13,721 research outputs found

    Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis

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    A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Roehampton University

    I am just dancing: Am I just dancing ‐ A conversation between Amaara Raheem and Simon Ellis

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    In this conversation, dance-artist Amaara Raheem talks about her choreographic thinking and practice with CHOR co-editor Simon Ellis. They discuss Raheem’s interest in dancing, ritual and research ‘in-residence’, and wonder about the kinds of bodies that dance. They consider how artists intentionally create the conditions for their work and practices to happen. The conversation is in part designed to introduce Raheem as a new co-editor to CHOR’s readership

    The artistic practice of exorcism: Shabnam Shabazi (in conversation with Simon Ellis)

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    This is a conversation between artist Shabnam Shabazi and choreographer (and Choreographic Practices co-editor) Simon Ellis. They discuss Shabazi’s practice and focus on her interest in the archive as a creative resource, the role of the concept of home in her creative work and in the ways in which our bodies are sites of transformation for artists and participants

    Simon P. Ellis, Roman Housing,

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    Review of Roman Housing by Simon P. Ellis (London, Duckworth, 2000

    Simon P. Ellis, Roman Housing,

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    Review of Roman Housing by Simon P. Ellis (London, Duckworth, 2000

    Charlie May Simon materials

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    This collection contains materials relating to Arkansas author Charlie May Simon

    Orange Flounced Simon Ellis Maxi Skirt

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    Orange maxi skirt falling into a deep flounced hem, cut away to centre front. Wide waistband and side zip to right hand seam. Maker: Ellis, Simon. Date: 1970 - 1979 - from the The Betty Smithers Design Collection at Staffordshire University.

    Orange Psychedelic Simon Ellis Maxi-Dress

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    Psychedelic orange maxi dress with large stylised floral patterns. Slim fitting with 'cut'away sleeveless top and slashed down front from mid-thigh to hem. Edged with ruffle through slash and around hem. Long centre back zip. Armholes and neck lined with orange synthetic lining,.. Maker: Ellis, Simon. Date: 1970 - 1979 - from the The Betty Smithers Design Collection at Staffordshire University.

    What Are We Doing?

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    An interview of Douglas Rosenberg by Simon Ellis, conducted via Skype on 20 December 2018

    A Prodigy of Universal Genius: Robert Leslie Ellis, 1817-1859

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    Places Ellis at the heart of early-Victorian Cambridge with in-depth descriptions on his scientific work and tragic life Provides a unique glimpse into Victorian intellectual culture, based on previously unpublished archival materials This open access book brings together for the first time all aspects of the tragic life and fascinating work of the polymath Robert Leslie Ellis (1817–1859), placing him at the heart of early-Victorian intellectual culture. Written by a diverse team of experts, the chapters in the book’s first part contain in-depth examinations of, among other things, Ellis’s family, education, Bacon scholarship and mathematical contributions. The second part consists of annotated transcriptions of a selection of Ellis’s diaries and correspondence. Taken together, A Prodigy of Universal Genius: Robert Leslie Ellis, 1817–1859 is a rich resource for historians of science, historians of mathematics and Victorian scholars alike. Robert Leslie Ellis was one of the most intriguing and wide-ranging intellectual figures of early Victorian Britain, his contributions ranging from advanced mathematical analysis to profound commentaries on philosophy and classics and a decisive role in the orientation of mid-nineteenth century scholarship. This very welcome collection offers both new and authoritative commentaries on the work, setting it in the context of the mathematical, philosophical and cultural milieux of the period, together with fascinating passages from the wealth of unpublished papers Ellis composed during his brief and brilliant career. - Simon Schaffer, Department of History and Philosophy of Science, University of Cambridg
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