15,543 research outputs found
Yoko Ono : In Facing
No full textOno compares her works dating from the 1960s and 1980s. Kent documents Ono's activities as an artist, including her involvement with the Fluxus movement; O'Pray focuses on the artist's films. Features texts from Ono's works. Biographical notes. Circa 45 bibl. ref
I remember Ikebana
No full textIn this "I remember" memoir, Mariko Ono describes her career in Ikebana, Japanese flower arrangement. Mrs. Ono participates in annual flower shows, conducts classes at various places, including museums and schools, and has been in charge of the Ikebana exhibit at the annual Chow Mein dinners of the Seabrook Chapter of the Japanese American Citizens League. The Seabrook Educational and Cultural Center has been soliciting current and past residents of Seabrook Farms for an "I remember" project. Residents are asked to create narratives regarding their experiences at Seabrook Farms. These memories help preserve the history and multi-cultural heritage of Seabrook Farms
Yoko Ono: impasses e instruções
No full textNeste trabalho investigo a prática performática de Yoko Ono em diversos impasses que ela coloca, a saber: criar e exteriorizar a produção, impasse entre crise e percepção/representação, entre instrução e a desalienação e entre a experiência do olhar e iluminação total. A prática performática de Yoko Ono se apresenta como uma experiência crítica de pensamento. Para isso, debaterei estudos sobre performance de RoseLee Goldberg e Marvin Carlson, estudos sobre as instruções de uso de Belén Gache, e da relação experiência do olhar e iluminação de Jonathan Crary. Isso com objetivo de mostrar como a performance/drama é uma experiência textual capaz de inserir um espaço de política no teatro
Liberté conquérante : Growing Freedom : Yoko Ono
No full text" Conceptually rooted in the spirit of the revolutionary pocketbook, this publication underscores the cornerstones of action, participation and imagination in the work of Yoko Ono. " -- Back cover or catalog
Nutrimento dell'anima. La danza buto. Aforismi e insegnamenti dei maestri
No full textPrima traduzione in italiano degli scritti artistici e teorici di Kazuo Ono, tra i fondatori della danza buto giapponese, e del figlio Yoshito Ono
Clubiona bachmaensis Ono, 2009, sp. nov.
No full textClubiona bachmaensis sp. nov. (Figs. 1-5) Diagnosis. This new spider is very unique in having wide head, long opisthosoma and long legs without special hair tuft on tarsus of leg II, especially in the structure of male palpal organ. The tibia of male palp is long and simple with a retrolateral apophysis digitiform, the cymbium is relatively long and the tegulum is also long and simple with a short and spiniform embolus and membranous conductor. This structure closely allied to that in the species of the genus Pteroneta established by Deeleman-Reinhold (2001) on the basis of some species recorded from the Ryukyu Islands, Japan, Sulawesi and Lesser Sunda Islands, Indonesia, Borneo, Malaysia and Brunei, and Singapore. However, these Pteroneta species have somewhat small and short body, short legs, robust chelicerae with developed teeth, and special hair tuft on tarsus of leg II, all of which are different in the new spider. Therefore, the present author put it in the genus Clubiona in a wide sense. The general appearance of the new spider resembles species of Clubiona hystrix group defined by Deeleman-Reinhold (2001). Type specimen. Holotype: male from Bach Ma National Park, 1225 m in elevation, Thua Thien Hue Province, Central Vietnam, 7-VI- 2002, by sweeping method, H. Ono leg. (NSMT Ar 8352). Description (holotype). Measurement: Body length 5.45 mm; prosoma length 2.21 mm, width 1.48 mm; opisthosoma length 3.25 mm, width 1.03 mm; lengths of legs [total length (femur+ patella +tibia +metatarsus +tarsus)]: I 7.73 mm (2.06 + 0.75 + 2.48 + 1.69 + 0.75), II 7.62mm (2.06 + 0.79 + 2.43 + 1.63 + 0.71), m 5.51 mm (1.54 + 0.56 + 1.46 + 1.39 + 0.56), IV 8.72mm (2.34 + 0.79 + 2.25 + 2.63 + 0.71). Prosoma (Fig. 1): Carapace longer than wide (length/width 1.49), head wide and three-fifth the width of carapace, median furrow long. Eyes: the anterior eye row slightly recurved and the posterior row straight in dorsal view, all eyes almost same in size, lateral eyes slightly larger than the median eyes, AME-AME=AME-ALE, PME PME>PME-PLE (2:1), clypeus narrow and same as the anterior width of median ocular area, median ocular area wider than long (length/width 0.64), wider behind than in front (anterior width/posterior width 0.30). Labium much longer than wide (length/width 1.50), sternum longer than wide (length/width 1.14). Chelicera furnished with one large and two smaller teeth on promargin of fang furrow, and three teeth on retromargin (Fig. 2). Legs: Spiniformation: Femora I-IV dorsally 0-1-1-1, prolaterally I-II 0-0-1-1, III-IV 0-0- 1; patellae I-IV dorsally 1-0-1 (apical), III-IV retrolaterally 1; tibiae I-II dorsally 1-0-0-0, ventrally 2-0-2, III-IV dorsally 1-0-1, prolaterally 1-1, retrolaterally 1-0-1, ventrally 1-0-1-0; metatarsi I-II none, III-IV prolaterally 1-1-1 or 1-1-1-1, retrolaterally 1-0-1 (apical) (III) or 1- 1-2 (apical) (IV), ventrally 2-0-1 (apical)(III) or 2-0-1-2 (apical)(IV). Leg formula: IV-I-II-III. Male palp (Figs. 3-5): Slender and simple; retrolateral apophysis of tibia digitiform; embolus spiniform and short, with indistinct membranous conductor. Opisthosoma (Fig. 1): Cylindrical, relatively long (length/width 3.15), with some pairs of long hairs. Coloration and markings: Carapace lemon yellow, chelicerae, maxillae and labium light yellowish brown, sternum white, palps and legs yellowish white. Opisthosoma yellowish white without markings dorsally, pale yellowish white ventrally. Distribution. Central Vietnam (at present known only from the type locality). Etymology. The name of the new species is derived from the type locality. Remark. Female unknown.Published as part of Ono, Hirotsugu, 2009, Three New Spiders of the Families Clubionidae, Liocranidae and Gnaphosidae (Arachnida, Araneae) from Vietnam, pp. 1-8 in Bulletin of the National Museum of Natural Sciences (A) (A) 35 (1) on page 2, DOI: 10.5281/zenodo.58404
Influência da adubação potássica e umidade do solo na produção da soja.
