3,082 research outputs found
Texte élaboré au cours du colloque
No full textCouillaud Xavier, Martin-Jones Marilyn, Reid Evan. Texte élaboré au cours du colloque. In: Langage et société, n°18, 1981. pp. 80-83
Vybarr Cregan-Reid - Audible Sessions
No full textJoining us in the Audible Studios to talk about his latest book, Primate Change, is writer and lecturer at the University of Kent Vybarr Cregan-Reid.
A senior lecturer in English and Environmental Humanities, Cregan-Reid is also the author behind Footnotes - How Running Makes Us Human. He has a popular blog and has written widely on the subjects of health, literature, nature and the environment for publications such as the Guardian, Telegraph, and Literary Review and the BBC as well as numerous essays and articles for academic journals. His third book, Primate Change, was published in September 2018.
Vybarr Cregan-Reid talks to us about his new book, how the human body is changing and why we need to be aware of it
REID BROS, LTD / 101 /STANDARD SONGS / Tonic Solfa and Old Notation Combined_Full Pianoforte Accompaniments.
No full textTitle page: "E.T POTTER / Everything Musical / [... SALI]SBURY[?]" [stamp]Box no. 1Reid Bros: 101 Standard Songs; music printItem type: book | Content type: music and text | Counting of pages: page numbersvocal-instrumental score | staff notation; tonic sol-fa notation | voice; piano"Men of Harlech in the hollow, Do ye hear, like rushing billow [...]"March of the Men of Harlech (words by W.[illiam] Duthie); Giordani: Caro Mio Ben; Samuel Lover: Molly Bawn [from “Il Paddy Whack in Italia”]; W.[illiam] H.[erbert] Jude: Silvery Bells (words by W.[illiam] Cartwright-Newsam); Dr W[ilia]m Boyce: Heart of Oak (words by David Garrick); J. Louis Rockliffe and H.[enry] T.[emple] Leslie: The Four Jolly Smiths; Richard Wagner: Star of Eve [“O du mein holder Abendstern" from "Tannhäuser und der Sängerkrieg auf Wartburg”.]; C.M. von Weber: When the thorn is white with blossom (words by S.C.) [Lied der Hirtin]; Samuel Lover: The low back'd car; My love is like a red, red rose (Air "Low down in the broom.") (words by [Robert] Burns); Carl Monteith: Dream of Me (words by Clifton Bingham); Widdicome Fair; Scots wha hae; Kathleen O'Moore; Clement Locknane: I know a little word (words by Geo. Grossmith Jun.); A. Grieg: Love is like sweet briar roses; H. Evan-Jones: Lily of Llanover (words by Cyril Oakes); Henry C.[lay] Work: Marching through Georgia; [John Wall Callcott]: Drink to me only with thine eyes ([words by] Ben Jonson); Claude Melville: Take back thy Gift (words by Edward Oxenford); J.[ohn] L.[iptrot] Hatton: The Lark now leaves his wat'ry Nest (words by sir W.[illiam] Davenant); W.[illiam] H.[erbert] Jude: For King and Country; Fred Whishaw: When all the World is Young (words by Charles Kingsley); Rocked in the Cradle of the Deep; Thomas P.[ayne] Westendore [instead of Westendorf]: Dar's one more ribber for to cross. The Great Jubilee Song (words by James Hosey); James James and Owain Alaw [John Owen]: Land of my Fathers; Gerard F.[rancis] Cobb: Carisbrooke (words by G.[eorgeanne] Hubi Nemcombe; Eliza Cook and John Blockley: Many happy returns of the day; W.[illoughby] H.[unter] Weiss: The Village Blacksmith (words by [Henry Wadsworth] Longfellow); Virginia Gabriel: Cleansing Fires (words by Adelaide Proctor); Henry Bishop: Home Sweet Home ([words by John Howard] Payne); The Campbells are comin'; R.[ichard J.[ohn] S.[amuel] Stevens: Sigh no more, ladies; W. H. Lonsdale: Cupid's Darts; S.[ydney] Nelson: Madoline (Edward J. Gill); Adam Geibel: Wonderland. Fairy Lullaby; Clementine ([words by] Percy Montrose [instead of Montross]); The harp that once thro' Tara's halls; A.[lexander] Hume: Afton Water; Arthur S.[eymour] Sullivan: If doughty deeds my lady please (words by [Robert Cunninghame] Graham of Gartmore); A. Grieg: To Daffodils (from love's litanies) (words by Kenneth Douglas); Claude Melville and W[illia]m Cartwright Newsam: The Angelus; [Friedrich Glück:] The Mill Wheel (“In einem kühlen Grunde”; [words by Joseph von Eichendorff]); Ch.