1,831,630 research outputs found
E. J. Waddell
No full text"Sapper E. J. Waddell 23rd Field Coy. R. A. E. [signature} EWaddell".Sapper E. J. Waddell 23rd Field Company. Royal Australian Engineers [signature} EWaddell
E. J. Diller, approximately 1860s
No full textCarte-de-visite portrait labeled: "Miss E. J. Diller, Philadelphia, Pa.," probably photographed in the 1860s; may be Eliza Jane Diller (1832-1911).Part of a small collection of photographs in the Alden Partridge Records, possibly from a dissembled photograph album of family and friends, belonging to Henry Villiers Partridge
Oral History Interview with E. J. Billings, December 9, 2008
No full textThe National Museum of the Pacific War presents an interview with E J Billings. Billings joined the Navy V-12 program in February of 1943. He completed Navy flight school in October of 1944. He also completed additional training in aerology and navigation. He provides some details of his schooling, carrier landings and various types of planes he flew, including the SNV and the FM-2 Wildcat. He served as a pilot aboard the FM-2 and traveled to Hawaii. While in Hawaii they practiced bombing runs to support Marine landings. He completed landings aboard the USS Lunga Point (CVE-94). They traveled to Guam, Saipan, Tinian and the Philippines, though never participated in combat. Billings remained in the Reserves and was discharged in December of 1953
E. J. Gilmore
No full text"E. J. Gilmor[e] No 38241 R.A.A F 9 W. M. U [Da]rwin 1943 - 44 [signature] [E]JGilmore".Index to the location of names on the quilt ; F2E. J. Gilmor[e] Number 38241. Royal Australian Air Force. 9 Works Maintenance Unit. [Da]rwin 1943 - 44 [signature] [E]JGilmore.These patches were signed by people who visited the Northern Territory during the Year of Commemoration of the Bombing of Darwin, 1992, or who wrote from interstate or overseas during that year. The quilt measures almost five metres by three, and is designed to resemble a typical porcellanite stone wall as can still be seen on some old Darwin buildings. In addition to the names on the Quilt there are nurse's colourpatch, the emblem of the Civil Construction Corps and twenty pictures of sites which would have been familiar to people of Darwin at the time. Some of the buildings can still be seen today, whereas others have disappeared as a result of enemy action, Cyclone Tracy or the indomitable march of progress. The illustrations on the Quilt were based on photographs taken during the war years and now held in the collections of the Northern Territory Library. The Quilt was made by Jenny Armour, and took about 18 months of weekends and other free time to complete, using techniques of patchwork, applique, and machine embroidery and was quilted using 100% Australian wool batting
Letters from E. White and E. J. Whipple, 1862
No full textDesires to remain in service, and asks to be authorized by telegram. Enclosed a letter from E. J. Whipple regarding the payment of employees on Mendocino Reservation
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
E. J. Pratt
No full textThis volume of E.J. Pratt's selected poems introduces Pratt's poems to the college and university student, to provide the kind of information needed for an informed reading of the poems. The volume offers a full sampling of Pratt's poems chosen on the joint basis of representativeness and intrinsic value.Intro -- CONTENTS -- ACKNOWLEDGMENTS -- EDITORS' INTRODUCTION -- BIOGRAPHICAL CHRONOLOGY -- POEMS -- The Ice-Floes -- The Toll of the Bells -- Come Not the Seasons Here -- The Drowning -- The Fog -- The Ground Swell -- The Shark -- Before an Altar -- Newfoundland -- The Witches' Brew -- Sea-Gulls -- The Sea-Cathedral -- The Iron Door -- Erosion -- The Highway -- The Man and the Machine -- From Stone to Steel -- The Prize Cat -- Silences -- Fire -- The Titanic -- The Baritone -- Brébeuf and His Brethren -- Come Away, Death -- The Truant -- The Good Earth -- Towards the Last Spike -- NOTES -- SELECTED BIBLIOGRAPHY -- INDEX OF TITLES -- INDEX OF FIRST LINESThis volume of E.J. Pratt's selected poems introduces Pratt's poems to the college and university student, to provide the kind of information needed for an informed reading of the poems. The volume offers a full sampling of Pratt's poems chosen on the joint basis of representativeness and intrinsic value.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Letter from E. J. Beauchamp
Get PDFTyped letter from E. J. Beauchamp, Attorney at Law, and secretary of the Comite France-Amerique, to Charlotte Michaud, thanking her for her dedication to the committee\u27s work.https://digitalcommons.usm.maine.edu/michaud-1922-1938/1037/thumbnail.jp
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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