874 research outputs found
Father Bouchard and residents
No full textCaption reads: "Father Bouchard and residents of leper village pose for author after sick call." Group photograph, Rev. Lucien Bouchard in center. Image displayed (72 dpi JPEG), Master image (600 dpi TIFF)
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
AAC users’ discourse in the workplace
No full textA number of attempts have been made to capture the discourse of AAC users (Beukelman, et al.
1984; Vertanen & Kristensson, 2011) but only one corpus exists that explicitly focusses on the
language of AAC users and non-AAC users in the workplace. In this chapter, we will discuss the
work that has been done to describe AAC users’ discourse and research conducted using the
AAC and non-AAC workplace corpus (ANAWC) (Pickering & Bruce, 2009). This work has
shown that AAC users often prefer to vocalize instead of using their devices in interaction in
order to inhabit the same “time stream” as their interlocutors (Bouchard, 2016; Friginal,
Pickering & Bruce, 2016). We expand this work and compare the speech produced by AAC
users while using their devices and when vocalizing. The data from the ANAWC are
separated in two sub corpora: one that includes all the vocalizations made by the AAC users, and
one that includes all the speech produced using their devices. These sub corpora are analyzed
quantitatively, looking at word frequency and word clusters, and qualitatively, focusing on the
situations when the speakers vocalize or use their devices. This advances our understanding
of the discourse of AAC users in the workplace in a way that would not be possible without the
use of corpora
John F. Marok : Peintures
No full textBouchard describes the symbols and iconography used by painter Marok to represent solitude. The author compares the paintings in the series entitled «Insula Solitudinis» (the Island of Solitude) to those of 19th century painter Arnold Böcklin, and discusses the various techniques used by the artist. Texts in French and English. Bio-bibliography 2 p
Beneath Raven Moon by D. Bouchard
No full textBouchard, David. (2012). Beneath Raven Moon. North Vancouver, BC: More Than Words Publishers. Print and CD. Trickster Raven is at it again in Beneath Raven Moon, a creation myth taken from the tradition of the Kwakwaka’wakw people of British Columbia. Metis author David Bouchard weaves together the enchanting tale of how keen-eyed Eagle and whimsical Raven conspire to create a love match between two young people with the story of how the Earth was given Grandmother Moon. Each page is beautifully illustrated with West Coast First Nation’s designs in the dark golds, silvers, blues and oranges of nighttime. Bouchard sets a quiet, ethereal tone for the text through carefully-paced repetition and descriptions of night time scenes. The use of playful dialogue, traditional terms such as Grandmother Moon or Grandfather Cedar and Bouchard’s placement of Trickster as a force in many aboriginal cultures enhances the timeless feeling of the text. Beneath Raven Moon derives its authenticity from its Metis author and K’omoks First Nations illustrator. Source notes are background information that places this myth in the tradition of the Kwakwaka’wakw people from BC’s Inside Passage. Each page contains both English and Kwakwala text, with the Kwakwala translation attributed to Pauline and Pewi Alfred. In keeping with First Nations\u27 oral traditions, a CD of the story read aloud in English, Kwakwala and French is included with the book. The CD also features the haunting First Nations flute music of Mary Youngblood. Students aged eight to twelve will enjoy the visual and auditory experience of Beneath Raven Moon. Recommended: 3 out of 4 stars Reviewer: Kristie Oxley Kristie Oxley is an elementary Montessori teacher at Richard McBride Elementary School in New Westminster, BC
Graham Metson : Kalioka Verberra...Elusive Cosmos Emenae
No full textThis catalogue documents an exhibition held during the 50th Canadian Tulip Festival where artist Metson was chosen for his expressive and colourful work. The authors describe the artist’s work in terms of colour, form and subject matter. Author Bouchard alludes to the contemporary nature of Metson’s work and discusses the artist’s sources of inspiration. Biographical notes (3 p.). Texts in English and French
Macrophthalmus (Chaenostoma) lisae Poupin & Bouchard, 2010, sp. nov.
