4,767 research outputs found
Ellis, Walter Alfred, VX26375
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/383870Surname: ELLIS. Given Name(s) or Initials: WALTER ALFRED. Military Service Number or Last Known Location: VX26375. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 24162.228053
Item: [2016.0049.16163] "Ellis, Walter Alfred, VX26375
Miss Letty Lind
No full textphotographed by Alfred EllisBildbeschriftung: "MISS LETTY LIND.“, "Copyright"Herstellungsangaben: " 'THE THEATERE,' OCTOBER, 1897", "Photographed by Alfred Ellis, 20, Upper Baker St., N.W.
Miss Letty Lind
No full textphotographed by Alfred EllisBildbeschriftung: "MISS LETTY LIND.“, "Copyright"Herstellungsangaben: " 'THE THEATERE,' OCTOBER, 1897", "Photographed by Alfred Ellis, 20, Upper Baker St., N.W.
Mr Cyril Keightley [picture] /
No full textCondition: Good.; "In costume for unknown role. Only cabinet card image of Keightley yet located"--Vendor's note.; "Alfred Ellis & Walery. Copyright. 51 Baker Street, London W."--Printed beneath image. Details of photographers' studio printed on reverse including handwritten number "414437"
H. Ellis, Les rêves relatifs aux morts
No full textBinet Alfred. H. Ellis, Les rêves relatifs aux morts. In: L'année psychologique. 1895 vol. 2. pp. 848-849
Havelock Ellis, Psychologie du sexe. Inversion sexuelle. Pudeur. Périodicité sexuelle. Auto-érotisme
No full textBinet Alfred. Havelock Ellis, Psychologie du sexe. Inversion sexuelle. Pudeur. Périodicité sexuelle. Auto-érotisme. In: L'année psychologique. 1901 vol. 8. pp. 514-515
The television work of Alfred Hitchcock
No full textThe thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create meaning. Hitchcock is considered to be the major creative force in each programme.
Chapter One provides a variety of important contexts including a brief history of US television of the 1950s, key literature on Hitchcock and analyses of contemporaneous programmes not directed by Hitchcock. The textual analysis chapters (2-8) consider aesthetic or thematic programme aspects. Chapter Two studies the various roles played by Hitchcock’s appearances as series host. Chapter Three considers the impact of censorship on programmes frequently dealing with murder, violence and insanity. Chapter Four analyses Hitchcock’s implementation of varieties of voice-over narration, a common device in short dramatic forms. Chapter Five studies Hitchcock’s use of point-of-view shots, particularly in relation to their role in the delivery of the narrative twist. Chapter Six considers the key Hitchcock theme of detachment from the world. Chapter Seven looks at moments from the programmes which demonstrate how aesthetic is influenced by television production conditions.
Hitchcock created a number of television masterpieces. His achievements in television are in many ways comparable in quality and consistency to his theatrical films. Even when considered in the context of other 1950s US anthology dramas, the Hitchcock-directed programmes are superior on many levels. Elements of his film style were highly suited to television production. Many of his greatest achievements embrace and harness television production conditions in their presentation strategies to create an integration of style and meaning
Alfred Schirokauer Collection 1889-1932
No full textThe bulk of the collection consists of Alfred Schirokauer writings in form of manuscripts novels and shorter works, and newspaper serializations. There is also a small amount of correspondence with publishers, as well as a few personal items.See inventoryMrs. Hartman, 1978.Born in Breslau (now Wroclaw, Poland) on July 13, 1880, the author and lawyer Alfred Schirokauer lived in Berlin, immigrated to Austria in 1933, and died in Vienna on October 27, 1934.Finding aid available online3-page inventory.digitize
Emigrants [i.e. immigrants] landing at Ellis Island /
No full text"Shows a large open barge loaded with people of every nationality, who have just arrived from Europe, disembarking at Ellis Island, N.Y. A most interesting and typical scene. Length 140 feet"-Edison films catalog.The film opens with a view of the steam ferryboat "William Myers," laden with passengers, approaching a dock at the Ellis Island Immigration Station. The vessel is docked, the gangway is placed, and the immigrant passengers are seen coming up the gangway and onto the dock, where they cross in front of the camera.Copyright: Thomas A. Edison; 24July1903; H33775.Duration: 2:20 at 15 fps.Camera, Alfred C. Abadie.Paper print shelf number (LC 1591) was changed when paper positive was rehoused. DLCAdditional holdings for this title may be available. Contact reference librarian. DLCPhotographed July 9, 1903.Source used: Niver's Early motion pictures, p. 89.Early motion pictures : the Paper Print Collection in the Library of Congress / by Kemp R. Niver. Library of Congress. 1985
Letter to Alfred L. Shoemaker, February 10, 1948
No full textA handwritten letter from an unknown author addressed to Alfred L. Shoemaker, dated February 10, 1948. Within, the author discusses the Pennsylvania Dutch word for Ash Wednesday, along with traditions associated with this day.https://digitalcommons.ursinus.edu/shoemaker_documents/1118/thumbnail.jp
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