1,721,014 research outputs found
[Portrait of Elizabeth Bancroft Lea]
Photograph of Elizabeth Bancroft Lea. Lea is shown wearing a white garment, bracelet and a necklace
Elizabeth Bancroft Lea
Studio photograph of Elizabeth Bancroft Lea. She is wearing a checkered dress with a large collar pinned in the center and a bracelet worn high on her left wrist. Her hair is light and pulled back
Elizabeth Bancroft Lea
Photograph of Elizabeth Bancroft Lea. She is wearing a dress with a large white lace collar and a necklace with a pendant. Her hair is light and pulled back. In the background are many leaves
Elizabeth Bancroft Lea
Studio photograph of Elizabeth Bancroft Lea from the bust up. She is wearing a white dress with a large white lace collar, dark scarf, and necklace. Her hair is light, curled. and pulled back
[Portrait of Winnie and young Elizabeth Bancroft]
Photograph of "Winnie" holding young Elizabeth Bancroft. Winnie was Elizabeth Bancroft's nurse
Flavia Wignall Reid and Elizabeth Bancroft Lea
Photograph of Flavia Wignall Reid and Elizabeth Bancroft Lea. They are both wearing short-sleeve button-up shirts and long skirts. Ms. Reid's hair is dark and pulled into a bun and Ms. Lea's hair is light and styled the same. They are facing each other and holding hands. Both are smiling. In the background is a large-leaf plant and many trees
[Mrs. Elizabeth Bancroft and Son Arthur]
Photograph of Mrs. Elizabeth Bancroft and her son, Arthur. She wears a suit with a hat and gloves and stands to the right of her son. He is seated in an armchair with a carved wooden back. He wears a suit and has a mustache
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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