1,720,966 research outputs found
Accenti barocchi e Lumi europei. Gallipoli fra Coppola Presta Briganti
No full textLa rappresentazione di un territorio o di una città spesso si muove tra visione soggettiva e ragione, tra misurazione oggettiva, quantificabile anche in dati e diagrammi, e dimensione immaginativa, come in una sintetica auscultazione di storie e personaggi che danno gusto e senso; il riferimento comune è al Mediterraneo nostrum, alla poesia dell’acqua e del mare: per le due città i riferimenti sono ricchi di valenze simboliche nell’espressività naturale, con il mobile cromatismo delle onde e i profumi della vegetazione e i prodotti marini. In tal senso la rappresentazione esterna di un centro rivierasco di peculiare significato come Gallipoli si correla con il suo cuore storico, per le vie e all’interno di palazzi, case e chiese, e conserva tesori per il visitatore
Emilio FILIERI, Per un nuovo canzoniere. Seicento lirico fra F. Donno, A. Bruni e G. Fontanella
No full text'For a new canzoniere. Lyrics of the 17th among F. Donno, A. Bruni and G. Fontanella'-In the first part of the 17th century the portrayal of the canzoniere’s form, modulated on the Tasso-style model, is deeply affected by the impact with the Marino’s rhymes. Interestingly, it looks like the Southern opera, which does not neglect the seats of Rome and Venice, looks at Naples as the center of creative paths and poetic proposals, in a polythematic-emulation fashion. Authors such as A. Bruni, F. Donno, and G. Fontanella appear to be initially affected by a matrix of experimental tension, within the most available academies to the new poetics of wonder/variety or within other impregnated cult cultures to the myth of Tasso; but in the course of time some authors recognized the instances of classicist harmony acquired in the Neapolitan context and rethought their work in tender verses of tender musicality. Among the Marinian ways of amplification, with the effects of skillful virtuosity on a curious and free exploration of the potentials of Petrarca and Bembo code, internal lines also emerge, which did not obey the lesson of the Tasso and were linked to the poetics of Marino in an open and flexible way, also illuminated by individual biographical experiences with personal innovations, which are distant from epigonism, with fruitful re-elaborations of an archetype. The process of changing the literary canon thus met the relativity of taste, in times of waste and recovery, but in correlation with the thrill and rich spirit of the 17th century.(Per un nuovo canzoniere. Seicento lirico fra F. Donno, A. Bruni e G. Fontanella) Nel primo Seicento l’approdo alla forma del canzoniere, modulato sul modello tassiano-bembesco, pare profondamente intaccato dall’impatto con le rime mariniane. Interessante così appare lo scorcio sulla lirica meridionale, che non trascura le sedi di Roma e di Venezia, ma che guarda a Napoli come centro di percorsi creativi e di proposte poetiche in versione politematico-emulativa. Autori come A. Bruni, F. Donno e G. Fontanella sembrano risentire inizialmente di una matrice protesa a una tensione sperimentalistica, fra accademie più disponibili alla nuova poetica della varietà-meraviglia e altri sodalizi impregnati del culto riservato al mito tassiano; ma in progresso di tempo alcuni autori non disconobbero le istanze di armonia classicistica acquisite nel contesto napoletano e ripensarono il proprio operare, sino a versi di tenera musicalità. Tra modi mariniani amplificati su una curiosa e libera esplorazione delle potenzialità del codice petrarchistico-bembesco, emergono pure linee interne, che non obliavano la lezione del Tasso per collegarsi alla poetica del Marino in aperture flessibile, illuminate dalle esperienze biografiche individuali, con personali innovazioni distanti dall’epigonismo, nelle rielaborazioni feconde e vivificatrici di un archetipo. Il processo di cambiamento del canone letterario incontrava così la relatività del gusto, in momenti di scarto e di recupero, ma in correlazione con lo spirito mosso e ricco del primo Seicento
Emilio Filieri, Ferdinando Donno e Gli amori di Leandro ed Ero (1620). Con La Musa Lirica, fra Petrarca e Marino
No full text
Francesco Bernardini e lo sguardo verista, fra 'Internazionale' e 'Rustica progenies' (1885).
No full textRiconosciuto il debito nei confronti di Francesco De Sanctis, Bernardini (1857-1951) si volge al pensiero positivista, per il fallimento dei miti romantici della cultura preunitaria nei risvolti di sangue e di interessi classisti. In due novelle di modulazione verista, lo scrittore affronta con pari impegno la lotta per la sopravvivenza nelle campagne meridionali e i drammi per le vie di Napoli, con i rispettivi protagonisti, Enrico di 'Rustica progenies' e Leone di 'Internazionale'. L’autore coglie i fatti nella loro concatenazione all’insegna delle leggi della natura, a rappresentare crudamente la realtà e a bandire l’idillismo nella marcatura ironica del romanticume.Recognized his debt to Francesco De Sanctis, Bernardini (1857-1951) turns to positivist thinking for the failure of romantic myths of the pre-unification culture, between bloodshed and classist interests. In two tales of verismo modulation equally committed, the writer faces the struggle for survival in the southern countryside and the dramas in the streets of Naples with the protagonists, Enrico of Rustica progenies and Leone of Internazionale. The
author captures the facts in their concatenation according to the laws of nature, to crudely represent reality and to banish idyllism in the ironic marking of romanticism
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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