792 research outputs found
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
Full text linkEste artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
Touching Freud's dog: H.D.'s tactile poetics
No full text"Do not touch me", Frau Emmy warns Freud in 1889. "Do not touch", Freud echoes in 1933. This time, he is referring to his pet chow, Yofi, warning H.D. that "she snaps - she is very difficult with strangers". Examining the prohibition in light of work by Jacques Derrida and Jean-Luc Nancy, this article charts the withdrawal that always interrupts touch. Despite Freud's taboo, however, H.D.'s writing seeks to make contact in strange and unnerving ways. Developing Julia Kristeva's account of the semiotic, this paper proposes a literature of touch. Reading H.D.'s poems, alongside Tribute to Freud, and her letters, the author demonstrates that H.D.'s poetics are always haunted by the very (im)possibility of contact
L'Encomio di Sant'Anastasio di Giorgio di Pisidia Studi filologici e letterari sulla prosa filosofico-agiografica greca tardoantica (V-VII sec. d.C.)
No full textThe aim of the thesis is to understand the purpose of an hagiographic discourse, basing the analysis on the tradition, the author, the style and the public of certain texts.
These texts (exemplified by the Encomium of Saint Anastasius by George of Pisidia), were written in Greek prose during the period of Late Antiquity and Early Byzantium.
Their authors increasingly tended to follow the precepts of rhetoric and to rework the canons of hagiographic literature.
The thesis is divided into five chapters.
The first traces the history of rewriting and shows the evolution of the paraphrastic technique between the sixth and seventh centuries AD. The analysis extends up to the seventy Miracles of Cyrus and John by Sophronius of Jerusalem and to the Encomium of Saint Anastasius by George of Pisidia, a metaphrase of the acts of martyrdom, whose aim was to propagate the victories of the Christian Empire against Persia.
From the second chapter, the attention is focused only on the Encomium, of which is offered an Italian translation.
The third chapter is a discussion on the spread of the cult of Saint Anastasius, after his martyrdom on January 22, 628 AD.
The fourth chapter focuses on the technique used by George to rewrite the acts of the martyrdom of Saint Anastasius.
The last chapter analyzes the structure of the Encomium, trying to highlight the points where the prose of George seems to follow more closely the dictates of late antique rhetoric.
It is hoped with this to emphasize the importance of a text as the Encomium, within the panegyric production of George of Pisidia, but also the literary history of the seventh century AD and, more generally, of Late Antiquity.L'obiettivo della tesi è mostrare come sia possibile comprendere la finalità di un discorso agiografico a partire dallʼanalisi della sua tradizione, del suo autore e soprattutto della sua componente stilistica, un dato, questʼultimo, in grado di dire molto sul pubblico cui certi testi erano indirizzati.
Sono stati infatti presi in esame soltanto quei testi di prosa greca ed agiografica tardoantica e protobizantina (esemplificati, nel corso del lavoro, dallʼEncomio di SantʼAnastasio di Giorgio di Pisidia), che sempre più tendevano ad adagiarsi su un fondo comune offerto dalla precettistica retorica, unico punto fermo per comprendere tanto labor limae nellʼopera di autori che iniziavano anche a rielaborare, secondo il gusto delle singole epoche, la letteratura agiografica canonica.
La tesi si articola in cinque capitoli.
Il primo ripercorre la storia del processo di riscrittura tra il VI ed il VII secolo d.C. Obiettivo è quello di mostrare lʼevoluzione della tecnica parafrastica tra Occidente ed Oriente. Lʼanalisi si estende fino ai settanta Miracoli di Ciro e Giovanni di Sofronio di Gerusalemme, composti verso la metà del VII secolo d.C. dal campione dellʼortodossia contro il dilagare della crisi monotelita, e lʼEncomio di SantʼAnastasio di Giorgio di Pisidia, metafrasi degli Atti del martirio operata dal poeta della corte eracliana e finalizzata a propagandare le vittorie dellʼimpero cristiano contro la Persia.
A partire dal secondo capitolo, lʼattenzione si concentra sul solo Encomio pisidiano, di cui viene offerta la prima traduzione in lingua italiana.
Il terzo capitolo è una disamina sulla nascita e la diffusione del culto di SantʼAnastasio, dopo il suo martirio a Bethsaloé dʼAssiria il 22 gennaio del 628 d.C.
Il quarto capitolo prende in esame la tecnica di riscrittura degli Atti del martirio di SantʼAnastasio da parte di Giorgio.
Lʼultimo capitolo analizza la struttura dellʼEncomio, cercando di mettere in rilievo i punti in cui la prosa di Giorgio sembra seguire più attentamente i dettami della retorica tardoantica.
Si spera con ciò di riuscire a sottolineare la rilevanza di un testo come lʼEncomio di SantʼAnastasio, allʼinterno della produzione panegiristica di Giorgio di Pisidia, ma anche della storia letteraria del VII secolo d.C. e, più in generale, della Tarda Antichità.Lʼobjectif de la thèse est de comprendre le but dʼun discours hagiographique, en fondant lʼanalyse sur la tradition, lʼauteur, le style et le public de certains textes.
