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    BJC faculty I. E. Solberg and Dean Ralph Werner survey the Sidney J. Lee Auditorium during installation of permanent seats in 1962

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    BJC faculty I. E. Solberg (left) and Dean Ralph Werner (right) survey the Sidney J. Lee Auditorium during installation of permanent seats in 1962. (Photograph by Leo LaLonde; originally published in the Bismarck Tribune, February 23, 1962.

    1951 Jay-Cee-An BJC - Page 54

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    Drawing of social science teacher I. E. Solberg; photograph of classroomI. E. Solberg Economics American Government European Histor

    1967 Jay-Cee-An BJC -- Page 4

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    Photograph of I. E. Solberg, BJC Director of Student PersonnelDirector of Student Personnel I. E. (,(,Esky" Solberg

    1951 Jay-Cee-An BJC - Page [7]

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    Dedication to I. E. Solberg, yearbook advisorDedication Dedicated to Mr. I. E. Solberg . . . . . our 1951 Annual . . . . . . . . " The Joy- Cee- cn" . To this he gave freely of his . Time. Effort . Energy . We admire his qualities of . Thoughtfulness of . Sincerity and of . Thoroughness . Having had him serve as our advisor we hope that these characteristics will mirror themselves not only in this book but also in the lives of the students portrayed . . . . . . . . . In his adventure, beyond the realm of education, we wish him success, . good fortune and happiness

    1967 Jay-Cee-An BJC -- Page 5

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    Dedication to I. E. Solberg, BJC Director of Student PersonnelRarely has a college had an individual who has dedicated his entire loyalty, energy, and life to the administration, faculty and students, as Bismarck Junior College has had. It is with both pride and regret that we dedicate this Jay-Cee-An to I. E. "Esky" Solberg. Esky has been with B. 1. C. since 1945. He has held various positions throughout his career from in-structor to Dean of Students. This was Eskys' last year with Bis-marck Junior College, and it is with great sorrow that we must continue without his assistance. We wish him great success with his new profession, but we will sorely miss him, and we are hopeful he will return upon occasion to confer with us.

    Christmas Programs (1949-1952)

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    This Program includes: First Christmas Program (December 23, 1949); Second Annual Christmas Program (December 22, 1950); Third Annual Christmas Program (December 21, 1951); Fourth Annual Christmas Program (December 19, 1952). Participants include Clarion Larson, organist; BJC Dean Sidney J. Lee; Spanish instructor Mrs. Clell Gannon; Orland Heskin, BJC College Choir director; and I. E Solberg

    1964 Jay-Cee-An BJC -- Page 2

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    Dedication to I. E. Solberg, Director of Student Relations and Economic faculty2 OUR SILVER ANNIVERSARY DEDICATION TO 1. E. (ESKY) SOLBERG Twenty-five years of progress have passed. "Esky" Solberg has devoted fifteen years of diligent work to the successful advancement of BJC. Serving in the capacity of Director of Student Relations, he has giv-en endless hours to student and social activities. A warm smile greets a student at his office door, and he leaves with a feeling of having been understood and assured that there are many brighter days ahead. Ad-vice and counseling are given in the best interests of the student rather than from the school's or teacher's viewpoint. Besides being a counselor, Mr. Solberg teaches Principles of Economics to approximately one-tenth of the student body. These classes offer a rewarding challenge to each student. His class preparations are of-ten very involved, but for the student this instructor exceeds the requirements. Duties at school are by no means the end of "Esky's" activities. He is active in civic affairs, art, music, and fraternal organizations. He also serves on various national economic committees. He amazes students by his ability to leave for New York on Wednesday afternoon, speak at a meeting, and be back in class Friday morning more alert than his students! We, the Silver Anniversary Class of BJC, dedicate this 1964 Jay-Cee-An to our esteemed "Esky" Sol-berg, who has done so much to truly make Bismarck Junior College "a college with a future.

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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