1,720,956 research outputs found

    WEATHERLORE BY ELIZABETH RUSSELL exhibition documentation, 2015

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    Weatherlore is a process of divination and exchange between human culture and environment, through which we attempt to predict the weather, and to decipher meaning from it in turn. Abstraction is another means of reciprocal exchange through which signs, symbols and materials conjure meaning and metaphor. My work captures the sightlines, spatial relationships, and color conjunctions where the land meets the sea. Through paper, cotton, and paint, I translate experiences of atmosphere and seascape into their most essential, distilled expression, creating formal objects that are embedded with fragments and traces of memory, as if sunwashed by time

    SHOTGUN SHELLS AND PINECONES exhibition documentation, 2016

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    On July 25th, 1912 United States world chess champion (1909 – 1936), Frank James Marshall, sacrificed his Queen (Q to G3), beating out opponent, Stefan Levitsky, in what is considered one of the most brilliant twists of game fate in recorded chess history. This move, now canonized in chess terminology as a “swindle,” is the achievement of a win or a draw from a distinctly losing position. Shotgun Shells and Pinecones presented at the Meyer Oakland Library brings together the aesthetics of chance and gender. Curated vitrines offer a selection of books, photographs, and texts from the library archive in addition to found artifacts, images, and books from a family archive. Presented in conjunction with Angela Berry’s CCA MFA Thesis exhibition on view at the Perry Family Gallery until April 2nd, Shotgun Shells and Pinecones, is a playful counter-point to Berry’s thesis body of work Rough Weather Makes Good Timber, which looks at different processes of resilience in the ancient forest habitat of the Blue Ridge Mountain Range (the spine of the Southern Appalachians). Over the years her father has made chess sets out of a variety of different materials including carved wood, seashells, shotgun shells and pinecones. The latter has been re-created. More advanced in time, this archive retroactively engages a space of problem solving and compromise years later with different players. Anyone may join the artist in the library on Sundays in April from 6pm – 9pm. Players will bypass the opening and midgame for the endgame

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    DIMENSIONS: WORKS BY JOHN BOYCHUK exhibition documentation, 2016

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    Experiencing a transition from working primarily with clay here at California College of the Arts, John Boychuk has created a series of sculptures that present the intricacies of the way the body, physics, and art are interwoven.Wrapping the pieces around his body in what the artist terms a “dance”, Boychuk’s actions themselves are written in the graceful sweeps of the wooden bands. The wire twists in all directions around the wood, both securing the pieces together to create the larger form and shaping the voids that his body had once inhabited. Displayed within the library are books that have motivated Boychuk’s practice, including the 19th century satirical novella Flatland: A Romance of Many Dimensions . In Flatland and in the sculptures on display we see the examination of dimensions taking a central role in the work. Situated both on the ground and in the air, the delicate lines and negative space of the objects navigate one’s eye through the artist’s study of dimensions and the body’s interaction in space

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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