1,721,003 research outputs found
Reti di competenze nel campo dei beni culturali: pubblicazioni, strumenti tecnico-finanziari, offerte formative e soggetti istituzionali di salvaguardia e promozione sul territori
Il testo raccoglie e sistematizza i risultati della ricerca D.Cult relativi alla raccolta dati tale da definire le "reti di competenze nel campo dei beni culturali". Ovvero istruire un elenco critico e circostanziato inerenti le: pubblicazioni, strumenti tecnico-finanziari, offerte formative e soggetti istituzionali di salvaguardia e promozione sul territori
IL DATA BASE BIBLIOGRAFICO: MONOGRAFIE; PAPER, PERIODICI; SITOGRAFIA PER I BENI CULTURALI
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Advanced Design Relationship and Mutual Reframing between Global Makers and Local Craftsmen
This paper analyses two contemporary phenomena: local craftsmanship and the digital self-production of the “makers”. It highlights the role of “reactivating value” which the designer already performs, intervening on the forms, functions and meaning of the process and products of local craftsmanship which, in many parts of the world, is suffering a market crisis. The study simultaneously criticises the current operational and, particularly, the cultural condition of the makers, who succeed in using technologies in the production phase and in online communication, often without achieving an adequate result on the contemporary market. It reports the case of an action carried out in Italy, through which design performs a contemporary re-signification and a re-framing of the value of craftsmanship, maintaining the essence of the authenticity that characterises the product and the process of the local master craftsman. This case shows that the designer can, in both cases (makers and craftsman), play an unprecedented key role of “triangulation” of the experiences, succeeding in having makers and craftsmen work together, each borrowing the virtues of the other and mitigating the problems
Designing Pluriverse Knowledge in Design Research: The Case of the 8th International Forum of Design as a Process
The global knowledge ecosystem is affected by ethnocentrism and witnesses Western monopolies of knowledge that built hegemonic structures and narratives. The paper proposes a vision that shifts from processes of knowledge power and control to processes of knowledge ownership and leadership through new international interactions based on increased accessibility and visibility in design publications. The idea of building a design network between Latin countries led to the foundation of the Latin Network for the Development of Design Processes. The 8th International Forum Design as a Process represents a testbed for this new experimentation of community-led knowledge targeting the Latin Network and Global South countries. The research presents a new frame of knowledge accessibility based on different assessment values that acknowledge the intertwin of cultural identity and vernacular design, in favour of equity and inclusivity
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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