Ces textes (illustrés par lʼÉloge de Saint Anastase par Georges de Pisidie), ont été écrits en prose grecque pendant la période de lʼAntiquité tardive et des premiers siècles de Byzance. Leurs auteurs suivaient les préceptes de la rhétorique et réélaboraient les canons de la littérature hagiographique.
La thèse est divisée en cinq chapitres.
Le premier trace une histoire de la réécriture et montre lʼévolution de la technique paraphrastique entre le sixième et septième siècle après J.-C. Lʼanalyse se prolonge jusquʼaux soixante-dix Miracles de Cyr et Jean par Sophrone de Jérusalem et à lʼÉloge de Saint Anastase par Georges de Pisidie, une métaphrase des actes du martyre, dont le but était de propager les victoires de lʼEmpire chrétien contre la Perse.
A partir du deuxième chapitre, lʼattention se concentre uniquement sur lʼÉloge, dont une traduction italienne est offerte.
Le troisième chapitre est une discussion sur la diffusion du culte de Saint Anastase, après son martyre, le 22 janvier 628 après J.-C.
Le quatrième chapitre se concentre sur la technique utilisée par Georges pour réécrire les actes du martyre de Saint Anastase.
Le dernier chapitre analyse la structure de lʼÉloge, en essayant de montrer les points où la prose de Georges suit les préceptes de la rhétorique ancienne tardive.
On espère de souligner lʼimportance de lʼÉloge dans la production panégyrique de Georges, mais aussi dans le contexte de lʼhistoire littéraire du septième siècle après J.-C. et, plus généralement, de lʼAntiquité tardive
Portrait of the Author in (Him/Her)self
No full textA fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work
Le présent de la philosophie. Pour Jean-Luc Nancy
No full textThe author tries to sketch the scientific and human profile of Jean-Luc Nancy using the text "The sense of the world" as a theoretical guide in which the inclusive vocation of his thought is expressed
Una mistica dell'adorazione? Jean-Luc Nancy
No full textCan we say that there is a "mystic" in the "adoration" revamped by Jean-Luc Nancy in his deconstruction of Christianity? Following this question the author traces a connection between deconstruction and mystic and between deconstruction and phenomenology. From the point of view Nancy's mystical vocation of "L'Adoration" can be summarized by the excess of meaning proper of every being insomuch as it is allowed to appear in its irrepressible distinction
Langage et filialité dans l'œuvre de Jean Grosjean
No full textBy Jean Grosjean, french poet, critic, author of translations and stories, the Word is named « language ». So every man is called, here and now, to be born as disciple as through language. Jean Grosjean learn us to be sons of the Father, as the « language ». He assimilitates the poetic stance to a pathway of pascal adherence.Pour Jean Grosjean, le langage est un chemin. Son œuvre, tant poétique que critique, ses récits, ses traductions, montrent à l'envi que le parler, chez cet auteur, précède l'être. Le recours très marqué à saint Jean fonde le passage d'une théologie essentialiste à celle, supérieure, du dialogue dans le cœur de Dieu. Dans toute son œuvre, Grosjean ne dissocie jamais le Père du Fils. La vérité même du dialogue en Dieu détermine celle des interlocuteurs privilégiés - les « êtres de langage » - appelés comme Dieu à sortir d'eux-mêmes pour exister. Parler, écrire, laisser les Écritures s'accomplir dans l'écriture même, c'est retrouver l'« abnégation » et l'« abandon » du Père dans la « gloire du Fils ».Lorber Jean-Luc. Langage et filialité dans l'œuvre de Jean Grosjean. In: Revue des Sciences Religieuses, tome 74, fascicule 4, 2000. pp. 466-486
The finite praxis of sense: Jean-Luc Nancy and Claire Denis on the play of intrusion and love
No full textListening to Jean-Luc Nancy
Full text linkEste trabajo se centra en algunos aspectos de la filosofía de Jean-Luc Nancy. Nuestro autor
hace tambalear los cimientos de pensamientos asentados por la inercia de la tradición, se
despoja de las vestiduras y va por libre de otras voces y libre de sí mismo. Su pensamiento
descarna los sellos que han dejado marcas y relieves en la cultura de Occidente, para así ser
solo pensamiento que penetra en lo aprendido. Se posiciona fuera del ensimismamiento
del pensar condicionado, para inaugurar nuevas formas de afrontar el momento actual de
la filosofía.This work focuses on some aspects of Jean-Luc Nancy’s philosophy. Our author shakes the
foundations of thoughts which have been settled by the inertia of tradition, he takes away
his vestments and goes freely from other voices and from himself. His thought removes the
flesh from the seals that have left marks and prominences in Western culture, to become
just a thought which penetrates what has been learnt. He stands out of the absorption of
conditioned thought and opens new ways of achieving current philosophy
Réplique de l’auteur du compte rendu à Jean-Luc Lefebvre [Reply of the author of the report to Jean-Luc Lefebvre]
No full textGodding Philippe. Réplique de l’auteur du compte rendu à Jean-Luc Lefebvre. In: Revue belge de philologie et d'histoire, tome 87, fasc. 2, 2009. pp. 513-515
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