1,721,135 research outputs found
[Proofs of engraved title vignettes for Esopus in Europa].
No full textProofs before letters on large paper of Romeyn de Hooghe's title vignettes for Esopus in Europa, issued in 40 weekly parts, 1701-1702.Title supplied by cataloger.Mode of access: Internet.Bound in old diced calf over boards; gilt title on spine; bookplate of Lord Farnham and Leonard Baskin's printed labels for Fort Hill and Lurley Manor on front pastedown; pencilled signature of Leonard Baskin on back free endpaper; unrelated colored engraving laid in
Esopus A. Milne-Edwards 1875
No full textGenus Esopus A. Milne-Edwards, 1875 Esopus A. Milne-Edwards, 1875: 89.— Miers 1879: 651.—A. Milne-Edwards & Bouvier 1923: 389.— Rathbun 1925: 191.— Ng et al. 2008: 100.— Guinot 2019: 783.Published as part of Guinot, Danièle & Bakel, Barry Van, 2020, Extraordinary majoid crabs: the genus Esopus A. Milne-Edwards, 1875 in the new subfamily Esopinae subfam. nov., and erection of Paulitinae subfam. nov. (Crustacea, Decapoda, Brachyura, Majoidea, Inachoididae Dana, 1851), pp. 101-127 in Zootaxa 4766 (1) on page 104, DOI: 10.11646/zootaxa.4766.1.5, http://zenodo.org/record/376399
Time will darken paper
No full textThe project is a commission to produce 20 pages of new work for the Esopus Foundation to be presented in the Spring 2014 issue of Esopus magazine.
Time will darken paper takes the form of a picture essay to examine the act of mimesis as a way to transform our understanding of key texts. This series of graphite images resituates text pages as pictures or as components of an aesthetic puzzle. The project draws on a range of source material including political memos, fictional texts and historical images to consider the way narratives are constructed as events depicting people in time and place like shapes on a canvas.
The Esopus Foundation Ltd. is a 501(c)(3) not-for-profit organization incorporated in New York State in 2003. It was formed to provide an unmediated forum through which artists, writers, musicians, and other creative people can make a direct connection with the general public.
Over the past decade, the Foundation has been largely devoted to the publishing of Esopus, a twice-yearly magazine that features content from all creative disciplines presented in an unmediated format.
ESOPUS s features contributions from a cross-section of creative disciplines presented in a striking visual format with minimal editorial framing and no advertising.
Each issue of Esopus includes three long-form contemporary artists’ projects—past contributors have included Richard Tuttle, Jenny Holzer, Robert Therrien and film-maker David Lynch
Esopus in Europa.
No full textIllustrations: 40 prints : etching ; plate mark 10 x 14 cm. or smaller. The first is signed: R. d. H. invenit.No. [5] has imprint: "Na de copy van Romen. Gedrukt voor de Wagenaar, die de Tel verkoft hadde." Nos. [2-4] and all after no. [6] have only "Volgens de Romeinse copy" and the date.Political satires or fables in the form of dialogues, each with engraved title vignette by Romeyn de Hooghe. Chiefly directed against Louis XIV at the beginning of the War of Spanish Succession.Originally issued in 40 weekly parts, 1701-1702. Each part consists of one quarto gathering, paged [1]-8 (no. [6], with last page blank, paged [1]-7). Nos. [1] and [5-6] are each signed A⁴; others unsigned.Landwehr, J. Romeyn de Hooghe as book illustrator,Hollstein, F.H.W. Dutch and Flemish,Landwehr, J. Emblem and fable books (3rd ed.)Mode of access: Internet.Bound in old sprinkled calf; gilt spine; edges mottled blue; signature of Lisa & Leonard Baskin on rear pastedown, and Baskin's printed labels for Fort Hill and Lurley Manor on front pastedown
HI-04 Land or Death: The Second Esopus War
No full textBy the mid seventeenth century, several European nations had established a foothold in the Americas. The Dutch Republic in particular, founded New Netherland (centered in modern New York State) in 1614.
This colony soon became a hub for trade and raw materials. One problem for the settlers was that the population was spread thin, and there was a limited military force to keep the settlers safe from potential conflict with earlier inhabitants of the region. One of these people, the Esopus lived in what is now the Kingston area some ninety miles north of Manhattan. The Dutch settlers and the Esopus were involved in warfare on more than one occasion during the seventeenth century. This poster examines how the Esopus were unwilling to accept the growing territorial domination of Dutch settlers and how they took up arms to drive off the foreign inhabitants who had settled on their indigenous lands.
One conflict in particular, the Second Esopus War, highlights this long-lasting resistance by the Esopus. This poster focuses on a contemporary account of this war, the Journal of the Second Esopus War written by Captain Martin Kregier
Locations of periphyton sampling sites in the Upper Esopus Creek and tributaries, 2009–2010.
No full text<p>Locations of periphyton sampling sites in the Upper Esopus Creek and tributaries, 2009–2010.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Exploration of Phenomenological Geospatial Analysis for the Late Archaic in the Esopus Drainage of the Hudson Valley
No full textThe Esopus Drainage of the Hudson Valley, New York, has been utilized by the Indigenous population for its vast resources embedded within the landscape. Consequently, the changing climate and warming trends of the Holocene transformed the landscape, shifting rivers, fauna, and floral resources. Relevantly, due to the prehistoric nature of these populations, the archaeological record is pointedly incomplete. The landscape’s geographical features are still within reach of archaeological and phenomenological study to fill in some of the interruptions.
This dissertation focuses on the Late Archaic hunter-gatherer population of the Snook Kill phase of the Esopus Drainage running west of the Hudson River in Ulster County along the Esopus Creek. It applies the phenomenological philosophies of landscape theory with Geographical Information systems (GIS) applications.
The Esopus Creek meanders through Ulster County as a tributary of The Hudson River Valley. Its land has been utilized, and the region of human activity reaches into the earliest Indigenous movements within its territories. The region has never been analyzed under phenomenological methodology and is ready for this undertaking. The Snook Kill phase and the phenomenological have been largely ignored in the published literature of the Hudson Valley region, overlooking the possibilities of human agency in landscape theory.
The research is intended to provide a significant new direction in an understudied aspect of Hudson Valley Archaeology. It will explore, through the tools of GIS applications, the utilization of the landscape through the experiences of humanity. It will propose that much of the behavior of the prehistoric, which is often incomplete in the archaeological record of prehistory, can be viewed through human and group agency that determines decision-making. Inferences interpreting movement and the use of visualization will bring into further focus the Snook Kill phase and the deterministic variabilities that influenced decision.
Data from previous research on a large site within the Esopus Drainage containing a significant number of Snook Kill projectile points will be used as a typical case study for the region, as well as verifiable archaeological sites containing Snook Kill projectile points. These sites will be used through GIS analysis of the area from the perspective of a phenomenological study. Discussion will emphasize the landscape as an active variable in the decision-making of the Indigenous people of the Snook Kill phase
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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