No full textMacrophthalmus (Chaenostoma) lisae sp. nov. (Figs 1 a–c, 2 a–o) Type material. Mayotte. Holotype: 1 male 3.75 × 4.9 mm, stn 26, 12° 45 ’ 15.60 ”S, 45 °02’ 49.86 ”E, upper intertidal beach on Mliha, “Platier de Mutsumbatsou”, coll. J.-M. Bouchard, R. Cléva, J. Poupin, J. Dumas, V. Dinhut, KUW fieldwork 16.xi. 2009 (MNHN B 32254). Paratypes: same data as holotype, 1 female ov. 3.85 × 5.1 mm (MNHN B 32362); 1 male 4.1 × 5.4 mm, 3 females ov. 3.1 × 4.1 – 3.95 × 5.3 mm, 3 females 2.6 × 3.3– 3.7 × 4.9 mm, 1 female juvenile broken (MNHN B 32071); 1 female ov. 3.75 × 5.01 mm, stn 13 b, 12 ° 55 ’ 22.08 ”S, 45 °09’ 22.08 ”E, Malamani mangrove, intertidal, coll. J.-M Bouchard, 08.x. 2008 (MNHN B 32072). Comparison material: Macrophthalmus (Chaenostoma) boscii Audouin, 1826 Mayotte. 1 female 7.5 × 9.1 mm, stn 1, 12° 43 ’ 50.45 ”S, 45 ° 11 ’ 39.66 ”E, intertidal beach of Trévani, coll. J. Delmas, J. Poupin, R. Cléva, 01.xi. 2009 (MNHN B 32073); 1 male 3.6 × 4.6 mm, 1 juvenile, stn 31, low intertidal Brandélé, Musicale beach, 12 ° 55 ’01.60”S, 45 ° 11 ’ 12.43 ”E, coll. J. Poupin, R. Cléva, 19.xi. 2009 (MNHN B 32074). Diagnosis. Small-size species with carapace breadth less than 6 mm, greatest breath occurs at tip of first anterolateral teeth (external orbital angle); carapace subrectangular, 1.3 wider than long; front broad, 0.2–0.3 distance between external orbital angles, not constricted between bases of ocular peduncles. Dorsal surface of carapace smooth. Anterolateral margin with 3 teeth, including external orbital angle; first two teeth separated by a V-shaped incision, last tooth feebly marked. Ocular peduncles short and stout, not projecting significantly beyond lateral carapace margin. Upper and lower orbital border with small granules; males without stridulating mechanism. Central region of posterior border of epistome straight. Ischium of third maxilliped 1.2–1.3 times merus length. Male chela with palm inflated, 1.1 times as high as long, furnished with mat of setae on inner face; fingers short 1.0– 1.2 times as long as palm, cutting margins with sets of small triangular teeth, without differentiated larger teeth. Female chela with thinner palm, 0.9 as high as long, whithout mat of setae on inner face; fingers 1.0– 1.2 as long as palm with smooth cutting margins; telson 3.4 times as wide as long, with lateral margins straight to feebly convex. Description. Carapace subrectangular, 1.3 wider than long (Figs. 1 b, c; 2 a). Anterolateral margin with three teeth (Fig. 2 b), widest being between tips of first teeth. Outer orbital tooth, made by external orbital angle, broad, directed outwards; anterior and posterior margins minutely serrated. Second tooth smaller, separated from first one by V-shaped incision, with margins minutely serrated. Third tooth reduced, indistinct, separated from second tooth by minute incision. Dorsal surface of carapace smooth with sparse tufts of short setae, regions poorly defined; branchial regions with few scattered setae and few low tubercles. Lateral margins with row of long setae. Front deflexed with smooth margins, broad, width 0.2–0.3 the distance between external orbital angles, not constricted between bases of ocular peduncles; anterior margin forming somewhat large open V in frontal view (Fig. 2 c); upper face smooth, with median furrow filled with short setae. Upper orbital border curved with minutely granular margin. Lower orbital border with regular tubercles along whole length; pterygostomian region with line of granules sub-parallel to lower orbital border; granules very small not forming stridulating ridge with large tubercles. Ocular peduncles short, stout, reaching outer orbital tooth but not projecting significantly beyond carapace margin; diameter of cornea about 0.3 times length of peduncle. Posteromedian margin of epistome straight; central region of anterior buccal