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Letter dated 15 February 1902 from Emily D. Smith
No full textNew missionary Dr. Emily D. Smith describes trip from San Francisco to Honolulu to Japan to China and up the Min Rive
Letter from Emily D. Wilson to Mrs. Muir [Louie Strentzel Muir], 1902 Jun 28
Get PDFJanuary 28th 1902 Dear Mrs Muir. The loveliest cherries came to us today I ever saw and we thank you very much for so kindly and [beautifully] remember the invalid whose eyes brightened at the mere sight of the beauties. The delicious flavor we have been enjoying by spells all day and I have earned a few [chat] my husband may have a relish later of which he is very fond. I hope sometime we may meet in person, and please come see us if you ever come to Oakland. Doctor joins with me I thanks and kind wishes . Sincerely Emily D. Wilson 593 Sycamore St. Oakland
emily d.
No full textemily d., originally choreographed for Steven Iannacone\u27s Dance Composition II class, premiered in the Student Dance Concert on the Knickerbocker stage on December 2nd, 2012. This solo was inspired by a term paper written for William Pannapacker\u27s American Literature I class in the Fall of 2011. Developed as a character study, this piece explores the life of the famed writer and recluse Emily Dickinson. The myths surrounding Emily Dickinson portray a quaint and defenseless creature when, in fact, she was acutely aware of her unparalleled talent. However, she did keep her prolific poetic life private. Wholly unconcerned with societal norms, Dickinson chose to remain tucked away in her Amherst, Massachusetts home where she wrote nearly eighteen hundred poems before her death in 1886. This piece explores her writing\u27s dark sentiments, her societal struggles, and her inner conflict. It is Dickinson and poetry in motion
Front page of employment agreement between Emily D. West and James Morgan, 1835
No full textFront page of employment agreement between Emily D. West and James Morgan, October 28, 1835.https://mavmatrix.uta.edu/specialcollections_williamaphilpottjr/1002/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Supplemental Material - “That Doesn’t Define Who I Am”: Strategies of Resistance to Stigmatization Among a Sample of U. S. Individuals Convicted of a Sexual Offense
No full textSupplemental Material for “That Doesn’t Define Who I Am”: Strategies of Resistance to Stigmatization Among a Sample of U. S. Individuals Convicted of a Sexual Offense by Emily D. Spivey in Sexual Abuse.</p
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