (1926, 2nd edition), whose translator is not informed, aiming to investigate: the ideational profile of the main character, based on the categories of the System of Transitivity and the System of Cohesion (cf. Halliday and Matthiessen, 2004; Halliday and Hasan, 1985) provided by Systemic-Functional Linguistics (SFL); the translator?s discursive presence in his paratext 'Preface', and, succinctly, in the chapters investigated in this study, based on the cases of 'translator's voice' (cf. Hermans, 1996); and the translator?s omissions, based on the concepts of patronage (cf. Lefevere, 1992) and (self-) censorship (cf. Coracini, 2008). The methodological framework is informed by Corpus-based Translation Studies (CTS) (cf. Baker, 1995; Olohan, 2004; and Fernandes, 2004), which comprises the stages of corpus design, building, processing and analysis. The corpus of this study is labeled, manually, with a numeric code named Systemic Functional Labeling Code (Código de Rotulação Sistêmico-Funcional), and is processed in the Bilingual Parallel Corpus of Literary Texts (Corpus Paralelo Bilíngue de Textos Literários - COPA-TEL) and in the software Notepad++. The results reveal that the translator's discursive presence manifests itself, mainly, in his paratext 'Preface' due to his political agenda, and in the (new) construction of the ideational profile of the main character, who is represented as a more transgressive character in the retextualization. However, apparently due to some specificities of the Brazilian Context of Culture, the translator omitted the representation of behaviors that could be considered improper by the catholic patronage
[Letter from Elizabeth Upshur Teackle to Ann Eyre - April 19, 1819]
No full textLetter from Elizabeth Upshur Teackle to her sister, Ann Upshur Eyre, detailing her recent travels visiting friends and family. She writes extensively about the marriage between Mrs. Susan H. Curtis and Mr. Henry King Long. She also visited her aunt Mary Gore Handy and uncle Samuel Handy in Snow Hill. She also writes about seeing Virginia friends. The last page(s) of the letter are missing
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