cavity without median ridge (Fig. 2 c). Ischium of third maxilliped 1.2–1.3 times length of merus; carpus inserted at distolateral angle of merus (Fig. 2 d). Dorsal surface of merus of male cheliped separated from lateral, mesial surfaces by finely tuberculated edges; mesial surface smooth, without horny ridge; ventral margin with fringe of long setae (Fig. 2 e). Carpus with few indistinct tubercles on dorsal surface, without spine, with long setae on disto-mesial angle. Chela with palm inflated, 1.1 times as high as long, furnished with mat of setae on inner surface, not extending on inner surface of fingers; upper margin rounded with small tubercles, lower margin rounded and smooth (Figs. 2 f, g). Fingers 1.0– 1.2 times as long as palm, cutting margins with sets of small triangular teeth but without differentiated tooth. Immovable finger undeflexed, outer surface smooth, with median longitudinal ridge, extending on distal half of outer surface of palm; inner surface smooth, with median longitudinal ridge not extending on inner surface of palm. Movable finger slightly curved; outer surface smooth with longitudinal ridge parallel to upper margin in proximal half; inner surface smooth. Merus and carpus of female cheliped similar to that of male in terms of tubercules and setae. Chela more elongated than in male, without mat of setae on inner surface of palm. Palm 0.9 as high as long, outer surface slightly convex, not inflated; upper margin slightly curved, weakly tuberculated, lower margin almost straight, smooth (Fig. 2 m). Fingers 1.0– 1.2 as long as palm, cutting margins smooth, distal thirds as corneous tips; immovable finger with median, sharp longitudinal ridge, extending onto distal half of palm. Second to fifth pereopods stout, setose on dorsal, ventral margins, P 3 –P 4 the longest (Figs. 2 h, i). Upper and lower margins of P 3 merus granular with scattered setae, 2.4 (female) to 2.6 (male) times as long as high, distodorsal angle with small spine; carpus, propodus and dactyl unarmed, with smooth upper and lower margins, dactyl slightly longer than propodus. P 4 merus granular on upper, lower margins, 2.2 (female) to 2.4 (male) times as long as high, distodorsal angle with small spine; carpus unarmed with few granules on distoventral margin, distal part of upper margin; propodus faintly granulated on upper, lower margins; dactyl unarmed slightly longer than propodus. Male abdomen narrow, somite 3 without transverse ridge, somite 6 the highest; telson with regularly convex lateral margins, 1.6 times as wide as long (Fig. 2 j). Male first pleopod moderately compressed, slightly curved; lateral margin with long spaced setae, mesial margin with scattered short setae; terminal lobe with rounded horny apex, rows of stiffs bristles (Figs. 2 k, l). Female abdomen wide, third somite without transverse ridge, somite 5 the highest; telson 3.4 times as wide as long, distolateral margins straight to feebly convex, basal margin feebly concave, as wide as distal margin of sixth somite (Fig. 2 n). Female vulvae situated medially posterior to suture between sternites of fifth and sixth thoracic sternites, operculum situated postero-mesially, aperture oriented antero-laterally (Fig. 2 o). Size. Males 3.75 × 4.94 mm and 4.06 × 5.44 mm; females 2.61 × 3.33–3.7 × 4.9 mm; ovigerous females 3.14 × 4.14 – 3.95 × 5.26 mm. Live coloration. Dorsal surface of carapace and appendages white-cream scattered with brownish patches (Figs. 1 b, c). Coloration acts as camouflage, and the crabs were hardly noticeable on the substrate, when collected. Distribution. So far known only from the island of Mayotte, western Indian Ocean. Potentially also in neighbouring islands with similar biotopes (Madagascar, Comoros, Glorieuses, Seychelles) where the small size of the species may have made individuals difficult to detect. Habitat. Macrophthalmus lisae