3,397 research outputs found
Citizen participation in news
The process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply
Jeffrey, Jonathan David, b. 1960 (FA 574)
Finding aid only for Folklife Archives Project 574. Oral history interview by Jonathan Jeffrey of Jerry Ellis Baker, conducted at his home in Bowling Green, Kentucky, regarding Baker’s life and accomplishments
Brave new worlds: experimentalism between the wars
Introduction: trajectories of twentieth-century music Nicholas Cook with Anthony Pople; 1. Peripheries and interfaces: Western music and its others Jonathan Stock; 2. Music of a century: museum culture and the politics of subsidy Leon Botstein; 3. Innovation and the avant-garde, 1900 1920 Christopher Butler; 4. Music, text and stage: the tradition of bourgeois tonality, 1900 1930 Stephen Banfield; 5. Classic jazz to 1945 James Collier; 6. Flirting with the vernacular: America in Europe, 1900 1945 Susan Cook; 7. Between the wars: traditions, modernisms and the ‘‘little people’ from the suburbs’ Peter Franklin; 8. Brave new worlds: experimentalism between the wars David Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph Auner; 10. Rewriting the past: classicisms of the interwar period Hermann Danuser; 11. Music of seriousness and commitment: the 1930s and beyond Michael Walter; 12. Other mainstreams: light music and easy listening, 1920 70 Derek Scott; 13. New beginnings: the international avant-garde, 1945 62 David Osmond-Smith; 14. Moderate modernisms: individualism and accessibility, 1945 75 Arnold Whittall; 15. After swing: modern jazz and its impact Mervyn Cooke; 16. Music of the youth revolution: rock through the 1960s Robynn Stilwell; 17. Expanding horizons: the international avant-garde, 1962 75 Richard Toop; 18. To the millennium: music as commodity Andrew Blake; 19. Ageing of the new: the museum of musical modernism Alastair Williams; 20. (Post)-minimalisms, 1975 2000: the search for a new mainstream Robert Fink; 21. History and class consciousness: pop music towards 2000 Dai Griffiths; 22. ‘Art’ music in a cross-cultural context: Africa towards 2000 Martin Scherzinger; Appendices: 1. Personalia Peter Elsdon with Björn Heile; 2. Chronology Peter Elsdon and Peter Jones
Models of Democracy
The first two editions of Models of Democracy have proven immensely popular among students and specialists worldwide. In a succinct and far-reaching analysis, David Held provides an introduction to central accounts of democracy from classical Greece to the present and a critical discussion of what democracy should mean today.
This new edition has been extensively revised and updated to take account of significant transformations in world politics, and a new chapter has been added on deliberative democracy which focuses not only on how citizen participation can be increased in politics, but also on how that participation can become more informed.
Like its predecessor, the third edition of Models of Democracy combines lucid exposition and clarity of expression with careful scholarship and originality, making it highly attractive to students and experts in the field. The third edition will prove essential reading for all those interested in politics, political theory and political philosophy.
A companion website to Models of Democracy provides lecturer and student resources; including a study guide, an interview with the author and links to develop the reader's understanding of the topics covered
Portmerion, Proportion and Perspective
The holiday village of Portmerion was created by Bertram Clough Williams-Ellis (1883 1978) over a period of fifty-one years, starting in 1926. It was grade II listed in 1971.
However, Portmerion has become a part of western popular culture rather than of mainstream architectural history. Its use as the setting for the cult 1967 television series “The Prisoner” ensures continued worldwide interest and a constant stream of visitors.
Williams Ellis’ design methods were empirical, initial designs being adjusted by eye on site in close collaboration with trusted builders.
This paper analyses the development of Portmerion as a gesamtkunstwerk; considering the experience of movement through the village as a dynamic composition of shifting vistas, focussing the visitor on a series of constructed views. Through this analysis, Portmerion is revealed as both a manifestation of the architecture of pleasure and an exercise in the pleasure of architecture
Cult: A Composite Novel
Cult (redacted)
The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence.
Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults.
The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic.
Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form
The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts
Summary of the state of scientific information relating to the biology and ecology of the Gorda Ridge study area, Northeast Pacific Ocean
O-86-6. Benthos / by Michel A. Boudrias and Gary L. Taghon -- O- 86-7. Nekton / by James T. Harvey and David L. Stein -- O-86-8. Plankton / by Steven G. Ellis and Jonathan H. Garber -- O-86-9. Seabirds / by Lynn D. KrasnowThis archived document is maintained by the Oregon State Library as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes."Final report for contract no. 63-630-8501.""Released February 1986.""Submitted to Oregon Department of Geology and Mineral Industries and the Living Resources Subgroup, Gorda Ridge Task Force.""The reports all have the general title, A summary of the state of the state of scientific information relating to the biology and ecology of the Gorda Ridge study area, Northeast Pacific Ocean"--News release, February 26, 1986Includes bibliographiesMode of access: Internet from the Oregon Government Publications Collection
Unfortunate attachment
"Published anonymously in 1773 and attributed to Georgiana, Duchess of Devonshire"--P. [4] of cover. "Seven independent sources list her [Georgiana, Duchess of Devonshire] as author, including the most recent and definitive work on the subject, The English novel, which atttibutes the novel to her with a question mark"--P. 10.Includes bibliographical references and index.Georgiana, Duchess of Devonshire ; edited and with an introduction by Jonathan David Gross
Towards a Framework for Developing Mobile Agents for Managing Distributed Information Resources
Distributed information management tools allow users to author, disseminate, discover and manage information within large-scale networked environments, such as the Internet. Agent technology provides the flexibility and scalability necessary to develop such distributed information management applications. We present a layered organisation that is shared by the specific applications that we build. Within this organisation we describe an architecture where mobile agents can move across distributed environments, integrate with local resources and other mobile agents, and communicate their results back to the user
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