1,720,976 research outputs found

    Suomea kuvaamassa ja aistimassa: Mäkiranta, Mari, Ulla Piela & Eija Timonen (toim.) 2017: Näkyväksi sepitetty maa. Näkökulmia Suomen visualisointiin. 

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    Mäkiranta, Mari, Ulla Piela & Eija Timonen (toim.) 2017: Näkyväksi sepitetty maa. Näkökulmia Suomen visualisointiin. Helsinki: SKS.&nbsp

    (Suomalaisen) maiseman mureneva kuvallisuus?

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    Arvio kirjasta MARI MÄKIRANTA, ULLA PIELA & EIJA TIMONEN (2017, toim.) Näkyväksi sepitetty maa. Näkökulmia Suomen visualisointiin. Kalevalaseuran vuosikirja 96. 321 s. SKS, HelsinkiNon peer reviewe

    Kirjallisuutta

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    LAMBERG, MARKO; PIELA, ULLA & HANNA SNELLMAN (2018; toim.). Satunnaisesti Suomessa. 325 s. SKS, Helsinki.MARI MÄKIRANTA, ULLA PIELA & EIJA TIMONEN (2017, toim.). Näkyväksi sepitetty maa. Näkökulmia Suomen visualisointiin. 321 s. SKS, Helsinki

    Taiteilijatutkijoiden vuoropuhelua jäästä

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    Eija Timonen on mediatieteen professori, valokuvaajaja lastenkirjailija, joka hyödyntää taiteellisessa työskentelyssääneri mediamuotojen kerrontatapoja. HeidiPietarinen on tekstiilialan apulaisprofessori, joka onerikoistunut kudottuihin jacquard-tekstiileihin. Mitäsyntyy, kun nämä kaksi eri alan taiteilijaa yhdistävätvoimansa ja syventyvät jäähän

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    The Flying Ants and the Beauty of Ice

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    Namibian artist Lena Tsueb’s embroidered work Flying Ants (2016) inspired two Finnish artists, Heidi Pietarinen and Eija Timonen, to invite the Ju/’hoansi San community of beaders in Namibia, to collaborate in ‘Ice’, a project examining culture, craft and identity as part of a shared creative process. That process saw Pietarinen, Timonen and eight Ju/’hoansi San beaders apply their chosen tools: woven textiles, photos and bead embroidery. The aims of this project were to develop a method for multicultural artistic cooperation and to focus on the ways in which artists from different cultural contexts can work with a common theme
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