6,342 research outputs found
Marianne Chan: 47th Annual ODU Literary Festival
No full textMarianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. She is the author of All Heathens (Sarabande Books, 2020), which was the winner of the 2021 GLCA New Writers Award. Her second collection, Leaving Biddle City, was published from Sarabande Books in July of this year. Her poems have appeared in Poetry, Best American Poetry, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. She is an assistant professor of creative writing at Old Dominion University and teaches poetry in the Warren Wilson College MFA program for Writers
Inauguración del XXIII Simposio Román Piña Chan. Zonas Arqueológicas en Contextos Urbanos. <p>XXIII Simposio Román Piña Chan.Zonas Arqueológicas en Contextos Urbanos<p>
No full textEl acto inaugural del XXIII Simposio Román Piña Chan “Zonas arqueológicas en contextos urbanos”, tuvo lugar el 6 de noviembre de 2018, en la Escuela Nacional de Antropología e Historia (ENAH). El Simposio fue inaugurado por el Antrop. Diego Prieto Hernández, Director General del Instituto Nacional de Antropología e Historia, en compañía de otras autoridades del INAH así como investigadores, docentes, alumnos y público en general.</p
Anyuon Chan
No full textabstract: Anyuon left his village in 1989 during the middle of the night.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 22Region: Bahr al GhazalThis picture and bio was donated to the Lost Boys Found project from The Arizona Lost Boys Cente
Marianne Chan, 46th Annual ODU Literary Festival
No full textMarianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. After she earned her B.A. in English from Michigan State University, she went on to study poetry at the University of Nevada, Las Vegas, where she earned her MFA.
Marianne is the author of All Heathens, which was the winner of the 2021 GLCA New Writers Award in Poetry, the 2021 Ohioana Book Award in Poetry, and the 2022 Association for Asian American Studies Book Award for Outstanding Achievement. Her poems have appeared in Poetry Magazine, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. Between 2017-2019, she served as poetry editor for Split Lip Magazine. She is a Kundiman fellow.
She lives in Norfolk, Virginia . She is married to the fiction writer Clancy McGilligan
Hong Kong cinema 1982-2002 : the quest for identity during transition
No full textElectronic redacted version excludes material for which permission has not been granted by the rights holderThis thesis seeks to interpret the cinematic representations of Hong Kongers’ identity quest during a transitional state/stage related to the sovereignty transfer. The Handover transition considered is an ideological one, rather than the overnight polity change on the Handover day. This research approaches contemporary Hong Kong cinema on two fronts and the thesis is structured accordingly: Upon an initial review of the existing Hong Kong film scholarship in the Introduction, and its 1997-related allegorical readings, Part I sees new angles (previously undeveloped or underdeveloped) for researching Hong Kong films made during 1982-2002. Arguments are built along the ideas of Hong Kongers’ situational, diasporic consciousness, and transformed ‘Chineseness’ because Hong Kong has lacked a cultural/national centrality. This part of research is informed by the ideas of Jacques Derrida, Homi Bhabha and Stuart Hall, and the diasporic experiences of Ien Ang, Rey Chow and Ackbar Abbas. With these new research angles and references to the circumstances, Part II reads critically the text of eight Hong Kong films made during the Handover transition. In chronological order, they are Boat People (Hui, 1982), Song of the Exile (Hui, 1990), Days of Being Wild (Wong, 1990), Happy Together (Wong, 1997), Made in Hong Kong (Chan, 1997), Ordinary Heroes (Hui, 1999), Durian Durian (Chan, 2000), and Hollywood Hong Kong (Chan, 2002). They meet several criteria related to the undeveloped / underdeveloped areas in the existing Hong Kong film scholarship. Hamid Naficy’s ‘accented cinema’ paradigm gives the guidelines to the film analysis in Part II. This part shows that Hong Kongers’ self-transformation during transition is alterable, indeterminate, and interminable, due to the people’s situational, diasporic consciousness, and transformed ‘Chineseness’. This thesis thus contributes to Hong Kong cinema scholarship in interpreting films with new research angles, and generating new insights into this cinematic tradition and its wider context
