240 research outputs found
Quo vadis Turkey?
No full text[author of the report: Indira Ceylan]Electronic ed: Istanbul ; Bonn : FES, 2011. - Title only available onlin
Gelibolu yarımadası Geç Eosen yaşlı Ceylan Formasyonu Derin Deniz Çökelleri İz Fosilleri (GB Trakya, Türkiye)
No full textIn this study, trace fossils of the Ceylan Formation (Late Eocene) in the area NW of Fındıklı village and on the coast of the Ece Bay the Gelibolu Peninsula are identified for the first time. They occur in gray siltstones and mudstones intercalated with thin-bedded, parallel and ripple laminated sandstones, which were deposited on a basin plain in proximilt of a slopes in the Thrace Basin. The Late Eocene Ceylan Formation includes pre-depositionl (Belorhaphe zickzack, Desmograpton isp., Helicolithus ramosus, Helminthorhaphe flexuosa, Paleodictyon majus, Paleodictyon minimum, Paleodictyon strozzii, Saerichnites isp., Urohelminthoida appendiculata) and post-depositional (Phycosiphon incertum, Spongeliomorpha oraviense, Trichichnus isp., Planolites isp., Ophiomorpha isp., Ophiomorpha annulata, Scolicia isp., Scolicia prisca, and Thalassinoides isp.) trace fossils. This trace fossil assemblage is typical of the Nereites ichnofacies (Paleodictyon ichnosubfacies), which characterize deep-sea, thin bedded turbididitic sediments oxygenated sea floor
TRACE FOSSILS FROM DEEP SEA SEDIMENTS OF THE LATE EOCENE CEYLAN FORMATION, GELİBOLU PENINSULA (SW THRACE, TURKEY)
No full textIn this study, trace fossils of the Ceylan Formation (Late Eocene) in the area NW of Fındıklı village and on the coast of the Ece Bay the Gelibolu Peninsula are identified for the first time. They occur in gray siltstones and mudstones intercalated with thin-bedded, parallel and ripple laminated sandstones, which were deposited on a basin plain in proximilt of a slopes in the Thrace Basin. The Late Eocene Ceylan Formation includes pre-depositionl (Belorhaphe zickzack, Desmograpton isp., Helicolithus ramosus, Helminthorhaphe flexuosa, Paleodictyon majus, Paleodictyon minimum, Paleodictyon strozzii, Saerichnites isp., Urohelminthoida appendiculata) and post-depositional (Phycosiphon incertum, Spongeliomorpha oraviense, Trichichnus isp., Planolites isp., Ophiomorpha isp., Ophiomorpha annulata, Scolicia isp., Scolicia prisca, and Thalassinoides isp.) trace fossils. This trace fossil assemblage is typical of the Nereites ichnofacies (Paleodictyon ichnosubfacies), which characterize deep-sea, thin bedded turbididitic sediments oxygenated sea floor
The Author Style of Nuri Bilge Ceylan
No full textU ovome radu analiziram autorski stil jednog od najznačajnijih turskih redatelja, Nurija Bilgea Ceylana. U prvom dijelu uvodim osnovne informacije o redatelju i njegovim filmskim početcima. Zatim analiziram neke od značajnih stilskih odrednica njegovih filmova, poput tema vezanih za čovjekovo otuđenje, Slow Cinema estetike, zvučne slike, (ne)korištenja dijaloga, te utjecaj njegovih stilskih uzora. Nakon toga, u najopširnijem dijelu rada, analiziram tri njegova filma iz ranijeg i kasnijeg perioda stvaralaštva - Daleko, Tri majmuna i Zimski san. Analizom tražim poveznice između redateljevih tema i filmskih izražajnih sredstava koja koristi. U zaključku se osvrćem na analizu uz svoj kratki dojam o stvaralaštvu autora.In my Master thesis I am analyzing the film style of one the most influential Turkish directors, Nuri Bilge Ceylan. The text starts with some basic information about the director and his beginning in filmmaking. After that, I analyze some of the main film elements of his work - themes of loneliness and dissociation, Slow Cinema aesthetics, use of sound, (non) use of dialogue and the influences on his work. After that I analyze three of his films - Distant, Three Monkeys, Winter Sleep. In the conclusion I am summing up my findings and giving my impression of Ceylan's work
