4,180 research outputs found
La thériaque à Barcelone : Isabel Dejuan Simó, Xavier Sorni Esteva, « Alguns fulletons barcelonins de Triaga » in Buttl. Soc. Amics Hist. i Ciència Farm. Catalana, 6, n° 15, 1997
No full textJulien Pierre. La thériaque à Barcelone : Isabel Dejuan Simó, Xavier Sorni Esteva, « Alguns fulletons barcelonins de Triaga » in Buttl. Soc. Amics Hist. i Ciència Farm. Catalana, 6, n° 15, 1997. In: Revue d'histoire de la pharmacie, 86ᵉ année, n°317, 1998. p. 115
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Daughter of fortune: Isabel Allende's popularity from a readership perspective
No full textThe primary aim of this thesis is to explore and critically interrogate Isabel Allende’s popularity cross-culturally in Britain and Spain. It analyses readers’ responses to Allende’s works as well as the discourses surrounding her public representation, an approach that is ‘readerly’ but must also take account of production and text. This approach is intended to further the understanding of Allende’s work which so far has always been analysed from a textual perspective. However, the relationship between Allende’s popularity, her texts, public representation and readers has not been yet analysed in detail.This thesis is innovative in other ways too. Methodologically, it approaches readers through the under studied cultural form of the reading group. It also incorporates a comparative dimension by looking at the reception of Allende in two different cultural contexts: the British and Spanish respectively. Finding out about Allende’s popularity has involved asking readers about their reading experiences as well as analysing the production of discourses around her public representation. Paul Ricoeur’s (1984, 1988) perspective on authorial intentions and readers’ responses to texts helps in understanding the intricacies surrounding what is involved in reading any text. It draws attention to Allende’s and her publishers’ authorial strategies, her ‘strategies of persuasion’ and the specificity of the lives and contexts of British and Spanish reading publics. Equally, this ‘readerly’ approach draws on feminist audience research and primarily on the work of Ien Ang and Janice Radway. Their work with viewers and readers respectively is particularly useful in establishing and developing methodological parameters for the study of reading groups. As a whole, this thesis contributes to the understanding of Allende’s cross-cultural popularity by situating readers at the centre
La thériaque à Barcelone : Isabel Dejuan Simó, Xavier Sorni Esteva, « Alguns fulletons barcelonins de Triaga » in Buttl. Soc. Amics Hist. i Ciència Farm. Catalana, 6, n° 15, 1997
No full textJulien Pierre. La thériaque à Barcelone : Isabel Dejuan Simó, Xavier Sorni Esteva, « Alguns fulletons barcelonins de Triaga » in Buttl. Soc. Amics Hist. i Ciència Farm. Catalana, 6, n° 15, 1997. In: Revue d'histoire de la pharmacie, 86ᵉ année, n°317, 1998. p. 115
Isabel de Villena, um olhar teológico feminino muito singular
No full textLa recepción tradicional de uno de los referentes clásicos de la espiritualidad europea, el Vita Christi de Ludolfo de Sajonia, ha sufrido una transformación en la pluma de Isabel de Villena quien, en su libro la Vita Christi, nos da una visión bien diferente. Desde esa mirada tan humana y humanística de Isabel, la vida de Cristo se transforma en un tratado teológico de la experiencia trinitaria en el que las mujeres participan como coadjutoras de la Redención.The traditional reception from on of the classical works referents of European spirituality, el Vita Christi, by Ludolf de Sajonia, hass been transformed by the writings of Isabel de Villena, who in her book, la Vita Christi, offers a new point of view, human and humanistic at the same time: the life of Christ develops in a theological threatsense of trinity experience where women at as adjuvant of Christ Redemption
Isabel de Villena, una mirada teológica en femenino muy singular
No full textLa recepción tradicional de uno de los referentes clásicos de la espiritualidad europea, el Vita Christi de Ludolfo de Sajonia, ha sufrido una transformación en la pluma de Isabel de Villena quien, en su libro la Vita Christi, nos da una visión bien diferente. Desde esa mirada tan humana y humanística de Isabel, la vida de Cristo se transforma en un tratado teológico de la experiencia trinitaria en el que las mujeres participan como coadjutoras de la Redención.The traditional reception from on of the classical works referents of European spirituality, el Vita Christi, by Ludolf de Sajonia, hass been transformed by the writings of Isabel de Villena, who in her book, la Vita Christi, offers a new point of view, human and humanistic at the same time: the life of Christ develops in a theological threatsense of trinity experience where women at as adjuvant of Christ Redemption
Isabel de Villena, una mirada teológica en femenino muy singular
No full textLa recepción tradicional de uno de los referentes clásicos de la espiritualidad europea, el Vita Christi de Ludolfo de Sajonia, ha sufrido una transformación en la pluma de Isabel de Villena quien, en su libro la Vita Christi, nos da una visión bien diferente. Desde esa mirada tan humana y humanística de Isabel, la vida de Cristo se transforma en un tratado teológico de la experiencia trinitaria en el que las mujeres participan como coadjutoras de la Redención.The traditional reception from on of the classical works referents of European spirituality, el Vita Christi, by Ludolf de Sajonia, hass been transformed by the writings of Isabel de Villena, who in her book, la Vita Christi, offers a new point of view, human and humanistic at the same time: the life of Christ develops in a theological threatsense of trinity experience where women at as adjuvant of Christ Redemption
A Discussion About Writing Fiction and Creative Prose with Isabel Huggan
No full textAward-winning Canadian author Isabel Huggan talks to students about writing, with a focus on fiction and creative non-fiction.Presentation for English 2905 (Introduction to Creative Writing), taught by Dr. Stepanie McKenzie
Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras
No full textDurante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court
Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras
No full textDurante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court
Isabel Allende recuerdos para un cuento = Isabel Allende : memories for a story
No full textA simple description of the childhood and youth of the Chilean author Isabel Allend
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