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    Suzannah Hughes to Ellis Hughes, undated

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    Letter from Suzannah Hughes to Ellis Hughes, undated

    Dennis Claude to Ellis Hughes, 1847

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    Correspondence from Dennis Claude to Ellis Hughes, 1847

    Ellis Hughes to Reverdy Johnson, 1849

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    Letter from Ellis Hughes to Reverdy Johnson, dated March 7, 1849

    Ellis Hughes Diary: Transcript

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    An incomplete transcript of the first volume of Ellis Hughes\u27 diary kept during the Second Seminole War and his tour of duty as an Assistant Surgeon in Florida during the years 1838-1840. In addition, Hughes provides a visual dimension with sketches of the people and places he visited.https://digitalcommons.usf.edu/fl_manuscripts/1002/thumbnail.jp

    Ezekiel Hughes to Ellis Hughes, 1839

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    Correspondence from Ezekiel Hughes to Ellis Hughes on March 3, 1839. The correspondence includes a poem, "Lines to an Absent Brother.

    William Tell Claude to Ellis Hughes, correspondence, 1846

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    Correspondence from William Tell Claude to Ellis Hughes, 1846

    Ellis Hughes Diary: Book 1

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    The first volume of Ellis Hughes\u27 diary kept during the Second Seminole War and his tour of duty as an Assistant Surgeon in Florida during the years 1838-1840. In addition, Hughes provides a visual dimension with sketches of the people and places he visited.https://digitalcommons.usf.edu/fl_manuscripts/1000/thumbnail.jp

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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