1,721,759 research outputs found

    Mrs. Frances Elizabeth Miller Shinhoster

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    Mrs_Frances_-Elizabeth-_Miller_Shinhoster.pdf - Funeral program for Mrs. Frances Elizabeth Miller Shinhosterhttps://digitalcommons.georgiasouthern.edu/willowhillheritage-obituaries/10308/thumbnail.jp

    Elizabeth Miller Passage

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    This passage is about Elizabeth Miller, one of the first 5 woman teachers in the latter part of 1851. Elizabeth Milller moved to Forest Grove from Vermont, and details he journey to a friend. That section is cut out and put in this memoir as memory. Little is known about Elizabeth Miller or her teaching style, but it is important to look at this document because she was the first. She laid the ground work out for teachers after her. The thing to note though is as soon as she got married, she left teaching. This is what there is not much known. Many women leave their job, and do not come back to the cutthroat place of academics

    Margaret Elizabeth Miller and Flossie Miller

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    Photograph of Margaret Elizabeth Miller and Flossie Miller in their garden, Lovell, OK, c. 1909

    Letter from Elizabeth Miller, December 4, 1967

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    Letter from Elizabeth Miller to Fayez Sayegh, December 4, 1967, regarding his appearance on the David Susskind show and the Arab-Israeli conflict

    [Portrait of Martha Elizabeth Miller Ferguson]

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    Photograph of Martha Elizabeth Miller Ferguson. The elderly woman stands beside a white wicker rocker to the left, one of her hands grasping the back of it. Her light-colored hair is brushed down to her head and she wears small, circular glasses. She wears a long, wrinkled, black dress with a sash tied in a bow along her waist

    Sailing in Uncharted Waters: Carefully Navigating the Polio Endgame.

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    In a Perspective linked to the research article by Isobel Blake and colleagues, Elizabeth Miller and T. Jacob John discuss the path towards global polio eradication and the challenges, strategies, and necessary precautions around oral polio vaccine cessation

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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