1,720,988 research outputs found
Emily Edwards
No full textPhotograph shows Emily Edwards, one of the founders of the San Antonio Conservation Society
'Obvious intention and subtle nuance': Discussing Profanity and Canonicity with FBoL's Emily Edwards
No full textPodcast Logo When it comes to obscenity and canonicity, few podcasts seem to have as much fun with these topics as Emily Edwards’ ‘Fuckbois of Literature’ (or FBoL for short and safe) — ‘the book podcast about toxic people in literature.’ Edwards explains that ‘the word “fuckboi” originated in African-American Vernacular English as a generalized term for a bad person no one should be around or influenced by, but has taken on a romantic or sexualized connotation as it was appropriated by ..
Mapa de Emily Edwards
Full text link67 páginas; incluye 1 mapa b/n + 1 mapa a color (37 x 52 cm.)El objetivo central del presente estudio es mostrar un documento cartográfico de la pintora texana Emily Edwards elaborado en 1932, en el que representa a la Ciudad de México como un guerrero águila. Es relevante señalar que en comparación con otros mapas de la época, el de la norteamericana nos muestra una imagen simbólica del espacio urbano de la posrevolución, situación que nos brinda elementos para conocer otras alusiones sobre el pueblo metropolitano, en tanto territorio y comunidad. El discurso gráfico muestra una ciudad poblada y no únicamente la imagen del espacio construido.Presentación de María Luna Argudín y Silvia Pappe; introducción de Lauro Zavala
Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity. By Daniel Martinez HoSang and Joseph E. Lowndes (Minneapolis: University of Minnesota Press, 2019), 220pp.
Full text linkEmily Edwards reviews Daniel Martinez HoSang and Joseph E. Lowndes's book Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity (2019
La ciudad de México : un guerrero águila : el mapa de Emily Edwards
No full textEl objetivo central del presente estudio es mostrar un documento cartográfico de la pintora texana Emily Edwards elaborado en 1932, en el que representa a la Ciudad de México como un guerrero águila. Es relevante señalar ..
Presentación del libro "La Ciudad de México: un Guerrero águila. El mapa de Emily Edwards" de la profesora Teresita Quiroz
Full text link1 archivo PDF (5 páginas). fhtrigintatresReseña para el libro "La Ciudad de México: un Guerrero águila. El mapa de Emily Edwards" de Teresita Quiroz, el cual presenta un mapa alegórico de la Ciudad de México elaborado por
Emily Edwards y publicado en 1932 por la Compañía de Luz y Fuerza S. A., además de un segundo mapa de la ubicación de los murales posrevolucionarios. El objetivo del libro es mostrar un documento cartográfico, como testigo de la mirada extranjera progresista hacia el México posrevolucionario. Se trata en realidad de tres ensayos que se pueden leer con cierta independencia entre sí, aunque conectados por la unidad temática
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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