1,721,021 research outputs found
Eyerman Ron, Jamison Andrew, Music and social movements. Mobilizing traditions in the twentieth century.
No full textCoulangeon Philippe. Eyerman Ron, Jamison Andrew, Music and social movements. Mobilizing traditions in the twentieth century.. In: Revue française de sociologie, 1999, 40-1. Fluidité et hiérarchie. L'évolution de la stratification sociale en France. pp. 201-204
Eyerman Ron, Jamison Andrew, Music and social movements. Mobilizing traditions in the twentieth century.
No full textCoulangeon Philippe. Eyerman Ron, Jamison Andrew, Music and social movements. Mobilizing traditions in the twentieth century.. In: Revue française de sociologie, 1999, 40-1. Fluidité et hiérarchie. L'évolution de la stratification sociale en France. pp. 201-204
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Cultural trauma : slavery and the formation of African American identity/ Eyerman
No full textviii, p. 302.; 21 c
Sociala rörelsers kulturella praxis
No full textThis article is a shortened version of presentation made at the Second Annual Theory, Culture and Society Conference in Berlin, August 1995 and will appear in its entirety in a forthcoming volume of proceedings. Tracing the history of the song ”We Shall Overcome” from its origins in the experiences of African American slaves to its current status as social movement song par excellence is offered as an illustration of what the paper identifies as the cultural praxis of social movements. The recent cultural turn in social movement research is pushed further and deeper as it is suggested that current research has neglected the historical dimension. Tradition and ritual, it is suggested, which link current mobilizations to the past and a collective memory, should be analyzed as central elements in the making of social movements.Sociologisk Forsknings digitala arkiv</p
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