[arles] Gounod: When all was young. Romance from "Faust" (“Si le bonheur à sourer t’invite”); Bonnie Dundee; Claribel [pseudonym of Charlotte Alington Barnard]: Take back the heart ([words by] G. R. Gifford); Julius Benedict: Eily Mavourneen; Julius Benedict: I'm Alone; Arthur [Seymour] Sullivan: A Hymn of the Home-land (words by H.[ugh] R.[eginald] Haweis); Caller Herrin'; C.[harles] Gounod: Serenade ([words by Victor Hugo]); John Peel; Claribel: Come Back to Erin; The wearing of the Green; Claribel: I cannot sing the Old Songs; John Hullah: The Storm. Descriptive song (words by Adelaide Procter); The Blue Bells of Scotland; Julius Benedict: By the Sad Sea Waves ([words by] Alfred Bunn); Henry Russell: A life on the ocean wave (words by E.[pes] Sargent); Mary of Argyle; S.[tephen] C.[ollins] Foster: My Old Kentucky Home; The Keel Row; John Brown's Body. March Song of the American Civil War; W.[illiam] H.[erbert] Jude: On the deep blue sea (words by Clifton Bingham); Alfred Redhead: The North Wind doth blow; Poor Old Joe; Brinley Richards: God bless the Prince of Wales; Auld Lang Syne (words by Robert Burns); Claribel: You and I; Claribel: Milly's Faith; Henry Lamb [pseudonym of George L. Spaulding]: The Volunteer Organist ([words by William B. Gray]); Braham: The Anchor's Weigh'd; John Hoskins: Mollie Malone; J.[ames] Pierpont: Jingle Bells; M.[ichael] W.[illiam] Balfe: Come into the garden Maud ([words by] Alfred Tennyson); Dolores [pseudonym of Ellen Dickson]: Wings (words by W.[illiam] Cartwright-Newsam); Joseph Barnby: Sweet and low (arrangement by W.[illiam] H.[erbert] Jude; [words by] Alfred Tennyson); Alfred G.[eorge] Robyn: Answer? Ballad; Claude Melville: Go forth! O my Spirit. Sacred song (words by W.[illiam] Cartwright-Newsam); Victor Girdlestone [pseudonym of Gustav Krenkel]: Life's Secret (words by A.[nna] L.[aetitia] Barbauld); Annie Laurie ([words by Alicia Ann Scott?]); C.[harles] F. Shattuck: A hundred fathoms deep (words by R.[ichard] Cranshaw); Arthur [Seymour] Sullivan: Orpheus with his Lute (words by [William] Shakespeare); Barbara Allen; Francis Böhr: God Bless our England; Fred Whishaw: Music when soft voices die (words by [Percy Bysshe] Shelley); Claribel: Strangers Yet ([words by Richard Monckton Milnes] Houghton); Love's Mirror (arrangement by A. L.); M.[ichael] W.[illiam] Balfe: When other lips; Anton Strelezki: When twilight comes [original title: Dreams] ([words by] Baroness Porteous); W. Jackson: The Dear little Shamrock ([words by] Oherry); John L.[iptrot] Hatton: Good-bye Sweetheart Good-bye ([words by] Folkestone Williams; J.[oseph] Ascher: Alice, where art thou? ([words by Wellington Guernsey]); Edwin Greene: My Home (words by Clifton Bingham); M.[ichael] W.[illiam] Balfe: Killarney ([words by] E.[dmund] Falconer); Comin; thro' the Rye; [Henry] R.[owley] Bishop: Chime again, beautiful Bells; Francis Böhr: Love's Message (words by Maud Bolton); Within a Mile of Edinburgh Toon; Henry R.[obinson] Allen: Maid of Athens ([words by] Lord Byron); Louis Diehl: Jack's Yarn (words by F.[rederick] E.[dward] Weatherly
Book review: Contemporary Scottish plays, edited by Trish Reid
No full textBook review: Contemporary Scottish plays, edited by Trish Reid. London:
Bloomsbury, 2014; ISBN: 9781472574435 (£17.99)Publisher PD
Corpus entretiens Kattu Nayaka/Jenu Kurumba 2010
No full textCorpus of four semi-structured bilingual interviews (English and Kattu Nayaka/Jenu Kurumba) on the social representations of the participants.Oriana Reid-Collins conducted the interviews in Gudalur, the Nilgiris, Tamil Nadu, India, between March and May 2010.Corpus constitué de quatre entretiens semi-directifs bilingues (anglais et kattu nayaka/jenu kurumba) portant sur les représentations sociales des participants.Oriana Reid-Collins a mené ces entretiens à Gudalur, Nilgiris, Tamil Nadu, Inde, entre mars et mai 2010
