4,171 research outputs found

    Edith Penrose and a learning-based perspective on the MNE and OLI

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    We apply insights from Edith Penrose’s work to extant theory of the multinational enterprise (MNE) as enveloped by John Dunning’s Ownership, Location, Internalization (OLI) Paradigm. We suggest that Penrose’s knowledge-based approach has important implications on the nature of, and the interactions between, O, L and I. Importantly, the resource/knowledge-based perspective of Penrose helps endogenize and integrate the three elements of Dunning’s triad in the context of a dynamic, strategic and forward-looking knowledge-based perspective of the MNE.Penrose, Learning, MNE, OLI

    Social critique in scorsese's the age of innocence and madden's ethan frome: filmic adaptations of two novels by Edith Wharton

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoAnálise das obras The Age of Innocence (1920) e Ethan Frome (1911) da escritora americana Edith Wharton, e suas recentes adaptações cinematográficas pelos diretores Martin Scorsese e John Madden, respectivamente. O estudo discute a transposição do tema de crítica social dos romances para os filmes. O ?mise-en-scene? e a narração em ?voice-over?, de ambas as adaptações são analisados considerando sua importância para a elaboração da temática dos romances. A análise indica que enquanto a adaptação de Scorsese transpõe para a tela a textura social de sua fonte através de um ?mise-en-scene? detalhado e de uma enfática narradora em ?voice-over?, a adaptação de Madden insere um tom religioso e moralístico ao filme quando diverge do esquema narratológico de Wharton

    Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália

    Radiocarbon and 13C measurements from Joshua Tree National Park, USA

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    These data include radiocarbon and 13C measurements made on surface soil and incubations from samples taken from the Pinto Basin N amendment experiments started by Edith B. Allen and collaborators in Joshua Tree National Park. The site and experiment description can be found in: Allen, E. B., L. E. Rao, R. J. Steers, A. Bytnerowitcz, and M. E. Fenn. 2009. Impacts of atmospheric nitrogen deposition on vegetation and soils in Joshua Tree National Park. Pages 78–100 in R. H. Webb, L. F. Fenstermaker, J. S. Heaton, D. L. Hughson, E. V. McDonald, and D. M. Miller, editors. The Mojave Desert: Ecosystem processes and sustainability. University of Nevada Press, Las Vegas, Nevada, USA. Samples were taken and processed by Nicole M. Nowinski at the WM Keck Carbon Cycle AMS facility at UC Irvine. An image of the site can be found at this web site: https://www.nps.gov/articles/parkscience32_2_64-66_bell_allen_3838.htm The associated ISRaD Template Information File provides the names and descriptions of all fields

    The construction of Karen Karnak: The multi-author-function

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    This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author

    Willis Boyd Allen, 1855-1938

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    Willis Boyd Allen, 1855-1938) author and editor, born in Kittery Point, Maine, and resident of Boston, Massachusetts. Son of Stillman B. Allen, first Kittery lawyer. His mother\u27s name was Edwards. Some of his books are in the Rice Public Library, given by Mrs. Miles Standish Watson of Newington, NH. He was the author of about 30 books and many articles for periodicals. Much of his writing was oriented toward children.https://digitalmaine.com/kittery_images/1363/thumbnail.jp

    Willis Boyd Allen, 1855-1938

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    Willis Boyd Allen, 1855-1938) author and editor, born in Kittery Point, Maine, and resident of Boston, Massachusetts. Son of Stillman B. Allen, first Kittery lawyer. His mother\u27s name was Edwards. Some of his books are in the Rice Public Library, given by Mrs. Miles Standish Watson of Newington, NH. He was the author of about 30 books and many articles for periodicals. Much of his writing was oriented toward children.https://digitalmaine.com/kittery_images/1363/thumbnail.jp

    Pierrot's cradle song [music] /

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    B. 2748 (Publisher number). For voice and piano.; Medium key (c-f) -- Cover.; Caption title.; Pl. no.: B. 2748.; Also available online http://nla.gov.au/nla.mus-vn1695152; MUS: N, MUS/E90/57 ; NL, MUSM 142235
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