sp. nov. digs burrows on sandy mudflats. Entrances of burrows are located on the upper part of the intertidal area (Fig. 1 a); they are only few millimetres in diameter and can remained unnoticed during sampling. Etymology. This new species is named after Lisa, ten-year old daughter of the second author, for enthusiastically participating in the collections.Published as part of Poupin, Joseph & Bouchard, Jean-Marie, 2010, A new dwarf sentinel crab from Mayotte Island, western Indian Ocean (Decapoda: Brachyura: Macrophthalmidae), pp. 61-67 in Zootaxa 2501 on pages 62-65, DOI: 10.5281/zenodo.29410
The First Flute: Whowhoahyahzo Tohkohya by D. Bouchard
No full textBouchard, David. The First Flute: Whowhoahyahzo Tohkohya. Markham: Red Deer Press, 2015. Print.With poetic words, Métis author, David Bouchard, encourages his readers to find a quiet place to share the telling of his hardcover book The First Flute. Specifically, in order to honour the teachings of storyteller Standing Elk, Bouchard invites readers to “hear and dream it without interruptions” and this invitation immediately invokes a feeling of ceremony and spirituality; it attends deeply to protocol.David Bouchard, Jan Michael Looking Wolf, and Don Oelze collaborate in the retelling of a traditional story about a young man who had many skills appreciated by his village – hunting, fishing and tracking – but whose real passion, dancing, was not recognized until Grandfather Cedar gifted him with a flute. This, the first flute, helped the young man prove his worth to his village and to the woman he loved.The many different art forms that find voice in this book, such as storytelling, visual art, and music awaken spiritual, emotional, physical, and mental faculties and make space for thinking in new ways. The words, melodies, and gift of visual images that it shares serve to lighten the heart and invite the reader to hear and dream the story of Konhe Waci, Dancing Raven, but also to hear and dream their own stories of who they are in their own families and communities.The First Flute is a resource essential to any K-8 arts education classes to open conversations about identity, and how identity is shaped in relationship with other people and places.Highly recommended: 4 out of 4 starsReviewer: Lynne Driedger-Enns & Trudy CardinalDr. Lynne Driedger-Enns is the 2015 Horowitz Scholar with the Centre for Research for Teacher Education and Development at the University of Alberta. Dr. Trudy Cardinal is a Cree/Métis scholar from the University of Alberta whose research interests center on the experiences of Indigenous children and families on and off school landscapes. They share an interest in stories and storytelling
After the Invasion: Invasive Exotic Plants Present Critical Ecological Restoration Issues
Get PDFAuthor Institution (Rodewald, Bouchard and Arvai): School of Environment and Natural Resources, The Ohio State University; Author Institution (Miriti): Department of Evolution, Ecology and Organismal Biology, The Ohio State Universit
An introduction to the ANAWC. The AAC and Non-AAC Workplace Corpus
No full textThis paper presents an overview of the Augmentative and Alternative Communication (AAC) and Non-AAC Workplace Corpus (ANAWC) (Pickering & Bruce, 2009). The corpus is the first resource of its kind that makes it possible to systematically study the typical language patterns of both AAC users and comparable non-AAC users in the workplace. We discuss the origin of the corpus and give an account of the methodology used for its collection and transcription. We also introduce several publications that demonstrate the novel qualitative and quantitative findings that can be generated on the basis of the corpora. This kind of research will be crucial to guide future developments in AAC development for workplace applications
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