42,999 research outputs found
Telegram from George E. Carter to Amon G. Carter, Jr.
No full textTelegram from George E. Carter to Amon G. Carter, Jr. upon the death of Amon Giles Carter. The telegram expresses condolences and sympathy from George E. Carter and Mrs. Carter about his death.https://mavmatrix.uta.edu/specialcollections_meachamcarterpapers/1265/thumbnail.jp
Telegram to C. E. Crawley from Amon Giles Carter Sr.
No full textTelegram to C. E. Crawley from Amon Giles Carter Sr. stating his regret and sympathies in light of Gene's deat
Telegram to W. E. Knudsen from Amon Giles Carter Sr.
No full textTelegram to W. E. Knudsen from Amon Giles Carter Sr. stating that Fort Worth is the best site for Consolidated Aircraft's new locatio
The Carter Administration and the Soviet Invasion of Afghanistan
No full textopenIl 24 dicembre del 1979 l'Unione Sovietica diede il via all'invasione dell'Afghanistan. Essa arrivò in un momento cruciale per il presidente americano Jimmy Carter, alle prese con gli ostaggi americani in Iran e a poco meno di un anno dalle elezioni presidenziali. La risposta americana fu molto ampia e vide un cambiamento radicale nella politica estera tenuta dal presidente Carter durante la sua presidenza, ridefinendo gli interessi e la strategia americana nel Golfo Persico e in Afghanistan. Lo scopo della Tesi è di riassumere e analizzare la reazione dall'amministrazione Carter all'invasione, chiedendosi come e perché gli Stati Uniti decisero di formulare la loro risposta e come essa risultò non essere pienamente efficacie.On December 24th, 1979, the Soviet Union launched the invasion of Afghanistan. It came at a crucial time for US President Jimmy Carter, grappling with American hostages in Iran and just under a year before the presidential election. The American response was very broad and saw a radical change in the foreign policy held by President Carter during his presidency, redefining American interests and strategy in the Persian Gulf and Afghanistan. The purpose of the Thesis is to summarize and analyze the Carter administration's reaction to the invasion, asking how and why the United States decided to formulate their response and how it turned out not to be fully effective
Letter re: Amon Carter, Jr.
No full textCopy of letter from Amon Carter to John E. Garrison expressing sympathy at the news that his son, Pvt. John E. Garrison, Jr., was listed as a prisoner of war in Japan
Letter re: Amon Carter, Jr.
No full textCopy of letter from Amon Carter to Mrs. Morris E. Day expressing sympathy at the news that her husband was listed as a prisoner of war in Japan
Benny Carter Quintet in Pakistan (Tape 1)
No full textThe Benny Carter Quintet perform at the American Center in Pakistan as part of the United States State Department tour. At the beginning of the recording, there is a brief intro by the Consul General of the United States and Benny Carter. Then Harry "Sweets" Edison (trumpet), Gildo Mahones (piano), John B. Williams (bass), Earl Palmer (drums), and Benny Carter (alto saxophone) perform "In a Mellotone" (6:27), "Undecided" (15:00), "Wave" (25:17), "Autumn Leaves" (35:58), "Misty" (43:32), and "Perdido" (48:36). This concert was filmed for Karachi television.Berger, M., Berger, E., & Patrick, J. (2002). Benny Carter, a life in American music (2nd ed.). Scarecrow Press, discography number 326.This project was supported by a grant from The Andrew W. Mellon Foundation
Benny Carter Quintet in Pakistan (Tape 2)
No full textThe Benny Carter Quintet perform at the American Center in Pakistan as part of the United States State Department tour. Harry Sweets Edison (trumpet), Gildo Mahones (piano), John B. Williams (bass), Earl Palmer (drums), and Benny Carter (alto saxophone) perform "Supersweet " (0.50), and "Sky Dive" (9:22). At approximately 19:15, Carter introduces vocalist Millicent Browne who sings "Ol' Man River," "Just a Little Lovin' " (21:26), and "A Song for You" (24:32). At approximately 30:28, Browne speaks to the audience and then sings "I'm a Woman" (33:17). Carter introduces the next segment (37:00) and then the Quintet and Browne perform "Everyday I have the Blues" (39:14). Lastly, the Quintet performs "Take the A Train" (46:10). This concert was filmed for Karachi television.Berger, M., Berger, E., & Patrick, J. (2002). Benny Carter, a life in American music (2nd ed.). Scarecrow Press, discography number 326.This project was supported by a grant from The Andrew W. Mellon Foundation
Benny Carter session for Pablo Records (Tape 1)
No full textThis audio recording contains an unissued track from Benny Carter's Wonderland album session for Pablo Records. Benny Carter (composer, alto saxophone, trumpet), Ray Bryant (piano) Milt Hinton (bass), and Grady Tate (drums) perform "Body and Soul" (Carter, trumpet) at 0:08.Berger, M., Berger, E., & Patrick, J. (2002). Benny Carter, a life in American music (2nd ed.). Scarecrow Press, discography number 346.This project was supported by a grant from The Andrew W. Mellon Foundation
Benny Carter session for Pablo Records (Tape 2)
No full textThis audio recording contains unissued tracks from Benny Carter's Wonderland album session for Pablo Records. Benny Carter (composer, alto saxophone, trumpet), Ray Bryant (piano) Milt Hinton (bass), and Grady Tate (drums) perform the following tunes: At 0:32 "Body and Soul" [alternate take] (Carter, trumpet); 6:09 "Editation" (Carter, trumpet; Harry "Sweets" Edison, trumpet, and Eddie Lockjaw Davis, tenor sax). This version of "Editation" differs from the issued version in that Carter's trumpet solo is intact while the issued version has the solo edited per Carter's request to producer Norman Granz.Berger, M., Berger, E., & Patrick, J. (2002). Benny Carter, a life in American music (2nd ed.). Scarecrow Press, discography number 347.This project was supported by a grant from The Andrew W. Mellon Foundation
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