1,722,408 research outputs found
E. Barrett Prettyman papers
E. Barrett Prettyman, Jr. (b. 1925), was Katherine Anne Porter's lawyer and close friend from the mid-1960s until her death in 1980. He has been in private practice in Washington, D.C., since 1955, and a partner with the prominent firm of Hogan and Hartson since 1964. He is the author of Death and the Supreme Court. His papers include personal letters and business correspondence relating to Porter. During the lifetime of Mr. Prettyman, no one may quote from these papers unless authorized in writing by him. In addition, researchers may not consult the portion of these papers donated in 1997 without Mr. Prettyman's written permission
I love htee so dear, That I only can leave thee [first line of chorus]
strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
063, Item 076Words by E. Barrett Browing [sic]. Music by Theo. Marzials
I love htee so dear, That I only can leave thee [first line of chorus]
strophic with choruspiano and voiceJohns Hopkins University, Levy Sheet Music Collection, Box
063, Item 076Words by E. Barrett Browing [sic]. Music by Theo. Marzials
"Lady of the Lotus" by William E. Barrett
Originally Published in 1975, Lady of the Lotushas recent|y been reissued by "The Library of SpiritualAdventure", a division of Tarcher Press which republishes "classic novels of the quest for human growth, the evolution of consciousness, and the transformation of the spirit".In this historical novel, William E. Barrett writes about Prince Siddhartha Gautama\u27s quest for truth and final enlightenment, but the author\u27s stated focus is on Yadohara, Siddhartha\u27s wife and the mother of his child. According to Barrett, hundreds of books have been written about Siddhartha/ the Buddha, but this book is the only work about Yadohara
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The construction of Karen Karnak: The multi-author-function
This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Objects of Protection and destruction: The Material Culture of “Magic” in the Mediterranean
This chapter examines both inter- and intra-religious contact and the interface of objects and bodies in the extant magical record from late antiquity. After providing an introduction to the theoretical and methodological issues involved studying magic, I offer a short survey of the types of materials typically labeled “magical.” I then examine select magical materials that cite Psalm 91:1 (= LXX Ps 90:1). Specifically, I compare a series of metal armbands, in which this text is written in Greek in-between medallions that typically depict scenes from the life of Christ, with select Jewish Babylonian Aramaic incantation bowls and related materials (e.g., rings and pendants) that juxtapose Psalm 91:1 with Deut. 6:4 in an every-other-word pattern. I further highlight an armband, which seems to have been composed by a Jewish practitioner based on Christian exemplars, thus attesting to intercultural contact between Christian and Jewish ritual specialists. I also engage with the relationships between things and human bodies, drawing inspiration from recent work on lived ancient religion and related disciplines. I trace the ways in which these magical objects would have merged human bodies with material artifacts and sacred text, noting both the similarities and the differences of these respective thing-body-text entanglements
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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