1,720,952 research outputs found

    Building a Culture of Compassion in Social Service and Academic Settings

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    This banded dissertation explores building a culture of compassion within social work agencies and the academy. Compassionate care of the self and others is a basic element that is required for employee success within social service agencies and the academy. This success has a lot to do with fostering self-care practices among the employees. For too long social workers have experienced burnout and many hardships that come from secondary trauma. Such traumas have much to do with the nature of work or services they provide. Self-care and care of others (compassion) are primary means by which social workers alleviate possible/imminent burnout. In this banded dissertation, compassion in general and building a culture of compassion within employment settings is considered through the lens of Viktor Frankl’s view of suffering and the “will to meaning”, Catholic Social Teaching, the NASW Code of Ethics, and the Christian scriptures. Further, the human person is viewed as personal, social, independent, and interdependent. Due to this integrated paradox, it is essential that self-care and care for others be explored as indispensable needs within the workplace, hence this banded dissertation. This banded dissertation consists of three products. The first product is a Scholarly Personal Narrative in which the author explored his experience of compassion in social service agencies and the academy. Therefore, the paper is informed by this author’s experience of “agency culture”, the culture of the academy and the promotion of self-care and productivity. Findings from the explorative inquiry exposes self-care as an individualistic approach which by itself is not sufficient to solve systemic/cultural problems in an agency and/or the academy, while productivity is a utilitarian approach applied to human issues that dehumanizes the interaction between social workers and their colleagues and clients. The author thus contends that creating a culture of compassion is an essential element that agencies and the academy need to include if they wish to decrease social worker burnout and the negative impact of vicarious trauma and increase longevity. The second product used a qualitative study in which the author explored the following question: to what extent does a culture of compassion exist in professional social work settings from the perspective of a sample of social workers working primarily in agency and academic settings? The study was based on an open-ended survey of a small sample of social workers in the United States. A total of 20individuals completed the survey. The survey results were initially analyzed using open codingand then axial coding, whichhelped to form and categorize the major themes (Engel & Schutt, 2017; Padgett, 2017). Data were analyzed using a thematic analysis method in which this author readallthe responses to the survey and recorded similar themes (Engel & Schutt, 2017; Padgett, 2017). From this analysis, 12themes emerged with four overarching themes identified and recorded. One of the majorthemes regarding compassion from the respondents was that compassion is viewed as thinking, feeling, and acting with and on behalf of the other person. Another two-part theme resulting from the survey was that self-care is individualistic and a compassionate workplace culture is collective in nature while respecting the individual.Additionally, the participants indicated that there are internal and external factors that lead to burnout. Overall, findings from the study showed that creating a culture of compassion is an essential elementthat agencies need to include if they wish to decrease social worker burnout and the negative impact of vicarious trauma and increase longevity. The third product is a conference workshop that the author presented at theNorth American Association of Christians in Social Work(NACSW) Conference in Novemberof 2020. The focus of the presentation was on the second product of this Banded Dissertation.Keywords: culture of compassion, self-care, productivity, agency culture, burnou

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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