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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Refocussing: the development and definition of the theory and its therapeutic practice with critical analysis and illustrative case studies

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    Restricted Item. Print thesis available in the University of Auckland Library or may be available through Interlibrary Loan.A sequential narrative format has been adopted as the primary style in this doctoral thesis to describe and define with critical analysis and illustrative case examples the development of Refocussing Theory (RF) and its practice Refocussing Therapy (RFT). The story of Refocussing is told in six chapters, demonstrating a wholistic counselling theory that proposes a way to identify and attend to needs by employing a unique seven foci integrative system. The seven foci system resulted from a desire to find "simplicity on the other side of complexity" (Holmes, cited in De Pree, 1989, p.22) with respect to psychological and theological understanding of human functioning. Consequently, needs were identified as the common convergent construct that transcended the theoretical differences between psychological and theological theories. Accordingly, this thesis proposes that through the implementation of Refocussing Theory (RF), these needs can be identified and attended to, thereby facilitating wholeness. A primary assumption in RF is that people have transpersonal, interpersonal, and intrapersonal dimensions, in which needs manifest. RF proposes that identification of, and, attention to these needs is required. This is so that where needs that are unmet, unfulfilled, or that have become maladjusted, in people's transpersonal (spiritual), interpersonal (social, vocational, recreational) and intrapersonal (intellectual, emotional, moral, physical) functioning, thereby thwarting or hindering their ability to live life in a wholistic manner, these needs can instead be healed, resourced, or resolved. Specific, unique and essential to Refocussing Theory to achieve this is the employment of the "God spaces", which allow people a way to locate, access and develop "God's empowering Presence" (Fee, 1994). The "God spaces" are the central component of the seven foci integrative system mentioned earlier. These "God spaces" are described in chapter three detailing: (1) how they were discovered by the author in psychological and theological research conducted in 1995; and (2) how the "God spaces" were developed into a methodology so that people can be empowered to locate, access, and develop what they uniquely know of God. All of this with the aim of facilitating people to employ their "faith with understanding", so that the state and process of wholeness (described in chapter six) can be achieved. To fully comprehend Refocussing Theory and its practice, Refocussing Therapy, it is important to recognise that it was initially designed for Christians in general and Charismatic Christians in particular. The reason for this is that, for the Charismatic culture, the "Empowering Presence of God" is considered essential for therapy; that is, if it is to reflect or be at all congruent with the beliefs, values, and praxis of the culture. That is not to say that RF and RFT are limited to the Charismatic Christian culture. Rather, it has application for any who agree with the basic assumptions of the theory. Because it is so important to comprehend what these are, they are made explicit throughout this doctoral thesis. Sequentially then, chapter one, the introduction, provides a rationale for the narrative, showing the important details pertaining to the development and definition of RF. Concomitant with this, and also included in chapter one, is the inclusion of the research questions and methodology that gave rise to the formation of this theory and its practice in the first place. In recognition of the fact that no one counselling theory is likely to suit all people, important questions pertaining to this theory also had to be included, such as: Who was the theory for? Why was RF required? Following on from chapter one is the sequential detailing of the story of Refocussing, beginning with chapter two which elucidates how RF arose in relation to cultures, context, and theologies. Chapter three details the discovery of the "God spaces" and how they were essential for the development of the seven foci integrative system, which is outlined in chapter four. Each of the seven foci along with some illustrative case examples is explained in chapter four. Also explained fully in this chapter are those concepts that are fundamental to the theory. This includes the concepts: needs, clean language, orientating questions, focus and refocus. Chapter five presents a case example to illustrate what was previously described in chapters two, three, and four. Finally, chapter six, the denouement explains what wholeness is, and how by implementation of RF, wholeness as both a state and process is achievable

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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