The Author Style of Nuri Bilge Ceylan
No full textU ovome radu analiziram autorski stil jednog od najznačajnijih turskih redatelja, Nurija Bilgea Ceylana. U prvom dijelu uvodim osnovne informacije o redatelju i njegovim filmskim početcima. Zatim analiziram neke od značajnih stilskih odrednica njegovih filmova, poput tema vezanih za čovjekovo otuđenje, Slow Cinema estetike, zvučne slike, (ne)korištenja dijaloga, te utjecaj njegovih stilskih uzora. Nakon toga, u najopširnijem dijelu rada, analiziram tri njegova filma iz ranijeg i kasnijeg perioda stvaralaštva - Daleko, Tri majmuna i Zimski san. Analizom tražim poveznice između redateljevih tema i filmskih izražajnih sredstava koja koristi. U zaključku se osvrćem na analizu uz svoj kratki dojam o stvaralaštvu autora.In my Master thesis I am analyzing the film style of one the most influential Turkish directors, Nuri Bilge Ceylan. The text starts with some basic information about the director and his beginning in filmmaking. After that, I analyze some of the main film elements of his work - themes of loneliness and dissociation, Slow Cinema aesthetics, use of sound, (non) use of dialogue and the influences on his work. After that I analyze three of his films - Distant, Three Monkeys, Winter Sleep. In the conclusion I am summing up my findings and giving my impression of Ceylan's work
The Author Style of Nuri Bilge Ceylan
No full textU ovome radu analiziram autorski stil jednog od najznačajnijih turskih redatelja, Nurija Bilgea Ceylana. U prvom dijelu uvodim osnovne informacije o redatelju i njegovim filmskim početcima. Zatim analiziram neke od značajnih stilskih odrednica njegovih filmova, poput tema vezanih za čovjekovo otuđenje, Slow Cinema estetike, zvučne slike, (ne)korištenja dijaloga, te utjecaj njegovih stilskih uzora. Nakon toga, u najopširnijem dijelu rada, analiziram tri njegova filma iz ranijeg i kasnijeg perioda stvaralaštva - Daleko, Tri majmuna i Zimski san. Analizom tražim poveznice između redateljevih tema i filmskih izražajnih sredstava koja koristi. U zaključku se osvrćem na analizu uz svoj kratki dojam o stvaralaštvu autora.In my Master thesis I am analyzing the film style of one the most influential Turkish directors, Nuri Bilge Ceylan. The text starts with some basic information about the director and his beginning in filmmaking. After that, I analyze some of the main film elements of his work - themes of loneliness and dissociation, Slow Cinema aesthetics, use of sound, (non) use of dialogue and the influences on his work. After that I analyze three of his films - Distant, Three Monkeys, Winter Sleep. In the conclusion I am summing up my findings and giving my impression of Ceylan's work
Sur les basses surfaces de l'Ile de Ceylan (Lowlands topography in Sri Lanka)
No full textAbstracts. - The Western and Eastern lowlands of Ceylon, although characterized by the same lithological topics, reveal geomorphic features without any analogy. The study of those features do reveal a close relationship between the topography and the climate pattern, the island being divided in a wet and a dry zone.
