1,720,954 research outputs found
Tsuguo Andô et la littérature française
Get PDFC’est donc pour relativiser le contexte de la langue japonaise, contexte qui impose aux textes littéraires un poids moral, qu’Andô étudie la poésie française intégrée dans un autre contexte linguistique. Andô prête attention, par exemple, à la comparaison célèbre qui se trouve dans la lettre-dédicace à Arsène Houssaye, placée en tête des Petits Poèmes en prose de Baudelaire : le lecteur peut « couper » sa lecture d’un recueil de poèmes, là où il veut et n’importe quand, comme s’il coupait un serpent en tronçons. Comme beaucoup de critiques, Andô apprécie le goût grotesque de Baudelaire qui assimile le mouvement de l’imagination des lecteurs à celui du corps d’un serpent. Cependant, selon Andô, les lecteurs japonais doivent aussi savoir que cette comparaison impressionne les lecteurs français d’autant plus qu’elle leur fait penser naturellement à un acte qui leur est familier : couper des pages. En France, jusqu’à ces derniers temps, on lisait en coupant des pages (ce n’était pas le cas au Japon) et c’est cette expérience quotidienne qui donne une matérialité à la comparaison du livre-serpent
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Baudelaire et le progrés
No full textLa croyance au progrès entraîne, selon Baudelaire, trois dégradations solidaires. Baudelaire, qui déploie pour lui-même une énergie créatrice qu'il ne retrouve pas dans la société de son temps, prend conscience du mal qu'implique cette énergie, ce qui suscite en lui un sentiment de culpabilité. Le mal étant inhérent à la nature entière, ce remords témoigne de sa supériorité morale sur les zélateurs du progrès, qui croient à la bonté originelle de l'homme et de la nature. Et en recherchant ceux qui partagent sa déréliction, le poète tente d'établir avec eux une communauté spirituelle qu'il oppose au désordre social du XIXe siècle. La première partie de notre thèse a ainsi pour but d'éclairer le mécanisme par lequel le poète résiste à la société en proie au progrès, dégradée esthétiquement, moralement et socialement. La deuxième partie montre, cependant, que ses résistances finissent toujours par un échec. De même qu'il poursuit l'idéal pour s'apercevoir de son impossibilité, la sympathie qu'il ressent pour autrui s'effondre au moment où il rencontre son image véritable. Devant l'impasse de la résistance, il n'y a pas de solution définitive, mais une répétition perpétuelle. La troisième partie étudie ses réactions à l'art de son époque. En précisant ses relations avec les tendances artistiques, notamment avec l'art progressiste et le réalisme, nous constatons que son hostilité au progrès se reflète dans sa propre activité poétique et critique.To Baudelaire belief in progress entails three forms of degradation which are inseparable. While he exercises a creative energy hard to find in modern society, he is also conscious of the Evil which this involves, and which awakens in him a feeling of guilt. But because to him the Evil is inherent in the whole of Nature, this sense of remorse confirms his moral superiority over the partisans of progress, with their faith in the original goodness of Man and Nature. Seeking like-minded spirits who share his sense of dereliction, the poet attempts to establish with them a harmonious community which he contrasts with the social disorders of the nineteenth century. Thus the first part of this treatise aims to clarify the ways in which the poet resists a society besotted with progress, aesthetically, morally, and socially degraded. The second part, however, demonstrates that this resistance always ends in failure. As his pursuit of the ideal only leads to a realization of its impossibility, so the sympathy which he feels for others breaks down the moment he encounters their true image. In the face of this dilemma of resistance, there is no ultimate solution, only a perpetual repetition. The third part examines his reactions to the art of his age. By scrutinizing his relations with the artistic developments of the age, especially progressivist art and realism, one can trace how his hostility to progress is reflected in his own poetic and critical practice.PARIS4-BU Serpente (751052129) / SudocSudocFranceF
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
- …
