1,721,024 research outputs found
Direct measurement of internal quantum efficiency in light emitting diodes under electrical injection
Impact of photonic crystals on LED light extraction efficiency: approaches and limits to vertical structure designs
The enhancement of the extraction efficiency in light emitting diodes (LEDs) through the use of photonic crystals (PhCs) requires a structure design that optimizes the interaction of the guided modes with the PhCs. The main optimization parameters are related to the vertical structure of the LED, such as the thickness of layers, depth of the PhCs, position of the quantum wells as well as the PhC period and fill factor. We review the impact of the vertical design of different approaches of PhC LEDs through a theoretical and experimental standpoint, assessing quantitatively the competing mechanisms that act over each guided mode.
Three approaches are described to overcome the main limitation of LEDs with surface PhCs, i.e. the insufficient interaction of low order guided modes with the PhCs. The introduction of an AlGaN confining layer in such structure is shown to be effective in extracting a fraction of the optical energy of low order modes; however, this approach is limited by the growth of the lattice mismatched AlGaN layer on GaN. The second approach, based on thin-film LEDs with PhCs, is limited by the presence of an absorbing reflective metal layer close to the guided modes that plays a major role in the competition between PhC extraction and metal dissipation. Finally, we demonstrate both experimentally and theoretically the superior extraction of the guided light in embedded PhC LEDs due to the higher interaction between all optical modes and the PhCs, which resulted in a close to unity extraction efficiency for this device.
The use of high-resolution angle-resolved measurements to experimentally determine the PhC extraction parameters was an essential tool for corroborating the theoretical models and quantifying the competing absorption and extraction mechanisms in LEDs.</jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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