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Kaiser, Emil Thomas
Emil Kaiser in his laboratory, circa 1985
Emil Thomas Kaiser (1938-1988) was a Hungarian-born American biochemist. He was most notable for his research on enzyme modification. He also was noted for developing new types of catalysts and for a more active form of a peptide hormone.
Kaiser was the Louis Block Professor at the University of Chicago, the Patrick E. and Beatrice M. Haggerty Professor at Rockefeller University, a member of the National Academy of Sciences, the American Academy of Arts and Sciences, the National Institutes of Health] and the National Science Foundation. The Protein Society has established an award in Kaiser\u27s name - The Emil Thomas Kaiser Award which recognizes a significant contribution in applying chemistry to the study of proteins.”
Kaiser was born in Budapest, Hungary. He graduated from the University of Chicago with a B.S. degree and received his Ph.D. from Harvard University. He joined the faculty of the University of Chicago in 1963 and advanced to the Louis Block Professorship in 1981. He moved to the Rockefeller University in 1982.
Years at The Rockefeller University: 1982-1988https://digitalcommons.rockefeller.edu/faculty-members/1121/thumbnail.jp
Emil Thomas. Studien zur lateinischen und griechischen Sprachgeschichte.
Vendryes Joseph. Emil Thomas. Studien zur lateinischen und griechischen Sprachgeschichte.. In: Revue des Études Grecques, tome 27, fascicule 122,1914. pp. 224-225
Emil Thomas. Studien zur lateinischen und griechischen Sprachgeschichte.
Vendryes Joseph. Emil Thomas. Studien zur lateinischen und griechischen Sprachgeschichte.. In: Revue des Études Grecques, tome 27, fascicule 122,1914. pp. 224-225
Margaretha : Parodistischer Scherz mit Gesang / von H. Salingré. Musik arrangirt von A. Lang. Vorgetragen von dem Komiker Emil Thomas am Friedrich-Wilhelmstädtischen Theater in Berlin
MARGARETHA : PARODISTISCHER SCHERZ MIT GESANG / VON H. SALINGRÉ. MUSIK ARRANGIRT VON A. LANG. VORGETRAGEN VON DEM KOMIKER EMIL THOMAS AM FRIEDRICH-WILHELMSTÄDTISCHEN THEATER IN BERLIN
Margaretha : Parodistischer Scherz mit Gesang / von H. Salingré. Musik arrangirt von A. Lang. Vorgetragen von dem Komiker Emil Thomas am Friedrich-Wilhelmstädtischen Theater in Berlin (1)
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Margaretha (3
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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