The only doubtful point in this sequence is the stability of the climate in the past. The author emphasizes the fact that the monsoon contrast in South Asia should have been active since miocene times.Résumé. - Les basses surfaces de l'Ouest et de l'Est de Ceylan, de composition lithologique semblable, présentent des modelés fort différents. Ce contraste ne semble pouvoir s'expliquer que par une opposition climatique. Celle-ci aurait persisté depuis le Miocène.Louchet André. Sur les basses surfaces de l'Ile de Ceylan (Lowlands topography in Sri Lanka). In: Bulletin de l'Association de géographes français, N°475-476, 58e année, Janvier-février 1981. pp. 25-35
Reinforcement of the distribution grids to improve the hosting capacity of distributed generation: Multi-objective framework
No full text© 2023 The Author(s)Excessive penetration of renewable energy resources into the distribution grid without additional preventive measures has led to several operational problems. However, most strategies developed to accommodate more renewable energy units suffered from other operational problems. Therefore, further efforts are needed to address the other key vulnerabilities of the grid in addition to maximizing the hosting capacity. In this regard, this study is devoted to a new multi-objective formulation to maximize the hosting capacity and minimize the total energy losses while satisfying the operational constraints and maximizing the energy transferred to off-peak hours. The Multi-Objective Advanced Gray Wolf Optimization (MOAGWO) algorithm is used as a solution tool. The proposed formulation and solution algorithm are tested on IEEE-33-bus and 69-bus medium voltage test systems. The impacts of energy storage systems, voltage regulators, and static var compensators on the hosting capacity and the objective functions are identified using several scenarios. The results showed that the optimal device type and locations depend on the level of DG penetration. Finally, a comparison according to two popular multi-objective performance indices showed that the quality of the Pareto front distribution obtained by MOAGWO was better than the ones obtained with the two other popular heuristic methods
The Ajam Poets and Ottoman Literary Society's Approach Toward Them (15th-16th Centuries)
No full textAjam has borders that are not completely identified, Ajam is a geographical term used by the Ottomans to describe the land and communities ruled by the Persian Dynasty that had settled East of the Ottoman Empire. The Safavid Dynasty also held the prominent scientific and cultural centers of the time. Persian and Eastern Turkish poets in this territory, regardless of their ethnic identity, are called 'Ajam poets. In the early founding period of classical Turkish literature, the Ottoman Empire aimed to be a cultural center by bringing science and art masters from other regions had their own previous cultural centers. Starting in the 15th century when Istanbul became a popular cultural center, Ajampoets began immigrating there for various reasons such as education, travel, political asylum, and embassy work. These poets came from Ajam, tried to connect to the Sultan's social circles, were found in poetry societies and interacted with Rum (Anatolian) poets.Biographies have mentioned some Turkish to have been discontent with the overrated interest shown toward the Ajam poets, and their complaints resulted in a general belief in Ottoman literary circles and in the Palacabout Ajam poets being overly complimented. This article focuses on Ajam and the idea of Ajam poets and also evaluates the points ofview in Ottoman literary circles toward Ajam poets and whether the interest shown to these poets was realistic or not
Domestic and mental microworlds : about the hero of the movie "Uzak" by Nuri Bilge Ceylan
No full textArtykuł stanowi analizę filmu Uzak Nuri Bilge Ceylana (2002), w której Autorka skupia uwagę na głównym bohaterze - Mahmucie. Mężczyzna gości w swoim mieszkaniu kuzyna, który zaburza rutynę jego codzienną rutynę. Ponadto obecność przybysza skłania bohatera do udawania we własnym domu kogoś, kim nie jest. Opisując sytuację Mahmuta za pomocą kategorii i pojęć wywiedzionych z refleksji socjologicznej, Autorka zwraca uwagę na psychologiczne implikacje ingerencji w czyjąś codzienność.The article is an analysis of the movie Uzak by Nuri Bilge Ceylan (2002), in which the author focuses on the main character, Mahmut. The man is hosting a cousin in his flat, who perturbs the routine of his dailiness. Moreover the presence of the guest induces protagonist to pretend someone hi is not in his own house. Describing Mahmut's situation by using categories and terms from sociological reflection, the Author pays attention to psychological implications of the intrusion into someone's everyday life
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