Clausura del XXIII Simposio Román Piña Chan. Zonas Arqueológicas en Contextos Urbanos. <p>XXIII Simposio Román Piña Chan.Zonas Arqueológicas en Contextos Urbanos<p>
No full textDel 6 al 8 de noviembre de 2018, se llevó a cabo el XXIII Simposio Román Piña Chan “Zonas arqueológicas en contextos urbanos”. Durante su desarrollo se contó con un amplio programa de trabajo que incluyó 31 ponencias, cinco conferencias magistrales y nueve sesiones de carteles. Se trató de un evento en el que participaron reconocidos académicos a nivel nacional e internacional en el ámbito de la arqueología; además de que se logró debatir y aportar ideas en un mismo foro acerca de la construcción de soluciones para la problemática de las zonas arqueológicas en contextos urbanos. El acto de clausura se efectuó con la presencia de diversas autoridades del INAH en compañía de investigadores, docentes, alumnos y público en general.</p
Judicial deference at work: Some reflections on Chan Kin Sum and Kong Yun Ming
No full text"Due deference" - the giving of appropriate weight to the government's judgment in the court's reasoning - is a tool that courts use to maintain the separation of powers in constitutional rights review. This note aims to provide a theoretical framework for understanding the issue of deference, and to analyse the Court of First Instance (CFI)'s approach to deference in two recent cases, Chan Kin Sum and Kong Yun Ming. The author argues that the CFI has adopted a spatial approach that failed to specify the contested issues that called for deference, inappropriately considered democratic legitimacy as a factor for deference and made broad presumptions about the democratic character of primary decisions. This approach may lead to an over-deferential attitude that threatens the separation of powers, and the malleability of the approach may be subject to courts' manipulation. The author argues for a more context-sensitive approach based purely on institutional factors.published_or_final_versio
eCMT-SCTP: Improving Performance of Multipath SCTP with Erasure Coding Over Lossy Links
No full textPerformance of transport protocols on lossy links is a well-researched topic, however there are only a few proposals making use of the opportunities of erasure coding within the multipath transport protocol context. In this paper, we investigate performance improvements of multipath CMT-SCTP with the novel integration of the on-the-fly erasure code within congestion control and reliability mechanisms. Our contributions include: integration of transport protocol and erasure codes with regards to congestion control; proposal for a variable retransmission delay parameter (aRTX) adjustment; performance evaluation of CMT-SCTP with erasure coding with simulations. We have implemented the explicit congestion notification (ECN) and erasure coding schemes in NS-2, evaluated and demonstrated results of improvement both for application goodput and decline of spurious retransmission. Our results show that we can achieve from 10% to 80% improvements in goodput under lossy network conditions without a significant penalty and minimal overhead due to the encoding-decoding process
Rural and urban dynamics and poverty: Evidence from China and India
No full text"Like many developing countries, China and India followed development strategies biased in favor of the urban sector over the last several decades. These development schemes have led to overall efficiency losses due to misallocation of resources among rural and urban sectors. It also led to large income gaps between rural and urban areas. The urban bias was greater in China than in India. Indeed, official data show that both the income gap and the difference in poverty rates between rural and urban areas are much larger in China than in India. Both countries have corrected the rural-urban divide to some extent as part of reform processes. But the bias still exists. Other studies also support the idea presented here that correcting this imbalance will not only contribute to higher rural growth, but also secure future urban growth (Fan and Chan-Kang 2005). More important, correcting the urban bias will lead to larger reductions in poverty as well as more balanced growth across sectors and regions. Correcting a government's bias towards investment in urban areas is one of the most important policies to pursue." from Authors' AbstractRural-urban linkages ,Poverty ,
China Doll: A Conversation with Marjorie Chan
No full textAn interview with Canadian author Marjorie Chan on her 2004 play "China Doll", an adaptation of Ibsen's "A Doll's House" set in early-20th-century China
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