Dr. Debra Reid
No full textDebra A. Reid grew up on an Illinois farm 77 miles north of Cairo and completed a B.S. degree at Southeast Missouri State University in Cape Girardeau, 33 miles north and across the Mississippi River from Cairo. Her research has focused on rural southern history, i.e. Reaping a Greater Harvest: African Americans, the Extension Service and Rural Reform in Jim Crow Texas (2007). She has explored issues of race in upland southern borderlands, and in rural and urban context [see Beyond Forty Acres and a Mule: African Americans Landowning Farm Families since Reconstruction (co-edited by Reid with Evan P. Bennett, 2012) and “‘The Whitest of Occupations’?: African Americans in the Rural Midwest, 1940-2010,” in the Rural Midwest since World War II (edited by J. L. Anderson, 2014)]. She also investigates the past in popular or collective memory. From that vantage point, the “other side of the 1960s” remains palpable.https://thekeep.eiu.edu/revolutionary_decade_otherside/1002/thumbnail.jp
Gemmeleg. Performance for the Feral Cello. Sound Music Computing Conference, Helsinki... 5 Jul 2017-8 Jul 2017
No full textGemmeleg by Laura Reid performed on the "Feral Cello" developed by Tom Davis at SLC Helsinki July 201
Whitelaw Reid
No full textThis is Whitelaw Reid, the scholar in politics. Author, journalist, and diplomat, he was Greene County\u27s most distinguished citizen. He graduated from Miami University and was the recipient of honorary degrees from other universities at home and abroad. He was editor of the New York Tribune and ambassador to Great Britain. He was also republican vice presidential candidate in 1892. He was born at the Reid homestead in Cedarville township (at that time Xenia township), October 27, 1837. He died in London, England, December 15, 1912, while in the service of his country.https://digitalcommons.cedarville.edu/wyland_collection/1121/thumbnail.jp
Molyneux’s question and the phenomenology of shape
No full textWilliam Molyneux raised the following question: if a congenital blind person is
made to see, and is visually presented with a cube and a globe, would he be able to
call the shapes before him a cube and a globe before touching them? Locke,
Berkeley, Leibniz, and Reid presented their phenomenological view of shape
perception, i.e. their view as to what it is like to perceive shape by sight and touch, in
responding to Molyneux’s Question. The four philosophers shared the view that
visual perception delivers no solid shape. This view would provide a premise for an
argument for immaterial objects. The purpose of my thesis is to reject that argument.
Kant’s view and John Campbell’s externalist account offer a way to reject the
premise of the argument in question. However, my strategy is not to adopt their view.
I pursue Reichenbach’s view that the there is no congruence or incongruence
involved in the visual phenomenology. I develop his view, and propose the view that
visual perception delivers no flat or solid shape. Although my view endorses the
premise in question, I can offer a way to reject the argument. This is because my
view is compatible with a form of externalism about perception (which differs from
Campbell’s). My view can also do full justice to the phenomenological views
presented by the four philosophers
An article on Van Reid of Edgecomb, author of the critically acclaimed Moosepath
No full textAn article on Van Reid of Edgecomb, author of the critically acclaimed Moosepath League series of historical novels, set in 19th-century Maine. He has a devoted fan club, and many of his readers seek him out. Although he never went to college and rarely travels out of state, he is extraordinarily well-educated and well-informed
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