1,721,188 research outputs found

    Persistent stress ‘deafness’: The case of French learners of Spanish

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    Previous research by Dupoux et al. [Dupoux, E., Pallier, C., Sebastian, N., & Mehler, J. (1997). A destressing "deafness" in French? Journal of Memory Language 36, 406-421; Dupoux, E., Peperkamp, S., & Sebastian-Galles (2001). A robust method to study stress' deafness. Journal of the Acoustical Society of America 110, 1608-1618.] found that French speakers, as opposed to Spanish ones, are impaired in discrimination tasks with stimuli that vary only in the position of stress. However, what was called stress 'deafness' was only found in tasks that used high phonetic variability and memory load, not in cognitively less demanding tasks such as single token AX discrimination. This raised the possibility that instead of a perceptual problem, monolingual French speakers might simply lack a metalinguistic representation of contrastive stress, which would impair them in memory tasks. We examined a sample of 39 native speakers of French who underwent formal teaching of Spanish after age 10, and varied in degree of practice in this language. Using a sequence recall task, we observed in all our groups of late learners of Spanish the same impairment in short-term memory encoding of stress contrasts that was previously found in French monolinguals. Furthermore, using a speeded lexical decision task with word-nonword minimal pairs that differ only in the position of stress, we found that all late learners had much difficulty in the use of stress to access the lexicon. Our results show that stress 'deafness' is better interpreted as a lasting processing problem resulting from the impossibility for French speakers to encode contrastive stress in their phonological representations. This affects their memory encoding as well as their lexical access in on-line tasks. The generality of such a persistent suprasegmental 'deafness' is discussed in relation to current findings and models on the perception of non-native phonological contrasts. (C) 2007 Elsevier B.V. All rights reserved

    Le langage et son acquisition : bases biologiques et psychologiques

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    Emmanuel Dupoux, directeur d’études Compte rendu non communiqué

    Le langage et son acquisition : bases biologiques et psychologiques

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    Emmanuel Dupoux, directeur d’études Compte rendu non communiqué

    Le langage et son acquisition : bases biologiques et psychologiques

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    Emmanuel Dupoux, directeur d’études Compte rendu non communiqu

    Le langage et son acquisition : bases biologiques et psychologiques

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    Emmanuel Dupoux, directeur d’études Enseignement suspendu durant l’année universitaire 2005-2006

    Le langage et son acquisition : bases biologiques et psychologiques

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    Jacques Mehler et Emmanuel Dupoux, directeurs d’études Compte rendu non communiqué

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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