1,721,438 research outputs found
Natural zeolites, par G. Gottardi et E. Galli, 1985
No full textCesbron Fabien. Natural zeolites, par G. Gottardi et E. Galli, 1985. In: Bulletin de Minéralogie, volume 109, 6, 1986. pp. 697-698
Natural zeolites, par G. Gottardi et E. Galli, 1985
No full textCesbron Fabien. Natural zeolites, par G. Gottardi et E. Galli, 1985. In: Bulletin de Minéralogie, volume 109, 6, 1986. pp. 697-698
E. Galli della Loggia, L’aula vuota. Come l’Italia ha distrutto la sua scuola
Full text linkRecensione a: E. Galli della Loggia, L’aula vuota. Come l’Italia ha distrutto la sua scuola, Marsilio, Venezia 2019
Sulle tracce del federalismo fiscale
No full textQuesto lavora passa in rassegna la letteratura economica sul federalismo fscale di prima e seconda generazione, concentrandosi in particolare su due questioni: l’impatto
del federalismo sulla dimensione del settore pubblico e i suoi efetti sulla corruzione.
Nonostante buona parte della letteratura teorica sembri attribuire un ruolo positivo al
federalismo rispetto ad entrambe, l’evidenza empirica suggerisce cautela nel considerare il federalismo come la soluzione dei problemi di fnanza pubblicaThis paper is an overview of the economic literature on fscal federalism of frst and
second generation, focusing on two specifc issues: the impact of federalism on the size
of the public sector and the efects on corruption. Although most of the theoretical literature attributes a positive role to federalism with respect to both issues, the empirical
evidence suggests some caution in considering federalism as an institutional architecture which solves the public fnance problems
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Political Economy of Rural Development, Peasants, International Capital and the State (Rosemary E. Galli, Editor)
No full textHaubert Maxime. The Political Economy of Rural Development, Peasants, International Capital and the State (Rosemary E. Galli, Editor). In: Tiers-Monde, tome 22, n°88, 1981. Transformations agraires. pp. 906-907
The Political Economy of Rural Development, Peasants, International Capital and the State (Rosemary E. Galli, Editor)
No full textHaubert Maxime. The Political Economy of Rural Development, Peasants, International Capital and the State (Rosemary E. Galli, Editor). In: Tiers-Monde, tome 22, n°88, 1981. Transformations agraires. pp. 906-907
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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