No full textO potássio (K) é o segundo elemento mais absorvido pelas plantas e sua reserva mineral, nos solos da região dos Cerrados, é muito pequena, insuficiente para suprir as quantidades extraídas pelas culturas por cultivos sucessivos e, portatnto, sua reposição ao solo deve ser feita com a adubação (Sousa et al., 2004). O objetivo do trabalho foi determinar o efeito de doses crescentes de K em diferentes condições de umidade no solo sobre as características agronômicas da soja, em casa-de-vegetação
NBER WORKING PAPER SERIES CONSTRAINTS ON THE LEVEL AND EFFICIENT USE OF LABOR IN JAPAN Hiroshi Ono
No full textparticipants in the March 2002 NBER-CEPR-EIJS conference and the Oxford Labor Economics Seminar. All omissions and errors are of course our own. A slightly different version of this paper appears as SSE/EFI Working Paper Series in Economics and Finance 500. The views expressed herein are those of the authors and not necessarily those of the National Bureau of Economic Research. ©2003 by Hiroshi Ono and Marcus E. Rebick. All rights reserved. Short sections of text not to exceed two paragraphs, may be quoted without explicit permission provided that full credit including notice, is given to the source
Reflexos atemporais de Ono no Komachi : representações, tradução e intertextualidade
No full textTrabalho de conclusão de curso (graduação)—Universidade de Brasília, Instituto de Letras, Departamento de Línguas Estrangeiras e Tradução, Licenciatura em Língua e Literatura Japonesa, 2017.A literatura opera como um instrumento de representação e construção da realidade. Entretanto, muito daquilo que se foi escrito e posto como verdade é e será relido, reinterpretado e reescrito de acordo com a visão de uma época, gerando uma nova realidade distinta da anterior. Vê-se, portanto, na literatura, um ciclo sem fim de construções e desconstruções de realidades a partir do choque entre as vozes de quem a lê. A partir do questionamento do quanto do "outro" pode-se avistar no hoje, o presente trabalho investigou a presença e a influência de Ono no Komachi na literatura japonesa sob um prisma atemporal. Tomaram-se três poemas como universo de amostra: um da poeta clássica Ono no Komachi, um da poeta moderna Akiko Yosano e um da poeta contemporânea Machi Tawara. Por meio de traduções e análises intertextuais entre tais poemas, estas fundamentadas basicamente na teoria da intertextualidade de Julia Kristeva, demonstrou-se que tanto as temáticas expressas no poema da poeta clássica quanto seu entendimento acerca desses temas são vistos e aplicados em obras vigentes. Ademais, mediante fichamentos de livros e artigos, identificou-se que determinadas retratações de Ono no Komachi, construídas através de lendas a seu respeito e de peças de Nô que a tem por protagonista, ainda permanecem arraigadas na sociedade japonesa atual.Literature acts as a toll for reality's representation and construction. However, much of what was written and taken as truth will be reread, reinterpreted and rewritten according to the point of view of a time, making a new reality diverse from the previous one. Therefore, it is seen in literature an everlasting cycle of realities' constructions and deconstructions by the clash of voices from whom reads it. From questioning how much of the "other" can be seen at the present moment, this work analyzed Ono no Komachi's presence and influence in Japanese literature under a timeless perspective. It was taken three poems as sample range: one of the classical poet Ono no Komachi, one of the modern poet Akiko Yosano and one of the contemporary poet Machi Tawara. By translations and intertextual analyzes between those poems — analyzes based essentially on Julia Kristeva's intertextuality theory —, it has been shown that both themes expressed in the classical poet's poem and her understanding about these topics are seen and applied in current works. Moreover, through the reading of books and articles, it was recognized that certain Ono no Komachi's portrayals, set up by legends about her and Nô plays that take her as leading figure, remain rooted in current Japanese society
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