1,721,102 research outputs found
2011 Scholar Emma Johnson
No full textPhotograph of 2011 DaVinci Scholar Emma Johnson (center) and Dr. Felix Aquino (right) at the DaVinci Institute 2011 Spring Awards Celebration.https://dc.swosu.edu/davawards/1042/thumbnail.jp
Emma Johnson Buckner
No full textPortrait of Emma Johnson Buckner, whose husband owner a store in Grapevine. Her son built the theater that is now the Grapevine Opry Hous
Emma Johnson and Max Dalton as babies
No full textBlack and white photograph of Emma Johnson and Max Dalton, cousins. Photograph was taken when they were a few months old
Kara Walker
Full text linkEmma, Johnson. (2008). Kara Walker. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/166349
Addiction audio: Cannabis, schizophrenia and genetics.
No full textDr Emma Johnson talks to Rob Calder about shared genetic liabilities for cannabis use disorder and schizophrenia and the role of tobacco smoking. Dr Johnson talks about the implications of this research on the evidence for a causal relationship between cannabis and schizophrenia and for other genetic associations relating to substance use and psychiatric disorders. The episode also covers to ever-fascinating issue of mendelian randomisation. [16 minute audio
Letter from Emma Johnson to James Deforest Murch
No full textThis 1925 letter from president of Johnson Bible College (JBC), Emma Johnson (1863-1927), gave several reasons for her choice to deny affiliation with the newly established Christian Restoration Association (CRA). The letter reveals Johnson\u27s firm stance on the independent nature of JBC. It demonstrates the tensions between cooperatives and independents in the 1920s and the process by which an institution could be invited to affiliate with the conservative CRA. Beyond that, it shows the work of one of the first female presidents of a college in the United States.https://digitalcommons.acu.edu/sc_teaching_images/1034/thumbnail.jp
Correspondence between H. O. Pritchard and Emma Johnson, 1927
No full texthis 1927 correspondence between president of Johnson Bible College (JBC), Emma Johnson (1863-1927), and Secretary of the Board of Education of Disciples of Christ, H. O. Pritchard, consist of Pritchard\u27s invitation to Johnson Bible College to cooperate with the Board, Emma\u27s denial, and Pritchard\u27s response. The letters reveals Johnson\u27s firm stance on the independent nature of JBC, not only for theological but also pragmatic reasons. It demonstrates the tensions between cooperatives and independents in the 1920s and the process by which an institution could be invited to affiliate with the progressive Board of Education. Beyond that, it shows the work of one of the first female presidents of a college in the United States.https://digitalcommons.acu.edu/sc_teaching_images/1035/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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